Make Courage Your Flag

The sun beat down mercilessly on Benicio’s head. The heat cut through his hair like scissors, boring deeply into his scalp and turning his dark green tunic into a broiling oven that sapped the strength from his bones. Worse, the dark brown stones of the surrounding canyon soaked in the sun and blasted it back up at him. He could feel it through the wooden soles of his boots. Even with his head down he could feel the heat turning his face bright red.

The air swam with the all consuming rays from on high, giving the world a surreal quality that brought time to a crawl. He’d fled Cezanne as the morning tides came in. Now the sun was directly overhead and it felt like it had been there for the last month.

A voice inside Benicio told him this was an omen. He’d watched Marcello die when the raiders burst from their boat, swarming over the docks and storming into Cezanne. Now his own time was coming. The King of Dreams had parted the veil and he was seeing into Eternity. If the slowly oozing wound where his right arm had been didn’t kill him soon, the desert would.

After all, where else was there to go? The only thing back the way he’d come was Cezanne and he didn’t dare go back to face the bandits again. There was little but rock and desert between his home town and the Fortress Antigone on the border with the Shamsaraj. It was eight miles as the crow flies. Longer through the canyons on foot. It was possible to cross the desert directly if you had a compass and enough water prepared but Benicio had neither.

Weary and confused, he came to a stop under the shadow of a bend in the canyon. A small pile of scree offered a comfortable enough seat for him to wait for the end. He collapsed there and looked at what used to be his right hand. Now it was just a stump, sloppily tied off with a dirty scarf, occasionally dripping dull red blood on the dirty ground. He grabbed one end of the cloth with his teeth and yanked it tighter with his remaining hand.

He wasn’t sure why. It just seemed like the thing to do.

Half a skin of water still hung from his hip, a ration meant to last him the whole morning on the docks. Out here it meant very little. Benicio was always shocked, when he left Cezanne, how quickly the land northeast of the river mouth turned to desert. Almost as quickly as it could claim a life.

For a moment visions of the Adriatic swam before his eyes. An endless expanse of water to slake his burning thirst, except none of it fit to drink.

Another omen.

Benicio’s thoughts were growing more and more scattered and he knew that wasn’t good. He just didn’t know what to do about it. Finally he bit into the cork that sealed his water skin, pulled it out and spat it to one side. Then he tipped back the container, sucked the water down until it was gone and cast it aside with a feeble motion.

For a time all around him was still. Then a distant, breathy voice drifted down the stone path to him.

“Ho there, my suffering friend. What brings you out here to my place of torment? Have you been condemned by Iram as well?”

In his fevered state Benicio wasn’t sure what he heard was real. Iram was the closest city on the Shamsaraj side of the border and he’d heard its name often enough but there was no way he could have traveled anywhere near it under his own power. Not even if he was healthy.

“Who?” He asked the canyon. But the canyon had no answer for him. Convinced he was hearing things Benicio forced himself to his feet once more, this time leaning against the rock wall for support.

“There’s not much breath in you, my friend.” The voice made itself known over the faint ringing in his ears. Perhaps it was louder than he’d thought. “But I cannot say that I am much better. Come this way. If two doomed men must pass our last hours in this forsaken place let us at least have one another’s company.”

“Where are you?”

“Walk forward and I will lead you. Which side of the canyon are you on?”

“The left.” Benicio groped his way forward, pulling with his good arm as much as walking with his feet.

“You will need to cross to the other side.”

Benicio glanced down at the stump of his arm. “I can’t reach you that way.”

“If you don’t you’re liable to miss the turn in your state.”

“I won’t miss it.”

But he almost did. He walked no more than the length of a short street along the docks but every step was a battle. His heart stuttered. His arm throbbed. When he stepped out from under the overhang the sun felt like fire on his back. Finally he arrived in a slightly wider part of the canyon.

A ragged, twiggy tree lay at the bottom of the canyon surrounded by dirt, rocks and scree. The collapsed canyonside around it bore mute testimony to what happened there. The arm, shoulders and head of a Shamsa man poked out from under the rubble, buried by stone and wood but still somehow alive. He was so caked in dirt and filth that Benicio could tell little about him other than that he had a beard. The remains of a turban were tangled in some branches near his head. “Hello, friend.” He moved one arm in a crude imitation of hospitable welcome. “I, Yavid of the Gale, welcome you to our final rest. Avail yourself of the full mercies of our most gracious hosts, the Earth, from which man is made, and the Sky, to which I hope to return.”

Benicio dropped himself onto the ground without grace or comfort. The stones nearby trembled slightly at his impact. “I’m Benicio Blowhard and I’m not staying here.”

Yavid gave a coughing laugh. “No? It is miles from here to the closest city of man and further to Iram.”

“What else is there to do?”

The stranger made a dismissive motion. “You are in no shape to walk, friend Blowhard, and you would not make the trip if you could.”

“Why do you think that?”

“Because you are here with me.”

“You don’t know why that is.”

For the first time Yavid lifted his head, levered his weight against the tree and rocks around him, and looked Benicio in the eye. “You are wrong. I do know.”

Benicio stared back, unimpressed. The Shamsa’s face was every bit as dusty as the rest of him and his eyes swam in their sockets, unable to focus. “Then tell me.”

“You. Ran.” The boy recoiled, shocked at the scorn in the stranger’s voice. “You showed the world your cowardice and ran in fear. Your fear was justified but running was not. You made living your goal and it brought you here, to die with me. How pitiable.”

Benicio swayed, dizzy, and nearly tumbled down into a heap. “How- How did you know?”

Yavid slowly slumped back down into the position he’d been in when they met. “Because when two beings seek the same goal then it is only natural that their paths will cross.”

“Oh.” For a long moment he just stared at the creature buried in the rubble and, just like Yavid, he felt profound pity. “Why?”

Yavid started. Clearly he’d thought their conversation was done. “Why what?”

“Why die? You.” Benicio gestured with his stump, caught himself and did it with his hand. “Sound fine.”

“I cannot dig myself out and the earth saps my strength. Soon I will be nothing but dust on the wind.”

“Oh. Doesn’t look that heavy.”

“Well maybe you could help me if you had both your arms.”

“True.” Benicio giggled. It turned into coughing as he struggled for each breath.

“I’m sorry. I wouldn’t wish dying alone on anyone but I haven’t been very comforting to you have I?” Yavid laughed weakly along with him. “I’ve been here for days, dreading it. I suppose I’ll be alone again, soon enough.”

Benicio got his breathing under control but he knew it wouldn’t last for long. The poor man caught in the rocks seemed healthy enough and it was a shame he should die alone. It seemed like a good idea to set that right so he leaned forward, almost pitching face first into the dirt, and sketched a glyph in the dirt. First was the arch of the crown. Then the long, central pillar that extended from it. Finally, three gently waving lines that crossed the center line, rich with portent.

“What are you doing?” Yavid asked.

“Dreams.” Benicio pointed down with his good hand. “The realm of visions, hopes, potential and imagination. It lies to the south of Eternity. We are closest to it during summer. Or, I guess, I’m closest to it now.”

The Shamsa man snorted. “I know what the symbol is. Why are you drawing it?”

“Does no one in Iram have the gift of the blowhard?”

“Of course they do. But -” Yavid’s eyes widened. “Wait. Your dying breath?”

Benicio nodded. “If the earth drains you I’ll send it away. Then neither of us will face Eternity alone.”

He breathed deep and felt his dying breath stir within him. Perhaps the King of Dreams called out to it. Perhaps no. He’d often heard Heralds of the Kings speak of how the four monarchs who guarded the Gates of Eternity were not a thing to fear. It always struck him as silly. Of course death was scary. But in that moment he saw that death was just the opposite. It hardly mattered at all. Eternity was calling for him and before he departed to it he might as well do whatever last good thing he could set his hand to. So Benicio Blowhard sucked in one last lungful of air, held it for just a moment then let it escape his lungs.

The most powerful wind he had ever blown swept through the canyon. It smashed the tree to kindling. It blew away the scree and stones. It blasted the dirt and grime into a rolling cloud of filth and it lifted a wild-eyed Yavid from the ground into the air. As Benicio’s death rattle sounded in his ears he took great pride in using his gift one last time. Then the scene faded from view.

For a moment he caught a glimpse of something rising from beyond the dust and the debris. The terraces of a gleaming castle, winding eternally upwards into the heavens, overflowing with joy and peace to such an extent that the emotions became waves and the waves flowed down the hillside into a river and on the banks of the river Benicio Blowhard stood, looking about for a place to cross. The banks on his side of the river were covered with grass and blooming clover and all was quiet and idyllic. The far side was shrouded in mists. Yet somehow he knew that was where he really wanted to be.

There was no bridge in sight and the city was massive so going all the way around it to find a bridge might take days. Benicio scrambled down to the riverbank and reached down to touch the water. He found he had no hand to touch it with. Confused, Benicio held up the stump of his arm and stared at it, finding the injury out of keeping with the place he was in.

“It will heal if you cross the river.”

Benicio spun to see a man of green watching him from a little further down the river. At least, it looked like a man. In truth it was a towering figure of light that shone with the warmth and potential of summer, its green appearance less a color and more the power of growth and fulfillment made manifest. “Who are you?”

“I suppose you call me the King of Dreams, and since my name would mean nothing to you that will have to do.”

“How do I get across?”

The figure’s attention drifted off to one side for a moment, as if considering something, then returned to him. “I can show you the way, if you’d like.”

“Why wouldn’t I?”

“Because it will hurt more.” The figured turned and gestured for Benicio to follow him up the bank of the river. When he did so he found himself looking down on a canyon in the desert outside Cezanne. The grassy ground beneath his feet gave way to the skies over Nerona as abruptly as a well kept garden gave way to the paved walkways that run through it.

Dust and debris still filled the air over the canyon but Benicio found he could see through it well enough. Hovering over the canyon, now clean of all dust and grime, Yavid was revealed not as a Shamsa man but a green skinned creature with six arms. He had no lower body but was born aloft on a pillar of roaring air.

Most disconcerting of all, Benicio saw his own body lying there. He turned away and stared at the river again. “What will hurt?”

“Going back.”

Benicio spun on the figure, which seemed to be shrinking steadily down to a human size, and snapped, “No! Why go back? I just breathed my dying breath!”

For all the power radiating off the figure, for all the grim sense of purpose it projected, when it’s shoulders slumped and it sat down on the grassy bank Benicio got the feeling it was laughing at him. The King of Dreams gestured for him to sit as well and, confused, he did so. “It never ceases to amaze me how many people face death and beg, bargain or demand to be sent back. Yet when I find someone who isn’t actually dead and shoo them off they’re almost all ready to be done with living and cross the river.”

Benicio put his head in his hand. “I don’t understand it. I was just a docking, bringing in the ships a few hours ago. Then Master Marcello died and I ran away and didn’t do anything to help anyone and when I tried to do something I wound up here and why am I even here if I’m not allowed to stay? Do you have any idea what that’s like?”

“I do.” For a split second, out of the corner of his eye, Benicio saw the impossible presence of the King of Dreams collapse into a man. Old, a little ragged and quite amused watching a moment of childish angst. Then the vision was gone and he was a figure of light again. “Eventually everyone reckons with Eternity, Benicio. You’re not the first to do so and be sent back. You certainly won’t be the last. Who knows? You may even have to send others back yourself. No one who walks the worlds as a King at the Corner is qualified to do so if they haven’t died at least once.”

“I don’t want to be a king. I couldn’t even blow the ships in properly.”

“Wise words, Benicio Blowhard.” The King of Dreams slapped Benicio on the back and dragged him to his feet. “But you have set your course to something worthwhile. Keep your flag pointed straight towards it and I’m sure you’ll do well enough. Now let’s get you back. Your friend is working hard to save your life and we wouldn’t want his first steps on a worthy path to go unrewarded, would we?”

“No, but…” Benicio looked back towards the grass behind them. “Isn’t he back that way?”

“I’m the King of Dreams, Benicio. I send portents in visions but that doesn’t mean the vision is the thing.” He pointed down towards the river. “Look.”

Benecio looked down and saw his reflection in the river, only it was off. He bent down and reached out the stump of his right arm towards it and the reflection reached back with a healthy arm. Only it wasn’t his own arm. It was slim and green and looked like it belonged to someone else. When the reflection’s fingers touched the surface of the water he snapped awake.

Yavid was holding his head between two hands as another two wove through the air around them in a mysterious pattern. Benicio jerked back, instinctively pushing away with both hands. Still reeling with confusion, he saw that his right arm now looked like one of Yavid’s, a slim thing that looked like it had been carved from green marble. In fact, now that he could see all of the creature’s body he saw that Yavid was missing one of the three right arms he’d had…

When had he seen Yavid with all six arms before? He felt like he had but now he couldn’t remember when. Yet nothing about the creature’s green hue or texture of carved stone surprised him.

The creature drifted back until he was about five feet away then pressed the palms of his top two hands together and bowed to Benicio. “Benicio Blowhard. Forgive me for not stating who I am before. I am Yavid, a djinn of the Gales, born to war on behalf of the djinn lords of Iram, now your humble servant.”

Benicio got to his feet. It was as easy as falling over had been. A complete transformation from how he had felt just moments before. “Seeing how you just saved my life I don’t think there’s a whole lot more serving you need to do for me, Yavid.”

“You sound much more… coherent now, my friend.”

“Well, I feel a lot better, too.” Benicio began dusting himself off, marveling at his strange hand. Everything about it seemed normal except he felt every breath of wind and change in pressure as it moved about. “I’m in your debt, Yavid, and one day I hope to pay it back to you but for now I need to go back to Cezanne. Things there were badly awry when I left.”

The djinn drifted forward, his many hands dropping down to where the waist on a human would be. “Then I shall accompany you. Truly, the one who owes most to the other is I and if I may be of help to you then I must do so.”

Benicio opened his mouth to thank his new friend. Instead he said, “You should go back.”

Yavid stopped short. “What?”

“Go back to Iram, Yavid.” As he spoke the words a growing sense of certainty filled Benicio. He didn’t know why but he knew that was what the other had to do. “You said it yourself, didn’t you? We met because fear drove us to run to our deaths. That was the end of the path we chose and we met because we arrived there at the same time. If I go home I must overcome my fear. If you go with me what is there for you to overcome?”

Yavid ran his hand over his beard, pulling debris from it as he studied Benicio through narrowed eyes. It was hard to read them. Benicio knew little about the people of Shamsa, much less about the djinn that supposedly ruled the skies over their deserts, but it seemed to him Yavid was struggling with anger, embarrassment and yes, a little fear. “I still owe you much, my friend.”

Benicio held up his right hand. “You’ll repay that debt every time I use this. I only wish I had something of equal value to give you.”

“Then…” Yavid broke eye contact for a moment, gathering courage. “Then I will take your name. Having disgraced the Gales, allow me to return to my people as Yavid Blowhard and expunge the disgrace of my own cowardice.”

It occurred to Benicio that he really didn’t know much about djinn. What kinds of cowardice might lead one to a canyon in Nerona where he nearly died half buried in his enemy, the earth?

Still. Perhaps Benicio didn’t need to know. It wasn’t like the name Blowhard had a particular honor among men that needed defending. “Very well, Yavid. I hope when we meet again you’ll have proved worthy of the name.”

“If we meet again I trust you will find it so.”

Benicio considered that and then he smiled. “We met once because we followed the same path, didn’t we?” The djinn nodded. “Then make courage your flag and I’m sure we’ll cross paths again in due time.”

Yavid gave a thoughtful nod. “Until then, my friend. Until then.”

The Polaris Brothers

“Where is that thing?” Luciano muttered as he hung in the air, twenty feet above the ground, eyes searching desperately along empty rooftops. After just a few seconds the earth reasserted it’s will and he dropped back down on it with a heavy thud.

“You see anything?” Weyland asked him, absently rubbing the palm of his left hand with his right thumb.

“Well, it’s not on that side of the street at least.” Luciano pivoted on his heel and crouched down, gathering strength in his legs, then he leapt up once again. His Gift carried him up once more and the town of Cosentia spread out below him. The snug cottages had stood along the Valentine river for a half a dozen generations, solid stone walls with airy thatched roofs along streets that paralleled the river’s course for about half a mile.

While the landscape was pleasant and peaceful Luciano didn’t have eyes for much of it. He was scanning the tops of the houses carefully. Halfway through his latest jump he spotted it. When he next landed beside Weyland he pointed to a house just a little to their right. “It’s on the roof, right in the middle of the thatch.”

Weyland nodded and stretched his right hand, palm out towards the stone peak of the roof. He clenched his hand and his own Gift grasped the stone wall and dragged him upwards. Since they were children Weyland’s grasp had proven a remarkably safe way to move things. Others in Cosentia had the same gift but ran the risk of breaking the things they grasped or yanking their arms out of socket when the weight of an object proved more than they expected. Weyland never overburdened himself. At the same time, he could pull a crystal goblet across the whole town in five seconds without even cracking it.

Unless a wall got in the way. No one was perfect, after all.

Of course, an object the size of a house was too big to move so Weyland was dragged to the peak of the roof by his grasp, casually hopping off the cobblestones and onto the stone wall and running up it sideways as he let his Gift pull him along. A moment later his right hand rested flatly against the wall and he came to a stop. Though Luciano was used to seeing him do such things he still found his brother an odd sight. Young and lanky, fair blond hair and scraggly beard whipping in the autumn breeze, bright yellow tunic and red pants painted in muted tones by the light of the setting sun, Weyland looked even more out of place than normal.

Unbothered by the odd figure he cut, Weyland dragged his head over the top of the roof and stretched his left hand out over the edge of the roof. Luciano couldn’t see what Weyland was doing but he knew the motions all the same. Weyland would Grasp the small bundle of cloth tied into a round ball by cord then draw it to himself. When it got close, he’d whip his hand around and release his Grasp, sending it flying. Luciano counted out the timing to himself. Then he took two steps down the street and leapt up and forward fifteen feet to catch the ball on his chest, bounce it off one knee and grab it in both hands. He landed on the ground to a smattering of applause from people passing on the street.

Luciano sketched a quick bow, whipping his shapeless cap off the top of his head and waving it before his knees like he was a traveling Maestro. Then he tugged the cap back on over his black curls and trotted back to Weyland. His brother had let himself down the side of the building, grasping the wall at intervals of two or three feet and sliding down until his palm was flat against his target, repeating it over and over again until he reached the ground. Luciano casually dropped the ball and kicked it over towards Weyland’s head.

Weyland stretched a hand out and grasped the ball, dragging it off course and looping it around his back then slingshotting it back at his brother. Luciano bounced it off his forehead and kicked it to Weyland again. Back and forth it went as the two boys worked their way north towards their home on the banks of the river, the lay of the land and the passing of the ball as familiar to them as their own hands. So Luciano was surprised when he kicked the ball straight at Weyland’s stomach and it actually connected. Of course, the ball was just loosely packed cloth so it bounced off harmlessly but he didn’t understand why his brother missed such a simple catch until he followed the line of Weyland’s eyes up, over his shoulder and towards the river.

Or rather, where the river should have been.

Instead of flowing water, a towering serpent of brackish liquid stretched up and out of the riverbed, looping around one of the three bridges that crossed into Cosentia and staring down into the town’s central square. Icy hands grabbed hold of Luciano’s stomach. Every man and woman was born with a Gift but not all Gifts were as common as his leap or his brother’s grasp. Few indeed were those who could invoke. Certainly Luciano had never met one or even heard of one visiting the town. There were far greener pastures for people who could bind the spirits of a place to their will and invoke their powers in the physical realm.

Yet clearly someone had done just that with the spirit of the Valentine River.

Weyland grasped their ball and dragged it back into his hand in an absent minded fashion then shoved it into Luciano’s arms. Then the two of them dashed down the street, watching the banks of the river. There was something hypnotic about the rushing of the misdirected river water, the gradual sway of the twisting serpent and the surreal atmosphere of a spirit made manifest that drew the boys in. The small houses and mills lining the side of the river opened as the crossroad gave way to the bridge spanning the river.

On the bridge was a man in a worn traveling cloak over chain mail who carried a tall, gnarled, heavy cane. Four gems were embedded on the top of the cane, one of which glowed with a pale green light while the other three reflected the illumination in their dark, polished faces. The green light cast strange, sinister shadows over the man’s face and salt and pepper hair.

The mayor of Cosentia, Phillipe Mender, was there by the bridge. Phillipe was white haired and stooped, with none of the force of personality or very obvious power of the stranger. He didn’t look intimidated, though. “Who are you, stranger,” the mayor demanded of the other, “and why have you roused our river from it’s restless slumber?”

“I am Julian Treivaggio Renician Borgia,” the stranger intoned, his voice reminding Luciano of a pompous Herald who thought his title made him important. “I come on behalf of the Borgias to place this village under our protection.”

A murmur rippled through the crowd of Cosentians who were gathering around the bridge. Luciano caught the name Borgia repeated over and over again but the whispers were too quick and quiet for him to glean any significance to them. Even Phillipe looked a little intimidated by the name. “Respectfully, Signor Borgia, the people of Cosentia are subjects of the Prince of Torrence and while we understand the influence of your family, the city of Renice is far away across the troubled waters of Lum. What protection can you offer us that Torrence cannot?”

“What protection does Torrence offer you now?” Julian countered. The towering water serpent slowly wrapped itself around the bridge as Julian swaggered off of it, the liquid coils tightening until the stone grated and rumbled ominously. “Do they watch the roads for danger? Are there no bandits in the mountains or thunder eels in the waterways? In this moment of peril, what benefit does Torrence have for you, pray tell?”

Phillipe snorted. “Will the Borgias be any better?”

“To purchase the protection of Papa Borgia is to purchase back your very lives from a watery grave,” Julian sneered. He pushed past the mayor to strut down through the town square, raising his voice until anyone near the bridge could hear him. “What is Cosentia? A town on a half forgotten tributary of the least important river ever to feed the Gulf of Lum.”

Some people muttered displeasure but Luciano thought it odd none of them spoke louder than that. He’d often heard that a peasant in Torrence was worth a dozen nobles in Renice or Lome. Then again, in the face of a living river such sentiments were very difficult to hold on to.

Julian continued his steady circuit around the square. “What do you have to offer Torrence? Plain women? Wine vinegar? Fish that, no matter how fresh when first caught, will be rotting and putrid by the time any worthy of that city receives them? You’re nothing more than the caretakers of a few rundown bridges. No one even cares whether they still stand. What is beyond them? The lowlands and vineyards those roads once led to are long since lost to the waters of Lum. The only thing you’re good for is to give us what few pitiful coins you have in exchange for another day of life.”

Luciano and Weyland were caught up in an ever-growing press of townspeople watching the drama. A few paces in front of them, Petrucio Ironhand, the blacksmith, snorted under his breath and muttered, “And all this one’s good for tiresome speeches. Is he an Invoker or a Blowhard?”

The serpent of the river and Julian both spun their heads to stare at Petrucio in eerie synchronization and the invoker spun on his heel and crossed the square swiftly. A strange light glinted in his eyes and the left jewel on his cane. “Perhaps the savages of Cosentia don’t understand reasoned speech any better than they know the subtleties of the great Gifts.” The crowd parted before Julian’s approach, leaving Petrucio alone before the interloper. “Tell me, you of the ignorant mouth and filthy hands, did you know that an invoker can see and hear all that his spirits see and hear?”

“Well…” Petrucio’s startled expression and suddenly sweaty skin suggested that no, he had not.

Before he could say anything else the riverine snake darted down and snatched him away, his body sucked up into the river water until it was little more than a dark shadow in the rushing waters coiling about the bridge. Julian spun, clubbing another man who had tried to shove Petrucio out of the way over the head with his cane. “Pathetic, all of you. Slinking and whispering when you think no one looks, totally unable to recognize when you are in the presence of those who are truly beyond your abilities.” He kicked the man back into the crowd. “It would be so much easier to simply buy your safety but you cannot conceive of such a thing in your feeble minds.”

The sudden and uncertain fate of Petrucio had clearly dealt a hard blow to Phillipe’s spirit and the mayor raised his hands in a placating gesture. “Of course, of course, Signor Borgia. Tell me what price Papa Borgia is demanding and we shall work out a way to pay it.”

Julain pointed in the direction the serpent had dragged Petrucio. “You can start by bringing me that fool’s wife so she can be sold. Cosentia has missed it’s opportunity to buy protection for money, Mayor Mender, for the Borgias do not abide disrespect even if it is rooted in idiocy rather than malice. We will take our price from your people this time. You can bring me thirty whores for the pleasure district of Renice or thirty laborers to work the galleys of her harbors. Or thirty of you can die today. The choice is yours.”

The crowd murmured again but Julian Borgia silenced them by slamming his staff on the ground once, the gems set there sparking with multicolored lights. “What of it? Who is here to defend you, the Prince of Torrence? Benicio Gale? Or will you call down the Kings at the Corners upon me?” He gestured up to the sky, where dusk was giving way to the first glimmers of starlight. “Perhaps the King of Stars will intervene on you behalf!”

A small choking noise next to him alerted Luciano to his brother’s growing rage. Weyland was clenching and unclenching his fists as he quietly shifted back and forth on the balls of his feet, one eyebrow twitching slightly. He put a lot of faith in omens from the four kings. Unfortunately, the small noise he made was enough to draw Julian’s attention. He crossed the last few steps to Weyland, again parting the crowd through his mere presence, and looked the boy over hard. “What is this, then?” He grabbed Weyland’s shoulder and loomed over him. The Borgia was at least six inches taller than Luciano’s brother, who was by no means small. “I know this place is far to the north but I didn’t expect the Isenkinder to be starting families here. They work hard, though. If you give me the whole family I’ll count them double.”

“Oh you will, will you?” The words were out of Luciano’s mouth before he had a chance to think about them. He realized he was still holding the ball and tossed it aside as he stepped in front of his brother, suddenly finding it hard to focus on the giant man in front of him. “Thank you, but no. My brother is too good for the likes of you.”

Julian stared at Luciano, his mouth agape, then he turned to examine Weyland, then Luciano again. Luciano was suddenly very cognizant of the difference in height between himself and his brother, who towered over him as much as Julian did over Weyland. The contrast between his black, curling hair and Weyland’s straight, yellow locks. His brother’s round, craggy face with pinkish, often burnt skin and his own thin, sharp nose and olive complexion. Julian’s gaping turned to a malicious smile. “Your brother? What a fascinating thing to say.”

“Yes, my brother. I’ll thank you to keep you hands off him. And Cosentia as well.” An instinctive spasm twitched through Luciano’s left leg, a physical manifestation of the bizarre energy suddenly coursing through his blood. “Who do you think you are, claiming our people? Weyland was born in Isenlund but he has been here these ten years since his parents caught blood lung and he’s far more claim on this village than you. You’re no one here.”

Julian’s smile turned into a sneer. “Let me teach you a lesson about the world outside your village, boy. Out there, kin is not something so quaint. You grew up with this child so you call him your brother? Nonsense.” He tapped his chest with his cane. The gems flashed and stayed lit as the river spirit loomed down over the three of them. “I am a Borgia, kin to Grigori Borgia, the greatest man in Renice, and though I’ve never met him the blood and oaths that bond us are unshakeable. We share a place of birth, the blood of Castor Borgia runs through both our veins and the bread and wine of our house is shared among us all during the great feasts. These are powerful portents that tie us together. What do you two have?”

“When the King of Scars took my parents to the Eternal City Luciano’s family took me in,” Weyland growled. “We’ve worked the vineyards to make your wine. We’ve climbed the mountains to the headwaters of the Valentine. We eat at the same table under the same roof. What more could you ask for?

“What more?” Julian laughed, a deep, rasping sound like the bottom of a pot of stew burning when left too long on the coals. “There is more to a family than simply spending time around one another. The hen and the goat graze in the same field but they are not related for it isn’t in their nature to share anything. So it is with you.”

The Borgia turned to grin at the mayor. “Still, I think I will take these two boys. Twenty eight more to buy your protection.”

“Or we could ask the King of Stars,” Luciano said.

An irate expression crossed Julian’s face before he composed himself and he turned to Luciano. “Boy. The river can take you if you insist on talking.”

“But you said we could call on the King of Stars,” Luciano said, pointing up to bright Polaris, just beginning to shine out through the growing dusk. “And there is his First Herald.”

“Oh.” Julian twisted his lips into something like a smile. “You want to go and join your friend’s parents in the Eternal City?”

“You say we need powerful portents to tie us together. But the Kings at the Corners of Eternity set forth a man’s future in their omens and guide his steps by their Heralds from the time we are born until the time we pass through Eternity’s gates into what lies beyond. If a shared sign is all we need to be family and we can’t share birth or blood I suppose we’ll just have to die the same day.”

Luciano shot Weyland a sly look and saw his brother was grinning back at him. “So you think if we die the same day, that makes him wrong?”

“That’s the shape of it.”

“But if he doesn’t kill us he’s a fool,” Weyland mused.

“Don’t play word games with me,” Julian hissed, pointing his staff at Weyland in menacing fashion. “You can see who the fool is when we chain you to the galleys.”

“Try it.” The boys replied in unison.

Luciano leapt into the air using the full power of his Gift. A split second after his feet left the ground he felt Weyland grasp onto him and the two of them shot upwards as the living river crashed through the place they’d just been like a runaway wave. The mass of water heaved and coiled through the town square as the two boys flew in a long, flat arc up and over the dry riverbed. At the peak of the arc Weyland released his grasp. Luciano fell down and smashed into the road on the other side of the river, his Gift allowing him to dig deep ruts in the dirt there without suffering any of the impact, while Weyland reached out one hand and grasped onto the roof of a boathouse on that side of the river then dragged himself towards it to break his fall. He landed a bit hard but rolled and came up looking okay.

The escape was short lived. The living river scooped Julian up in its coils, the churning mass of water twisting around the old stone bridge and shattering it into rubble. Then both invoker and his invoked spirit turned and rushed across the riverbed towards them. Weyland let go of the boathouse roof and reached his empty hand back.

“Aleyup!” He called.

A piece of rubble from the bridge about the size of a man’s chest shot towards Weyland, who then slung it around in a tight circle at the end of his Grasp. The serpent bobbed evasively when Weyland released the chunk of rock. But instead of throwing it at Julian Weyland tossed it towards Luciano who, in turn, focused his Gift and kicked a foot up at just the right moment for the rubble to land flat against his sole.

Then he leapt.

With nothing more than a small rock to brace against even Luciano’s gift didn’t take him very far. The chunk of stone, on the other hand, shot away from him and towards Julian like it was launched from a trebuchet. With both invoker and spirit focused on Weyland neither one saw the attack coming. The rock struck the water snake with a loud splash, shot through the water and smashed into the Borgia’s side with a surprisingly loud thud.

Julian cried out and swayed. In that moment Weyland reached out one hand and grasped, yanking the man’s staff from his hand and sending it careening off into the distance. The serpent shuddered as swayed, sheets of water dropping off of it and running through the streets. It didn’t fully return to the riverbed but it did shrink to about half its previous size, sinking down to ground level long enough for its rider to disembark.

With a wave of his hand Julian sent the river serpent up towards Luciano, who sprang off the ground to the roof of the boathouse to the tower of the old Herald’s Hall across the street. Weyland went the other way, grasping the central of stables and houses to pull himself from building to building like a spider weaving an invisible web.

Julian kept his attention on Luciano. The invoked river had shrunken but it was still large enough to wrap fully around the tower twice as it rose up towards the roof. “This is inevitable, child!” Julian shouted. “This is not some simple flood you can outrun by moving to higher ground, this is your doom, written in the hand of your betters!”

“Eternity keeps our fates,” Luciano called back. “If you’re a Herald for it you’re the funniest looking one I’ve ever seen.”

“You don’t understand how this game is played!”

That was something they agreed on. As the watery snake’s head came even with the roof Luciano leaped out over it. This was obviously what Julian had been expecting as he had produced a crankbow from somewhere within his cloak and now aimed it at the boy, tracking him towards his landing spot.

Except Luciano didn’t land there. He stretched his body out as flat as he could make it and let Weyland grasp a hold of him from a few hundred feet down the road, swinging him in a long, pendulous arc that nearly scraped his toes off on the cobblestones. As Luciano swung past Weyland’s vantage on the stable’s roof the blond boy released his grasp, letting his brother shoot straight up under the influence of all that freed momentum.

Luciano could look down and see everything that happened in the seconds after.

The river serpent struck at Weyland, grabbing him in its mouth and dragging him into the churning waters of its body. Just before his head vanished into the water he grabbed hold of Luciano once more as he reached the apex of his jump. His brother’s gift slung him down towards the ground at a pace that would frighten most people. Leapers never feared landing, though, so Luciano focused on the target Weyland had given him in that last second above water.

Because his brother hadn’t just pulled him towards the ground. He had aimed him at Julian, who’s attention was still focused on directing his invoked spirit. The Borgia didn’t realize something was amiss until a split second before Luciano collided with him.

Luciano’s gift made it impossible for him to get hurt when falling from great heights. The same was not true for the things he landed on. Until that day he had never landed on a person before.

For a moment after Luciano crashed into Julian the serpent froze in place. Then mass of water crashed to the ground and swept away, not like water running off after a storm but like a mass of worms squirming for cover after a rock is taken from on top of them. The liquid kept to the streets, avoiding buildings and people as it rushed back towards the riverbed. It even left Weyland and Petrucio where they were.

Although for whatever reason it chose to sweep away the remains of Julian Borgia.

Luciano picked himself up off the ground and made his way to his brother, trying to control his shaking. Thankfully, Weyland rolled over and struggled to his feet at the same time. After coughing out a little water he shook his head and said, “I think that was the worst idea you’ve ever had.”

“Worse than the time I tried to catch a cardinal by jumping out of our olive tree?”

“Yeah, worse than that. I still miss that tree, though.” Weyland spat some kind of grit out of his mouth and glanced up towards Polaris. “The King of Stars seemed to like it, though.”

Luciano threw one arm over his brother’s shoulders. “So you think he’ll come to collect us on the same day?”

“Maybe. If that’s what it takes for us to be brothers, I won’t complain.”

“Let’s try not to find out for sure any time soon.”

“Right.” Weyland straightened up and started towards the blacksmith. “Let’s hope he hasn’t come for Petrucio either.”

Luciano nodded and took one last look at Polaris. It had been high in the sky the night his parents told him Weyland would be his brother. Now, here it was again. A good omen. Hopefully it would always be so.

Poor Scheduling

Due to an inability to read calendars, this week’s post got scheduled to publish last week. As such, there will be no full length post this week. We apologize for the inconvenience and will return you to your regularly scheduled programming next Saturday, the 23rd. See you then!

Book Binding

The runner burst into the bullpen and announced, “There’s an Anarchy loose on Baker’s Street!”

Vander dropped his pile of Ink slips in a heap on his desk, grabbed his ledger and leapt to his feet, head swiveling until he spotted the boy. “When did it appear?”

“Twelve minutes ago, give or take,” the runner said, dashing up to him, doffing his cap by the brim and fishing out a sheet of paper.

“Has the Tower of Law dispatched anyone yet?” Vander flipped his ledger open and creased a page back towards the binding, creating a new section.

“George Randolph Hartley, the Elder.” The runner offered Vander the slip of paper with his bet marked on it. “I have twenty on him taking it.”

“I haven’t even put odds on it yet,” Vander said.

The runner offered a savage grin. “On Hartley? Come on, Van, you know he never fails.”

Vander plucked the page out of the runner’s hands and slid it into his ledger, letting the book’s Axioms bind it in place. “That’s not the way the odds work, boy. Stick with the Library long enough and you’ll learn to appreciate that.”

“I’ll learn whatever you want so long as you give me the odds.”

“Three to one.”

“Good enough for me.” The runner grinned again and took off to whatever the next stop on his circuit was.

The ledger went into the inside pocket of Vander’s jacket as he pulled it on. As he snatched his hat off his desk he slipped his oddsmaker’s card into its band before tugging it onto his head. A check of his pockets confirmed he had all his blank slips and Ink bottles. With a nod to himself he strode out the door of the Library bullpen towards Baker’s Street.

It hadn’t been that long since Vander was a runner himself and the urge to take off for his destination in a dead run was hard to ignore. However, that wasn’t his part to play anymore. Oddsmakers had other things to think about. So he tilted his hat back and strode confidently down the streets towards the south, one hand resting inside his coat on top of his ledger. It took all of thirty seconds for the good people of Ivybrook to take note of him.

“Hullo, Oddsmaker!” Called a pug faced boot waxer, hopping up from his stool on the street corner. “What’s the word?”

“A loose Anarchy in the brick maker’s paradise, my good shoe shine. They say Mr. Hartly himself is on his way to care for it.” Vander flicked his ledger out and the book opened itself, hovering in the air in front of him in an expectant fashion. With his other hand the oddsmaker offered the other man a slip. “Take a chance on it?”

“What kind of Anarchy?” The boot waxer asked, his deep set eyes suspicious. “And the younger Hartley or the elder?”

“The elder,” Vander said, proceeding onward at a steady pace. “No word on the class of Anarchy yet, though we’ve had plenty of Sensory Anarchies in the last few months. We’re overdue for a Material one.”

The shoe shiner fell in beside Vander as he scratched his scraggly beard. He had to trot along quickly to keep up with Vander’s longer strides. “Aye, that’s what worries me. Hartley’s old and savvy but his Axioms are a bad fit for a Material Anarchy on the biggest brick baking street in the city!”

“You could always bet on the Anarchy…”

“Ain’t sit right to bet against the home boys.”

Vander slowed a bit and stared hard at the boot waxer’s watery blue eyes. “Sir, you’re not speaking to any old oddsmaker. I am from the Library of Chances!” He held out the Ink slip. “We give odds on anything you’d like, and if you’d like four to one on the chance that Hartley finds Ivybrook’s seventh Sensory Anarchy in a row then you may certainly have it.”

Those eyes sparkled at the offer of easy wealth. The boot black took the slip and deposited several drops of Ink onto it saying, “That’s quite a generous offer, oddsmaker. I’ll put five on it.”

He squashed his thumb onto the last drop of Ink and handed the slip back to Vander before returning to his shoe shine station. Like the first drop of rain from the sky, the boot waxer’s Ink was rapidly followed by a torrent more. Vander hadn’t even bound the slip into his ledger before two businessmen in fine waistcoats and billowing robes approached him. The taller worried the point of his ivory beard between his fingers as he said, “Anarchy on Baker Street, was it?”

“As you say, sir!”

The shorter had produced his own Ink bottle from his pocket and dribbled some of the precious substance onto a paper as he said, “Fifty drops says it gives old Hartley the slip.”

“A daring choice, to be sure, though at six to one odds it’s worth considering,” Vander said, binding the man’s betting sheet to his ledger. “Not a fan of Hartley’s?”

“Not a fan of easy Ink,” the taller said with a laugh. “Ten drops on the Anarchy being Material.”

Another Ink slip bound into the ledger. “That will get you two and a half to one, sir.”

They turned back towards their original destination and Vander continued on his way. Once he rounded the corner at Ordination Street it was a straight shot south to Baker Street, moving at the same even pace the whole way. Word of the Anarchy there had already spread. At least a dozen other citizens stopped to ask what brought him into the street and what odds he would give them on this aspect or that.

As Vander got closer to the scene of the action he passed more and more people moving away from it. Few stopped to ask him questions or place bets. Fewer still responded when he asked them questions. It was a common problem when giving odds on something as dangerous as an Anarchy. Most people didn’t want to look at it too closely, not when they could just leave the vicinity as quickly as possible. Yet good odds required good information and good instincts. Vander had carefully cultivated the latter over the years but getting ahold of the former never seemed to get any easier. It was confounding considering how much Shirelings loved gossip under other circumstances.

Ultimately there was nothing for it but getting to Baker Street as soon as possible. As the city’s crowds thinned out the brick kilns that gave the street its name came into view, a perpetual coal haze giving the neighborhood a grimy feel. In sharp contrast a piece of rich, purple cloth with bright red embroidery hung from the open doorway of a shop front, flapping gently in the fall breeze. A twinge of anticipation shot up his spine. He was getting close.

“Sarah, Sarah, Sarah O’Hara,” he whispered under his breath. “Bright red locks and skin so fair…”

As if summoned by the lyrics of the children’s rhyme, the woman herself emerged from the fabric, the cloth of her veil emerging from the scarf she’d left in the doorway with a sudden twist that defied human vision. One moment the doorway was empty, the next she was there. With a flip of a single hand, gloved in the same cloth, she pulled a blood smeared workman out behind her and gently laid him down on the ground. She knelt down by him, a bottle of some tonic in one hand, but he waved her away. She hesitated, clearly of two minds.

“Miss O’Hara!” Vander called, closing his ledger and increasing his pace to a light jog. “Miss O’Hara! A moment of your time!”

Her attention swung around to him, a worried look quickly melting into an expression of contempt that was a poor fit for her fine boned features. Like Hartley, her senior Lawman, she was no fan of the Library. “No bets, oddsmaker.”

“Just a question then?”

In response she rose back to her feet, the cloth fluttered between them and she vanished into it once again. The workman watched her go with a vaguely satisfied look. Vander knelt down beside him, opening his ledger once more. “It got you, did it?”

“Glancing hit,” the man whispered. “Here to put the odds on it?”

“What else?” Vander examined the man, looking for the source of the blood, but realized it was just a slowly leaking scrape on his forehead. Hardly enough to explain his thready voice and pale color. He carefully probed the bricklayer’s torso and elicited a groan.

“Side,” he muttered. “Crushed ribs.” Vander heard a wet gurgle in the second word but he tried to ignore it.

“A Material Anarchy then,” Vander muttered. “And half the neighborhood full of bricks. What is it doing with them? Melting them? Bouncing them like rubber?”

“Not Material.” The bricklayer carefully pointed at a ceramic tile with a blue star painted on its glazed surface, for sale in the window beside them. “Sidereal.”

Vander’s stomach clenched. A Sidereal Anarchy in Ivybrook? He’d have to check the Library to know when the last time something that unlikely had happened. If it ever had.

“Oddsmaker.” The other man tapped him on the leg. “A bet.”

Vander shook off his surprise and pulled an Ink slip from his pocket. “Of course, sir. Your name?”

“George. George Potter.”

“Ah! The same name as Master Hartley. That’s some luck, sharing a name with the Lawman who came to save you.” Vander forced himself to smile, doing his best to appear comforting.

“Some luck. Yes.” George’s smile looked almost serene. “My bet: I survive the day. Three drops. What odds?”

Vander’s smile faded as the nature of his work forced him to answer. “Eighty to one.”

The brick maker looked skeptical. “And what are they in truth?”

“Eighty two to one.”

“Less than I thought. Five drops, then.” He pulled a small, porcelain bottle from his pants pocket and held it out, hand shaking. “George Potter, Twenty Six Pushkin Lane.”

Vander quickly finished filling out the Ink slip and took the bottle from him. “Best keep breathing, then, Mr. Potter. Now, if you’ll forgive me, duty calls.”

The Anarchy itself was only a block and a half away, looming over the intersection of Baker’s Street and Gaspard’s Way, a place called Bricker’s Square. Looming was the only word Vander could think of for it. As the name implied, there were no rules to an Anarchy, they followed no predictable structure and, indeed, the appearance of each was entirely unique. Sensory Anarchies were a riot of colors, sounds and smells, no two alike. They might be tall pillars of light and sound or deep pools of dark and loathsome smells. Material Anarchies absorbed whatever was around them, becoming spinning discs of stone or trees that wormed along the ground like a snake.

Vander had never seen a Sidereal Anarchy before. He wasn’t sure he was seeing one now. Instead it looked as if the sky a few dozen feet over the rooftops of Bricker’s Square had transformed into the inside of a cave, if the ceiling of that cave was lined with strange trees and thick brush with wild green fronds for leaves. In short, it seemed there was a jungle upside down in the sky overhead. Huge snakes, uprooted trees, savage cats and swarms of insects all tumbled down from the Anarchy in an almost constant stream, pelting the Square.

Or rather, most of the Square.

At the western entrance to the intersection, feet astride Gaspard’s Way, stood George Randolph Hartley, the elder, surrounded by open grimoires, protected from the unnatural rain by a pale blue dome. Ivybrook’s foremost Lawman was in fine form that day.

He had lost his hat at some point in the battle, that was true. As a consequence the world could see graying hairs and a receding hairline that were less than flattering. An observant man might note that his stomach hung a bit further over his belt than it had when he led the Lawmen in the Founder’s Day parade a year ago. His muttonchops whiskers, though luxurious, were now out of fashion.

But his hands worked quickly, a brush in one and a draftsman’s compass in the other. As Vander watched, Hartley painted in the pages of one of his floating grimoires, the pale, rust colored Ink on his brush glowing faintly with the Axioms it contained. The fingers of his other hand looped the compass around and around, deftly expanding it a tiny amount with each revolution. Each time it completed a loop the glowing dome expanded another foot. Any creature or debris from the Anarchy that came into contact with the blue dome seemed to fade to transparency, flicker once or twice then vanish.

It was impressive work. Especially since Hartley was dealing with something as bizarre as a Sidereal Anarchy.

Vander struggled to recall anything about that kind of Anarchy. The only detail that came to mind was that they joined distant places together. The name Sidereal was given to them because most scholars agreed they did not just join places on Terra but rather spanned the far reaches of the stars, bringing weird and unnatural forms of life to their little planet with malice and cruelty for all involved.

“Not a pretty sight, is it?” Vander tore his eyes away from the Anarchy to find that Hartley’s other famous apprentice had put in an appearance – his son, George Randolph Hartley, the younger. Randolph to his friends. He was the spitting image of his father. Average height, stocky build, wild, curly brown hair. Randolph was clean shaven and twenty pounds lighter than his father but otherwise they could easily be mistaken for one another. Except the bright purple and red scarf he wore and the bleeding man he carried made who was who obvious.

“Ever seen one of these before?” Vander asked, running his fingers through the Ink slips in his ledger.

“In books and one of Father’s paintings.” Randolph pulled off his scarf and snapped it once, twice and a third time. O’Hara emerged from it and scooped up the injured man. Then she was gone again. As he wrapped it back around his neck he said, “You’re the first oddsmaker on scene. What are our chances?”

The gambles recorded in Vander’s ledger were more than the collected hopes of the people of Ivybrook. They were a window, however flawed it might be, into the laws of probability itself. If this Anarchy was going to be restrained then every Law known, however poorly understood, must be brought to bear on it. Yet Vander struggled to formulate what kind of odds could apply to the current predicament.

The strange image overhead spasmed, a distant voice booming out garbled and meaningless words. The inverted forest began to disappear in the same way the shadows faded before a creeping sunrise. Except it didn’t reveal the hope of a better day to come. Instead the vibrant green was replaced with a blinding white and a blast of icy cold wind fell on Bricker’s Square like an avalanche. It tore Randolph’s scarf from his hands and sent it billowing down the street, away from the action.

Vander’s ledger was nearly swept away as well. If he hadn’t been holding it in his hands right that moment he would surely have lost it and with it any hopes of constraining the Anarchy through the odds. It was, he realized, a fine bit of luck. And, of course, there was Lucky George, who turned the father and son duo into a perfectly symmetrical trio. In point of fact, they might be very lucky that day. With a surge of confidence, Vander raised his voice over the wind and yelled, “Two in three. You can handle this one, Lawman, but it’s not a sure thing by any stretch of the imagination.”

“Well then, we’d best get to it.” Randolph pulled his hat a little lower over his brow to shelter him from the wind, pulled a grimoire out of one of his robe pockets and pushed into the wind, heading towards his father.

Vander pulled a bottle of Ink out of his pocket, fumbling to uncork it with stiff fingers as he watched the battle unfold. The debris and animals from the jungle hadn’t vanished when the Anarchy changed but the cold made the snakes and insects useless almost immediately. That left a pair of panthers stalking Hartley. His son charged towards them, his grimoire unfolding to a roaring locomotive made of paper and Axiom. It blasted steam with a soul shaking whistle that sent the cats running scared up Baker’s Street.

That would cause some sort of a problem eventually and Vander went to make a note of it in his ledger. However, as he dipped his pen into the Ink he felt an odd scraping sensation. Confused, he looked down. The Ink was frozen.

The odds had changed and, worse, Vander wasn’t able to make note of them in his ledger. Cupping his freezing hands in front of his mouth to form a horn he yelled, “One in four, Hartley! One in four!”

But between the howling wind and the puffing locomotive grimoire Vander could tell they hadn’t heard him. At least he could tell Hartley understood the problem. His dome shield was gone, he’d had to put his compass away to hold onto the book he was painting in, and he’d met Randolph halfway, rushing to the side of the glowing steam engine construct his son created. Hopefully the heat would be enough to thaw his ink and let him return to his art. Which brought Vander back to his own predicament.

Thankfully he was on Baker Street, where the finest bricks in Ivybrook were made. He looked around for the closest smoking chimney and rushed into that building, fishing some coals out of the kiln there and into a thick, clay bowl waiting for firing. He dumped sand from the sand pail on top of the coals and then stuck his Ink bottle on top. The whole process took a minute, perhaps two. In the midst of it he heard an incredible bang, like a balloon popping, and by the time he got back out into the Square everything was different. Again.

Randolph’s locomotive was torn to shreds, the pages of its grimoire scattered and burning all up and down Gaspard’s Way. To make matters more confusing the rest of Bricker’s Square was ankle deep in liquid. Torrents of foul smelling saltwater cascaded out of the sky, pouring down the sides of a colossal serpent that had fallen through the Sidereal, thrashing and snapping jaws the size of an elephant this way and that. At a guess Vander thought there might be fifty or sixty feet of the creature in the square. Yet some part of its body was still on the other side of the Sidereal Anarchy in whatever horrid ocean had given birth to the creature. The sight of it’s enormous body rising into the air and disappearing through the Anarchy was the most surreal thing he’d seen yet.

Hartley and son were no longer on the ground. In fact, Vander only spotted them on the roof of the square’s tallest building because they were still beside the huge purple flag O’Hara had used to bring them there. Randolph had opened two new grimoires, one packed with raw, pulsing Axiom that poured out of its pitch black pages and into pages the other, which was unfolding itself into two enormous purple hands that grabbed the sea snake and slammed it to the ground. Vander felt like the whole world shook on the impact.

Even with the snake’s head and twenty feet of its body pinned more and more of the creature’s bulk was sliding through the Anarchy into the Square, coiling and thrashing as it tried to escape Randolph’s grip. Vander cursed and scrambled back into the building, barely getting away before the serpent’s flank crashed into the wall. The building’s front cracked and partly collapsed under the impact. The oddsmaker dashed out the back, running down the back alley with his bowl balanced on one hand. “One chance in eight, now. One in eight!”

It was doubtful anyone could hear him.

After running half a block at a dead sprint he looped back around on Baker’s Street, pausing just long enough to note the changing odds in his ledger now that his Ink was thawed. He set the bowl and sand aside, hoping to return it to the kiln’s owner, and sloshed through the ankle deep water filling Baker’s Street back towards the Square. Along the way a bright swatch of purple caught Vander’s eye and he fished Randolph’s lost scarf out of the water right as the liquid started turning a ghastly shade of muddy red.

The Anarchy had changed again, cutting the snake in half and leaving the bloody stump of its body thrashing weakly in Bricker’s Square. The Sidereal’s new terminus was a volcanic landscape. Heat poured out of it in waves and the skin of the serpent began to blacken and crack accompanied by a smell more vile than a fish market in summer. Compared to most of what he’d seen so far Vander thought it was fairly pleasant.

Even better than that, Hartley was finally ready to make his own move. One of Randolph’s giant hands took up O’Hara’s flag and carried it to the opposite side of the Square. A moment later she stepped out of it, a rune covered rectangle three feet by four held in one hand. Randolph held it’s matching counterpart in his own hands while the hands of his grimoire shrank to nearly human size and picked up the two halves of a pole and carried them to the other two sides of the Square.

Hartley himself was surrounded by an almost solid dome of pages, his brush moving swiftly to put the finishing touches on his work, a half a dozen empty Ink bottles of different colors scattered about him. The scorched tarn in the sky began to change to a dark, rocky landscape lit by a handful of barely visible stars. A sudden, unnatural wind kicked up, rushing into the Square. It felt for all the world like the Anarchy was taking a deep breath as it prepared for its next great eruption of violence.

The papers surged up and stretched over the Square, flying over the Anarchy and the square in a solid, unbroken sheet. For a moment they hung there like a hot air balloon that had sprung a leak. Then Hartley waved a hand down and the papers slammed to the ground, pressing the Anarchy to the earth like a flower pressed in a book. The wind cut off. The serpent and the water and much of the rubble disappeared under the Anarchy, presumably expelled back out into the Sidereal places beyond it.

Vander looked over the papers in stark amazement. The backs of the papers were painted with a mural of Bricker’s Square as seen from above. If he didn’t look closely he might almost be convinced that nothing about the intersection had changed since the day previous, Hartley’s painting was that convincing. Under any scrutiny the illusion fell apart, of course. The brushwork was rough and the colors didn’t quite match reality but the intent of Hartley’s masterpiece was obvious. He was going to press the Anarchy under the weight of the Square and force it to conform to the laws of the world or depart it entirely. Paper wasn’t the best medium to enforce the Axioms of brick and stone. Hopefully the artistic eye that had made Hartley Ivybrook’s greatest Lawman would be enough to make up the balance.

“One in six,” Vander muttered, scribbling the change into his ledger. He wanted to tilt things more in the Lawmen’s favor but his own professionalism wouldn’t let him. There was just too much he didn’t know about what they were dealing with. Already the Sidereal Anarchy was proving itself more than they had bargained for. The painting Hartley had woven together was bulging unnaturally as the creature beneath it struggled to break free, the outlines of limbs distorting the image of the square as they struggled against the paper pressing it down.

Anarchies had made themselves known since time immemorial. In all that time no one had ever managed to draw any definitive conclusions about what they might look like or whether they would be intelligible or not. As one might expect of beings that embodied chaos, each was different. So Vander was not surprised to count seven limbs with three joints in each. That was as expected as any other possible body plan. He was far more disturbed at the pure strength they demonstrated, pushing so hard part of the Square caved into the sewers below with a crash. Splashes echoed up from the storm drains lining the streets.

Randolph and O’Hara leapt down to the ground, the runes on their boards glowing bright. In response Hartley’s painting began to glow as well. His apprentices held up the boards with runes facing each other and threads of Axiom began to weave their way between the two boards and between the boards and the mural on the ground. The grimoire hands lowered the poles it was holding and began to weave those threads together, slowly binding the paper and boards together.

As the threads began to pull the paper naturally developed wrinkles and folds of its own. A few of the Anarchy’s limbs seemed to get caught and folded up into the paper but three of them managed to wiggle out. Two of them dug into the painting from below, one with claws and one with disturbingly human looking fingers. As they pulled the paper taught the third stabbed it with a single large, sharp limb, tearing the painting to shreds and freeing that side of the creature’s body. All three limbs tore their way out from under the painting. Vander’s heart sank as the odds tilted wildly against them.

The situation spun out of control far faster than one might have expected, even from a situation where the odds were one in twenty. The humanesque hand grabbed O’Hara’s board, wrenched it away from her and threw it on the ground. Her arms from the elbow down went with it.

At first Vander didn’t fully comprehend what happened. The Anarchy’s arm was already beginning to warp and distort out of predictable, reasonable forms and back into a doorway to other places. It was only when bright red blood splashed onto the painted ground that he made sense of the torn stubs the Anarchy had cast aside.

O’Hara dropped to the ground, her high pitched scream rising over the Square. Vander cast his ledger aside and grabbed for the scarf he’d picked up then snapped it three times like he’d seen Randolph do before. Unfortunately nothing happened besides O’Hara’s scream faltering. It must require she do something on her side. Growing frantic he snapped it three times once more. The scarf suddenly grew heavy in his hands and O’Hara dropped out of it onto the ground. Her face, pale under the best of circumstances, was practically translucent and a trickle of blood dribbled from the stumps of her arms. Vander quickly took the scarf and tied it on one arm as a tourniquet. He used his belt to make another. He was busy trying to cinch it down tight when he caught something intelligible among O’Hara’s pained gasps.

“You have to finish the binding.” She flailed the arm with the scarf and he realized she was no longer wearing her veil. “I’ll send you.”

Vander finished with his belt and grabbed his ledger, shoving it into his jacket pocket before taking the scarf and asking, “Is there anything I need to do?”

“Tell me what our chances are.” It was hard to tell if her sour expression stemmed from pain or something else.

He grimaced. “One in ten, at best.”

The scarf went up over his head and for a brief moment Vander felt like he was wrapped in a nest of soft, fragrant fabric. Then it pulled away and he found himself standing beside the mural of the square as the Anarchy’s limbs flailed in a bizarre grapple with Randolph’s grimoire hands. Loose pages painted with patches to fill in the hole in Hartley’s painting flew over in a continuous stream, smacking into the limbs and slowly dragging them back to the ground. The stabbing, pointed arm was already mostly tied down again but the other two were still struggling and gradually pulling other parts of the mural apart. If left as is they would undoubtedly get the main body of the creature free again.

The board that would let them complete the ritual was sitting on the mural a dozen feet away. Vander tucked O’Hara’s veil into his belt in case it came in handy again and scrambled for the board, a carefully lacquered and painted piece of cherry wood, and hefted it in the air. He waved it twice and bellowed, “Randolph!”

The other man pulled his attention away from the struggling hands and raised two fingers to acknowledge Vander’s presence. Then he pointed towards the ground. Vardar followed the line just in time to see one of the Anarchy’s limbs surging underfoot, throwing him to the ground. Before the Anarchy’s limb could get free Vander elbow crawled off the mural as fast as possible. By the time he got to his feet the whole fabric of the painting was surging and straining as the Sidereal struggled against it.

Randolph held his board aloft again and Vander matched the motion. Hartley swooped by overhead, flying on a metal sheet shaped like the prow of a boat. He continued to rain down new pages to repair the mural.

The hands of Randolph’s grimoire snatched up their rods again, frantically weaving through the strands of Axiom, trying to undo all the damage done to the Anarchy’s containment. Hartley’s voice rang out from above. “The Law stands that men may know peace and not war!”

The whole mural surged upward once then slammed itself down on the Anarchy. In response the arm ending in a humanesque hand stretched up as far as it could reach. It pointed a single finger towards the sky. A shriek like steel scraping on steel rose from beneath the paper. “IGNIS.”

The Anarchy’s voice hit Vandar like a physical thing, causing the muscles on his back to lock up. His ears rang as its echoes faded. Yet he could still hear the next words in Hartley’s invocation. “The Law moves that the sun might rise and the world turn.”

The Anarchy’s hand turned about, an eye in its palm looking about until it locked onto Hartley. “FATUUS.”

The rods finished weaving the Axiom together and they flew out of the grimoire’s hands and attached themselves, one to each board. The web of Axiom connecting them to the painting began to pull itself tight. The mural came free of the ground, wrapping itself around the Anarchy and, at the same time, separating itself into pages that bound themselves to the poles and boards, forming into a new book.

Hartley stared down the Sidereal hand saying, “The Law fails if we choose not to keep it.”

The Anarchy pointed its finger at Hartley. “LUMLUSTRII.”

“So we turn its pages that we might learn.” Hartley stretched his arms out wide then clapped his hands together in front of him.

The covers of the book tried to slam themselves closed but the Anarchy’s claw arm jammed them open, its claws braced on one cover and its elbow braced on the other. Randolph’s grimoire hands grabbed at the limb and began to tortuously push it into the pages. But the humanesque arm was still free. Though muffled, the Sidereal’s final word could still be heard clearly. “PRIMORII.”

The hand lunged at Hartley, stretching further than seemed physically possible. At a loss, Vander grabbed his ledger and threw it at the Anarchy’s limb. The ledger’s impact wouldn’t have done anything to the Anarchy’s arm under normal circumstances but now that it was stretched thin it was far less solid. Though Vander was no record setting thrower he still hit the limb with enough force to knock it off course.

Instead of piercing Hartley’s hands, potentially breaking the binding ritual, the finger plunged into his eye. Hartley bared his teeth but didn’t cry out. Randolph grabbed the covers of the book with his own hands, adding his strength to that of his grimoire, and combined they pushed the book closed. There was a flash of Axiom and new threads wrapped around the Anarchy’s remaining arm. It was dragged twitching into the pages of the book.

Just like that Bricker’s Square fell quiet. A strange smell hung in the air, the walls of the buildings on the north side were cracked or collapsing and a deep sinkhole now led down into the sewers. Streaks of sea serpent blood still stained the ground. But the sky was once again clear and blue and the breeze was cool and gentle.

The enormous codex that now contained the Sidereal Anarchy tumbled to the ground, already shrinking to the size of a normal grimoire. Randolph ignored it and sprinted over to his father. Vander realized he was incredibly tired and decided he would take a seat right there in the middle of the Square.

“Are you alright, sir?”

Vander took a break from enjoying living and breathing to examine the runner that had just arrived. It was a different one from the boy that had announced the Anarchy’s existence to him not more than half an hour ago. This one was older, perhaps on the verge of becoming an oddsmaker himself. He certainly had the politely disinterested attitude down. “I’m fine. What route did you take, runner?”

“Came up Baker Street, sir.”

“You didn’t happen to see a man lying by the ceramic store with blue star tiles in the window, did you?”

“Yes, sir,” the runner said. “There was a corpsman attending to him so I didn’t stop.”

“A corpsman?” They wouldn’t have stopped to give him medical attention if he wasn’t going to make it. “What do you know about that. All three Georges safe.”

“Sir? Do you want me to take your Ink slips back to the Library for the accountants?”

“Yes. Give me a moment.” Vander pushed himself up and went to retrieve his ledger.

On his way back to the runner his eye fell on the codex, still sitting on the ground and steaming as the Axioms and Anarchies within warred with each other. They hadn’t yet reached a state of balance. However one thing was clear. The codex had already formed a unique and disturbing cover.

“Something wrong, oddsmaker?” Hartley asked, leaning on his son’s shoulder, a handkerchief over his bleeding eye.

“Look at this.” Vander carefully picked up the codex using O’hara’s veil. Hopefully the Axiom in the cloth would cancel out any Anarchy still leaking out of the pages.

Hartley chuckled darkly. “Not in the best shape for that right now, am I?”

“Doesn’t matter.” Vander turned the book so Hartley and Randolph could see the cover. The original runes there had been replaced with a new engraving. A single human eye stared out from the center of the cover, cupped in a pair of feminine hands. Beams of light radiated out from them. “The pages have tasted blood, Lawman Hartley. This codex isn’t safe. It needs to be disposed of and the Anarchy rebound.”

Randolph frowned. “It’s Sidereal. No one willingly frees those and rebinds them. It’s far too dangerous.”

“It’s a blood codex,” Vander snapped. “Do you know how often one of these will drive its keeper insane? The odds are one in two after five years, Hartley. Five years!”

Hartley gently folded O’hara’s veil around the codex and took it from Vander’s hands. “There are ways for us to deal with those risks. We’re Lawmen. That’s what we do.”

Vander scowled. “Careless risks are unbecoming of Ivybrook’s best Lawman.”

“Well, when he takes such a risk I’ll mention that to him. What’s your name, oddsmaker?”

“Evander Halloway, sir.”

“Do you know the Mortal Speech, Mr. Halloway?”

“We don’t have the time for many scholarly books at the Library of Chances.”

Hartley nodded. “Then the Anarchy’s parting curse meant nothing to you?”

“I… did not realize it was a curse, Mr. Hartley.”

“A fool’s flame burns brightest before death. A common enough curse among those that spoke that tongue. Strange that an Anarchy would know it but no stranger than anything else about those creatures. So. Given all that and the dangers of a blood codex, which you have already described, a question.” Hartley tapped the book against his chest. “What are the chances the owner of this codex dies in the next year?”

Vander narrowed his eyes. “One chance in one, sir. It’s a statistical certainty.”

Hartley tucked the codex under his free arm. “We will see, then.”

“Yes. I suppose we will.”

A Return to Nerona

The Drownway was the first story I wrote set in the world of Nerona but it wasn’t the first story I conceived of in that setting. That would be Andre Blacklight in the Beacon’s Dark, the first in a trilogy of stories that I imagined intended to explore the idea of anti authoritarianism. It was a big idea and it needed a lot of time to percolate, so my ambitions in that direction wound up on hold.

As is often the case when one of my story ideas needs time to process, I decided to write more stories in the world around the initial concept to try and shake ideas out. The Drownway and the Nerona short stories I’ve published here are all a part of that process. You’re going to see a few more short stories that were also a part of that process soon. It was also my intention to write the sequel to The Drownway this year. However, the more I thought about it the more I concluded that I couldn’t write that sequel until I had set Andre’s first story down in stone. Too many of the decisions in the world needed to have a solid foundation to build on or plot holes could develop.

And the foundation they needed was Andre’s first adventure.

So here we are. Some three years after I had the initial idea I’m setting out to tell Andre’s story, at least in part. I suspect it will be challenging for me, as Andre is a very different man than I am. He is a character with a natural distrust for authority.

I conceived of the character as a critique of anarchy as a philosophy and I thought it would be interesting to cast him as the protagonist of a story because it would force me to be more sympathetic to the character than I am to the philosophy. I knew this would be difficult. I didn’t think it would take me three years to feel confident in how I handled the character. But no small part of the long delay between conceiving of the character and writing him was a result of my wrestling with how to present him fairly.

It’s taken a lot of work, brainstorming, daydreaming and philosophising to arrive at the version of Andre I’m now writing. That may be a testament to my lack of imagination as a writer or my dedication to that craft. I’m not sure which. That said, I have gotten to a state where I think I can handle the character. He’s different from how I originally pictured him and the trajectory of his life has changed radically as well. By the same token, I’m not sure I’d characterize him as an anarchist anymore.

Instead, I hope to study something a little more universal to human nature, which is the better thing to do in story and thus the better choice for Andre. Hopefully the better choice for you, the people as well.

When I was younger it was a common nostrum to be told we should question everything and the common retort was to question the person who told us that. Both the nostrum and the retort were childish, though both sides of the equation no doubt found them profound at the time. The problem with this mindless back and forth is that it lacks depth. It is about as useful as the dew on a blanket, which is to say you can’t use it for anything and it makes the blanket useless, too. Not that the blanket has a direct equivalent in this analogy.

I feel like the usefulness of this line of thought has run out.

My point is that I grew up as one of the first millennials, with a whole generation of very self-satisfied “anti-authoritarian skeptics” (commonly referred to as GenX) constantly proclaiming a philosophy of life that didn’t seem to be making them happy, prosperous or wise. At the same time, I could see there were kernels of truth to their philosophy. However, the successes of GenX’s skepticism had convinced them it was the only tool they needed in their toolbox and they proceeded to slowly drive themselves insane with it. The question I’ve often contemplated while watching it was when the right time for an anti-authoritarian stance is.

I hope to work some of that out with you as we walk through Andre’s story. It’s probably going to take more than two or three individual tales but we’ll tackle them one at a time. For now, we’ll start at the beginning, which is generally the way this is done.

So, the plan for this spring and summer is to publish a few short stories, one detached from the greater Nerona mythos and at least one tied to the history of that storied continent. Perhaps there will be a second Nerona story, perhaps not. I am tinkering with something but I don’t have anything set in stone yet, we’ll know for sure come late May. Following that we’ll plunge into the Beacon’s Dark and learn what it means to shine the darklight.

In the meantime, I will be working on the 2026 Haunted Blog Crawl! I’ll be soliciting submissions starting in a month’s time but I hope my regular readers will consider submitting. My goal this year is to get the submissions up to ten entries! Lots of fun things to look forward to this year.

As I normally do I’ll be taking the next week off before plunging back into the fiction grind May 16th. Stay tuned and we’ll do our best to make it an entertaining time!

Minor Dissonance

One of the most distracting things in storytelling is when an author takes the time to line up a vast swath of details for their story, fact checking them to make sure they all comport with reality, but misses one. There’s an excellent example of this in Andy Weir’s Project Hail Mary, which we’re going to use as our example for discussion today, so be warned that there will be spoilers for the movie. Most likely the book as well but this is a rare case where I haven’t read the source so I cannot say for certain.

That said, we will need to discuss some minor spoilers to make the case so if you haven’t had a chance to watch this film (or read the book) and you wish to engage with it fresh then I won’t mind if you come back later. I can wait. If you aren’t interested in the film, I will be covering the relevant details here.

Let me start by saying that I was pleased with Project Hail Mary and what we’re about to discuss here amounts to nothing more than a nitpick in the grand scheme of things. That said, there are still useful things to think about encapsulated here. So, the premise of Project Hail Mary is simple. An astronaut named Ryland Grace wakes up on a ship called the Hail Mary orbiting the star Tau Ceti with no memories of why he’s there and must figure out his purpose and complete it with no input other than that of the ship’s AI.

Project Hail Mary is a pretty tightly written and enjoyable romp that falls into the genre of hard scifi. The primary defining trait of hard scifi is that all the technological and scientific concepts discussed in it should be grounded in real scientific knowledge of the day. The Hail Mary, for example, is not a faster than light ship. It travels near the speed of light and uses a special fuel that is incredibly energy dense (one of only two speculative elements the story introduces) but it doesn’t use some kind of entirely theoretical system to go faster than light like a hyperdrive or warp drive. If we had the right fuel, we could build the Hail Mary now.

Everything else about Weir’s story is just as grounded. Its orbital mechanics, the environmental effects of the sun slowly darkening (which, it turns out, is the puzzle Grace is trying to solve) and even its brief jaunts into bacteriology. It’s a very solid story, except for one little detail.

See, Grace wakes up with no memories because he was put in a kind of rudimentary cryosleep. Since the Hail Mary is limited by the speed of light it takes a little over eleven years of travel for it to reach its destination and it doesn’t have nearly the carrying capacity to bring along enough food and water for Grace and the other two people on board. They have to be put into hibernation in order to make the trip practical, especially because they may have to spend months or years studying Tau Ceti to figure out what’s going on and why that star isn’t dimming like the sun is. All supplies need to be saved for that part of the trip… right?

Well, maybe not.

Without getting too deep into the weeds, the laws of relativistic physics state that when an object starts moving close to the speed of light the way it experiences time changes when compared to the rest of the universe. A particle moving at the full speed of light arrives at their destination near instantaneously. So how much time did Grace experience on the Hail Mary during his trip? The film doesn’t say. Which raises the question of whether he really needed to be put into cryosleep in the first place.

This is a relevant issue as the cryosleep procedure is integral to the plot. Grace is the only one of the Hail Mary’s three occupants that survives cryosleep and wakes up at Tau Ceti. It’s also integral to understanding his character development and motivations. If cryosleep isn’t necessary for him to survive the journey its use in the story begins to look like a contrivance intended to make the story function, since it’s necessary for the other elements of the plot to fall into place. Yet the movie never addresses this factor.

Now, based on a little research I’ve done it turns out that Grace and his companions probably did need to enter cryosleep. Even if they reached 99% of the speed of light for most of their trip they still would have experienced about a year of travel time on the Hail Mary and, given the realities of acceleration and deceleration it would certainly take longer than that. However, ignoring this issue in the script of the film raises questions and distracts the audience. It’s minorly dissonant. The audience shouldn’t have to do a google search and find a time dilation calculator to figure these things out.

It’s particularly glaring in this instance as the entire story is structured around the necessity of cryosleep where ideas that are less important to the story are explored in some detail. This omission did keep drawing my attention back to that particular story element. However, it didn’t do so in a way that underlined its importance to the plot but rather in a way that pulled me out of the plot and made me question its integrity. And it did it in no small part because so much of the rest of the film fit squarely into the expectations of the hard scifi genre.

It was a clear point of dissonance and it had an impact on the story. Again, not a big one but an impact none the less. It would have been nice to see it corrected. That’s the price of holding yourself to a standard, after all. The closer you get to it, the more glaring any deviation becomes. It’s a lesson in taking care with your stories, no matter what the standard may be.

“Media Literacy

Ever heard of media literacy?

If not, you’re fortunate. The term is relatively new, although it apparently goes all the way back to some time in the 1930s. Part of the problem of figuring it out is that what it refers to is somewhat nebulous.

The casual observer might hear the term and assume that it refers to a collection of tools that help a person extract meaning from media. What makes media literacy so tricky is that the casual observer is correct. At the same time, they’re not.

Most people would break the phrase down to its constituent parts, beginning with “media”, which in this case clearly refers to entertainment in any medium, and “literacy,” which is the ability to understand and create the media in question.

Once upon a time it was thought that literacy developed in the same way one develops a facility for speech – through gradual exposure to writing over time. This theory is largely disproven at this point but its aftereffects are still felt. In the brief time this theory of mind existed an entire new theory of education was built on top of it and the way people were taught to read changed entirely.

At my age I remember the days of phonics. If you were like me, you were taught to read by looking at each letter in a word and assigning a sound to them. You probably said them out loud at first, to help you build the association. When you strung all the sounds together, voila! You’ve read a word.

That is not how reading is taught now.

These days, students are taught reading using a system known as “whole word comprehension” which we will refer to as the cuing method. When reading with this methodology, students look at the general shape of a group of letters. If they recognize the shape of the letters they can assign a meaning to it while if they don’t they look at the first letter of the word and guess.

This is not a joke. Here is Amanda Malone, the state literacy director of Mississippi explaining this “method” to a reporter:

Another method she mentions in this brief exchange is cuing students using pictures connected to words, which I have chosen as the term for this method overall. Neither of these methods is particularly good at creating actual literacy in students. Mississippi used to rank near the bottom of state literacy rates but, since reforms put in place by the state and carried out by Malone and her colleagues, Mississippi has shot up into the top ten states for student literacy.

All well and good, certainly, but the cuing method of teaching literacy has prevailed in schools for some time and it will take time for reforms (and the students educated by them) to spread into the broader culture. That leaves us with its shortcomings for quite some time. Assuming that the old, phonics driven method of education ever makes a complete return.

See, the cuing method is very seductive for teachers. It does something that phonics does not. When students are taught to read via cuing it makes the student entirely dependent on the teacher to figure out the meaning of every word. As Malone and the report discuss, even a simple three letter word that starts with “c” could have any number of meanings. It is teachers who shape the words. Not readers.

And they don’t just get to set the meanings of words. They can shape emotional reactions by always placing those meanings in specific contexts. This has the knock on effect of making the words feel meaningless in new contexts, even though human language is designed to be flexible enough to fit multiple contexts. However, if teachers never present specific framings of words they can make those frames feel alien and even offensive to their students.

Scale this back up to media literacy. What does it mean to be media literate?

A lot, actually.

Psychologically, people tend to structure their thoughts based on the last form of communication they’ve learned. Literacy, as previously noted, is not natural and thus tends to come very late in a person’s communication education. Unless you are a polyglot who learns numerous languages, you are probably going to construct thoughts using the literacy techniques you were taught in elementary school.

This means that modern media literacy is built on the cuing principle.

If you’ve ever tipped your toes into YouTube media criticism you’ll quickly discover that there are whole spheres of commentary that are designed to cue up framings for stories so people can understand them. We’ve actually spent the two previous weeks discussing the results of that. Yes, I believe the tendency to judge characters and stories by archetypes and genres is a direct result of the cuing principle that was used to educate readers.

This is how many people can look at two characters as radically different as Monkey D. Luffy and Rocks D. Xebec and say that they are the same. Readers are cued by the “D.” and the fact they are both pirates. So the readers lump these two characters into the same category, in spite of the massive differences in goals and methodology.

Media is a vast and expansive subject so no one group of teachers can cue audiences into how to interpret media. In fact, the aforementioned YouTube Media critics existed largely to help the cuing process. It is understanding this massive body of cues and expanding it as new media is created that makes one media literate. Not only must one know the cues, one must also know the orthodoxy. After all, cuing isn’t only done to inform the meaning of the media, it’s framed to provoke certain reactions to it. If you try to frame media in the wrong way it’s not a sign that the media may mean multiple things. It’s a sign you’re media illiterate.

It is an extremely narrow minded methodology.

That is the part that worries me the most about the cuing method of literacy. If there is a group of skills we might call “social literacy” that govern how we understand and think about the people and culture around us, and if we were to apply the cuing method in that sphere, we would not call the result enlightened thought. We would call it bigotry.

Is it a coincidence we are living in an era where this kind of short sighted prejudice, once thought a thing of the past, is making a sudden return? No, it’s not. Sadly, such things are very comforting to the heart of man. Neither is it directly a consequence of the way we are taught to read, although I am certain the cuing method of literacy doesn’t help.

By the same token, I don’t think simply taking up phonics and learning to break down words, stories and people piece by piece is a magical panacea that will counter this trend. There are evils that come about from going too far into the opposite direction as well. Ultimately, you must first start from a position of good will towards your fellow man, an understanding of the frailties of mankind and a heaping helping of divine grace before such fundamental flaws in human nature can be addressed.

However, if you’ve gotten that far and still find yourself jumping to these archetypes in all areas of life, a simple change in your method of literacy may help. At the least, it can slow down your leaping on cues long enough for you to analyze them. It will make you a better thinker and writer. Or so we can hope.

For purposes of full disclosure, my research into the literacy revolution in America is vastly incomplete. Currently I am working through a list of materials assembled by Hilary Lane. I give her full credit for assembling it and admit my own thoughts on this are influenced by hers. If you’re interested in a deeper dive into the history, methods and motives behind this change, I recommend looking through her article and picking up a few of the books she lists. It’s an enlightening experience. You can find it here:

https://www.hilarylayne.com/p/very-carefully-educated-to-be-idiots

A Question of Leadership

It’s time to talk about One Piece again.

The magic of Eiichiro Oda’s pirate epic is something truly unique, as on the surface it appears to be a fun adventure story yet when studied carefully it reveals depths of character and morals missing from most modern narratives. It’s very tempting to put the entire opus under a microscope to see just how much scrutiny it can withstand. In this way the story itself is something of a treasure hunt. Very fitting, because the reality is that One Piece is not aiming to be a landmark work of literature with ironclad morals and legendary characters.

It is aiming to be a fun adventure story about pirates looking for treasure. The rest just happens along the way.

This is something I can personally attest to, as I’ve been following Monkey D. Luffy and his crew along their adventures for some twenty years now, and I’ve found a lot of treasure over that time. Like the rubber guy himself, I love to share it with my friends. So let’s talk a little bit about the tale of Captain Rocks D Xebec and King Harald of Elbaf.

If you’re not overly familiar with One Piece, don’t worry. The story of Rocks and Harald is fairly contained. What makes them interesting is the commentary they offer on what it means to be a leader, a topic that is at the core of One Piece. On their own, these two titans did a lot to shape the world of One Piece as we know it. That alone would make them interesting characters to study. However, when we consider them in contrast to the central character of Oda’s tale we start to see some very interesting contrasts that illuminate Luffy’s leadership style in fascinating ways.

Luffy’s often repeated dream is to become King of the Pirates by discovering the eponymous One Piece, the lost treasure of the previous Pirate King, Gold Rogers. The only clue he has to this goal is Rogers’ statement that anyone looking for this treasure will have to search the whole world. So Luffy sets out to the Grand Line, the only sea route that circles the globe, gathering members for his crew along the way.

Each member of Luffy’s crew is a fascinating character in their own right. He had to win them over individually, learning who they were and breaking down the barriers that keep them from committing to his cause. The crew have dreams and goals rooted in long histories, personal ambition and deep grief they are slowly moving past. Luffy understands and values each of these people and pushes them towards their own goals while pursuing his own. It speaks volumes of him and what he values.

In contrast, Rocks D Xebec is a very careless person. He doesn’t care about his crew or what they want so long as they do what they’re told and advance his goals. He seems vaguely aware that they have things they want but we never see him consider those wants at all. He certainly didn’t do much to win them over to his cause.

The Rocks Pirates were assembled using an ancient contest known as the Davy Back Fight, where crews compete to press gang members of the opposing crew into their own ranks. Rocks doesn’t have a crew of friends and allies. He has a crew of prizes. They’re all powerful but, as you might expect of people who have been forced into working together, they’re not very friendly towards each other.

There’s only one person who Rocks seems really friendly towards and that’s Harald, who isn’t even a member of his crew!

While it’s not readily apparent at first glance, in terms of dreams and ambitions Harald is the exact opposite of Rocks. Although he is the king of a nation of literal giants, Harald is a kindly man. In spite of a wild youth, Harald came to realize that Elbaf’s reputation as a nation of violent warmongers had limited their opportunities and stunted their growth. So he sets out to reform the nation and establish diplomatic ties with the rest of the world, hoping to earn Elbaf membership in the World Government.

It might seem odd that a king seeking membership in a worldwide government would form a friendship with a famous pirate wanted by that same government. In fairness, things didn’t start that way. Rocks and Harald met in passing and traded blows but Harald proved the first man who could match Rocks in any measure. Rocks immediately realized he would need Harald’s help to achieve his goals. Yet he could not force the giant king to go along with him the way he had with the rest of his crew. So Rocks attempts friendship, instead. 

Harald was never interested in joining forces with Rocks but he kept meeting Xebec when the pirate came to call. Like Rocks, Harald had no other equals of note. Perhaps he felt some kinship to the pirate captain as well. However, Harald’s dream was diplomatic in nature. The self centered behavior Rocks embodied was not something he could indulge if he hoped to achieve his own goals.

If Rocks embodies an entirely egocentric style of leadership, where he overwhelms his followers and drags them along towards his goals, Harald embodies a selfless kind of leadership. We don’t know much about how Harald went about forging his alliances with surrounding nations but he does form them. In many ways his own nature vanishes. Giants tower over others but Harald bent down to their level. Elbaf’s giants are known as warriors but Harald was a diplomat. Harald was a direct descendant of an ancient lineage that grows horns on their heads so he tore them off to distance himself from the violent reputation of that lineage.

Harald must do all this because he is entirely dependent on how others see him to achieve his own ends. Another way in which he is the opposite of Rocks.

These contrasting styles of leadership are repeatedly juxtaposed throughout Rocks’ and Harald’s story. Eventually they both spiral in ways that lead to the destruction of both characters. Rocks drags his crew to an island without explaining the dangers there and they fracture under intense pressure from the World Government. Rocks himself is killed and the others flee in disarray.

Harald never finds the reconciliation he hoped for, only ever greater demands from the World Government. Eventually, his son is forced to kill him to keep the whole nation from falling into slavery. Both endings are incredibly tragic.

What makes them interesting is that, in spite of the very different ways these two men lead, they both have the same flaw. They paid no attention to the people they led. 

For Rocks, his crew was all about himself, his own dreams and his ability to force them to work towards his own ends. By the time it collapsed he had been betrayed by one of his crewmates and the rest had been too busy fighting amongst themselves to help him in his darkest hour. For all of Harald’s diplomatic overtures to distant lands, his own nation had deep rifts between factions that led to constant infighting. A little of that peacemaking at home would have been nice. He spent so much time overseas that he neglected his two sons, creating every circumstance they could want to thrive in the future – except for his own love and attention.

After all was said and done, what we are left with is a much clearer picture of why Luffy is the hero of our tale. Many legendary figures have sailed the Grand Line before. However, we do not just need a leader who looks forward to a goal. Finding the One Piece demands a leader who will look behind him, to care for the people who follow in his footsteps as well.

The threefold contrast between Luffy, Rocks and Harald makes this clear. It’s a fascinating use of character writing to drive home a core theme of the larger story. At the same time, it is a strong story in its own right. It also shows the importance of not analyzing these characters as their tropes. Both Rocks and Harald fall into archetypes we’ve already seen in One Piece. Many people thought of Rocks as a predecessor to Luffy himself because he was a pirate who strove to be free of the World Government.

However, that ignores the details of Rocks’ story in favor of his trope. Rocks doesn’t trust his crew, he exploits them. He doesn’t seek his own dream in conjunction with others. He destroys things that get in his way and devours the rest, though not with any malice per se. He’s not typologically related to Luffy or Gold Rogers (who is largely a previous iteration of Luffy’s archetype). The closest character to Rocks’ type in the story is probably Crocodile, who is an unambiguous villain.

If you’re struggling with how to compare and contrast characters who are very similar to each other in a single narrative, I suggest studying One Piece. As Rocks, Harald and Luffy show I believe it’s very worthwhile.

The Right Tool for the Job

I’ve noticed a growing tendency, when stories are analyzed on the World Wide Web, to talk about them from two angles: Genre and tropes.

Let me start by acknowledging the elephant in the room. I am one of the people who likes to think about genres and tropes, to the point where I once wrote a somewhat lengthy series of posts on this very blog which I titled Genrely Speaking. I enjoyed writing that series and several people have told me they enjoyed reading it. I haven’t added to it recently, largely because I’ve already written about all the genres I feel I know well enough to expound on. I still think having a reference for genre conventions helps more than harms discussions of fiction.

I haven’t delved as deeply into tropes in my own essays but I have read a great deal of that authoritative internet reference known as TV Tropes. I like tropes just as much as I like genres. They’re frequently more useful than not when discussing fiction and they make useful widgets to think about when working on stories or characters. In general, when used wisely, tropes are good storytelling tools.

However, when wisely used, tropes and genres are tools for discussion. Not analysis.

Tropes and genres are like colors. There are a lot of them, theoretically infinite numbers of them, but people have a general understanding of what is meant when they are invoked. No one pictures the same red in their mind’s eye when they hear the name of that color. Yet if I told you my car is red you wouldn’t expect my car to match the exact shade of red your mind’s eye defaults when you go looking for it. You realize that red is a spectrum in the truest sense of the word.

Tropes and genres have the same power. Everyone pictures a different movie in their mind’s eye when they hear of an adventure movie. At the same time, no one would really question you if you said you wanted to watch an adventure movie and you chose Indiana Jones and the Last Crusade. Or The Rescuers: Down Under. Or Jason and the Argonauts.

That is because these are all adventure stories, even though they come from different eras, are filmed in different mediums and feature wildly different protagonists with different goals. When we discuss them, we see the similarities that make them alike, even though they are wildly different. They take us to exotic locations. We go there with brave souls, seeking to fulfill grand and meaningful goals. We will see dangers there and our heroes will overcome them by virtue of their simple yet noble characters, with a decent side of hard work and daring do.

On the other hand, there are problems tropes become a tool for analysis rather than a term for discussion. Take, for example, Rian Johnson’s Knives Out. Knives Out, is a whodunnit murder mystery and one of the key witnesses in said mystery is Marta, a nurse who gets violently nauseous and vomits whenever she lies. These kinds of pronounced personality quirks are very common in a certain kind of mystery. They add spice and interest to the puzzle because they offer the audience testimony they know is true, something that can be leveraged to make the puzzle both easier and more difficult to accomplish.

However, at the climax of the mystery in Knives Out the culprit is cornered because Marta lies several times without apparent difficulty. This is “explained” by having her throw up after the scene is over. The problem is, this breaks the narrative by having the character do something we were repeatedly told she could not do without any clear explanation. There is nothing wrong with this twist inherently. Yet nothing is done earlier in the narrative to justify it so it feels more like a plothole with a postage stamp over it than a serious development of the narrative. This is typically justified as “subverting” the trope underpinning Marta’s character.

Johnson does something similar in Glass Onion, another whodunnit, when he introduces the character Helen Brand as the identical twin sister of the murder victim, Andi. He was praised for doing something innovative and new with the genre. Why? Because the murderer having an identical twin is a trope often associated with bad mysteries.

However, Andi and Helen being twins doesn’t have any impact on the plot, other than introducing plot holes. Andi is invited to a retreat for the tech startup she works for but she’s been murdered. So Helen accepts the invitation in her place, bringing the detective Benoit Blanc along with her in the hopes she can solve Andi’s murder. She isn’t discovered until she reveals herself and the murderer never reacts to her presence with a world famous detective in any way. In short, the twin murderers trope isn’t even subverted. It’s not in play. It’s not even really important to the plot. Andi could have simply survived the first murder attempt and the rest of the story could have played out as written, except with less exposition to explain how her twin sister pulled off impersonating her.

In spite of this, Johnson receives a lot of praise for this decision.

The problem is, subverting a trope is something that must be done with care, thought and careful setup in the narrative itself or it becomes arbitrary, dependent on the audience reading the story rather than the storytelling. These choices do not expand on the story’s theme, do not illuminate the characters, do not add intrigue. They just eat up screen time and appeal to the audience’s understanding of tropes and conventions to make… a joke? Do they even have a point? It’s hard to tell.

Overall it’s poor craftsmanship and worse communication. Yet Johnson has received a lot of praise for the way he plays with tropes because people are only looking at the tropes and not the way they fit together. It’s a bit like looking at a house built with cedar wood and praising it for its excellent construction, in spite of the cracked foundation and leaking roof. The building is more than its materials just as a story is more than its genre and tropes.

This problem can creep up in the reverse, as well. In the manga Freiren: Beyond Journey’s End, the character of Himmel is vitally important to understanding the world. He is a hero who spent a decade of his life fighting demons and eventually defeating the demon lord, ushering in a more peaceful era. One of his companions, Freiren, is an elf who ultimately outlives him. As the name implies, Freiren: Beyond Journey’s End focuses on what this elf does in the decades after their triumph over the demon lord. It’s a deep, introspective story about memory, identity and what it means to live for a really, really long time.

Himmel is a character who is vitally important to understanding Freiren’s emotional journey. Those that pay attention find him to be a rich, fascinating and nuanced man. However it’s common to see the general discourse online boil Himmel down to a flat, simple character who was “the hero.” He fought the demon lord because he was the hero. He won because he was the hero. He was a charitable man because he was the hero.

This ignores Himmel’s boundless ego, an ego that led to him personally posing for statues in dozens of cities across the north. It ignores how hard he pushed his companions to measure up to his standards. It overlooks his naivete in the face of demonic evil, which led him to spare his enemies early in his career and directly led to tragedy. Most of all it ignores the many questions Freiren’s relationship to Himmel raises about him.

Himmel was in love with Freiren. Yet in spite of the many opportunities he had to appeal to her he never offered her a relationship, even once their work was done. Why? Time was a chasm between them – Freiren is more than a millenia old – and Himmel was deeply aware of that. Was that enough to drown Himmel’s high opinion of himself?

There are hints part of his obsession with statues stems from that. Was Freiren the source of his craving for legendary status or did she just feed into something that already existed?

Was Freiren really unaware of Himmel’s feelings? If so, why did she find herself weeping at the graveside of a person she only knew for ten years?

These and other questions are a vein of deep, rich reflection on human nature encompassed in a charming, heartwarming story that plays out at an expert pace. Slapping a simple label on this central character and saying, “It’s because he’s the hero” is a grave disservice to the author, the characters and the audience. Yet when tropes become analytical tools, that’s exactly what happens.

I like tropes and genres. They’re very useful tools for summing up an idea when we start to explore it. Yet when they become the end goal of exploring an idea we’re locked into simple, shallow and ultimately flat considerations of those ideas. Stories suffer for it and so do we. To go back to an earlier analogy, it’s best to think of tropes as the materials we build our story from. They have strengths and weaknesses of themselves, sure. However, in an actual story they have to be shaped, fitted and attached to one another with purpose and skill or even the best trope will make for a poor story.

Focus on purpose and skill and we’ll see better stories overall, no matter what genres and tropes are used.

A Precious Cornerstone – Afterwords

The status quo is often invoked as a negative thing. People try to escape it, war against it or moralize about it but rarely do they embrace it. Yet, for the fiction writer, the status quo is an incredibly useful tool.

Building a story from the ground up is an incredibly demanding task, requiring the construction of coherent characters, worlds, conflicts and story arcs. Once the story is over you need to start that process all over again – unless you have a status quo. If there is a predictable place that your stories starts from and ends at then you can save yourself half or more of that work. Coherent characters and worlds continue to exist, you only need to add conflict and arc. Certain kinds of conflict can even bake themselves into the fabric of the status quo.

These reliable touchstones in a story aren’t just there for the benefit of the creators, either, audiences like them a great deal as well. It can be incredibly draining to spend so much time learning new characters and worlds every time you crack a book or sit down for a movie. Sometimes you want to slip into a story like an old pair of slippers. The familiar is a powerful draw for consumers who will often read the same story with a different coat of paint over and over again. In more optimistic terms, TV shows have perfected the craft of offering viewers the same character solving new hurdles every week.

That doesn’t necessarily the status quo is a good thing.

Like many things that creep up in artistic pursuits, the status quo is not strictly positive or negative. On the other hand, it is something you must be aware of.

When I set out to write Firespinner, Roy’s first adventure, I made it a point to set a status quo that I thought would facilitate the widest variety of potential stories. Roy was a travelling mercenary, moving about the Columbian West, doing whatever was needed. He would never be in the same place twice. He would ostensibly work alone but forever be pulling in favors, expertise and allies from various parties.

I always knew Roy had a “home base” he worked out of, that it was called Oakheart Manor and that I wanted to set a story there. In point of fact, A Precious Cornerstone was one of the first two story ideas I had after I started on Firespinner (the other being Night Train to Hardwick). Ironically, that alone broke from the status quo of one of Roy’s adventures. He’s not there to work, he’s there waiting for his next job and keeping in touch with his broad library of connections.

That’s a pretty passive role and makes it difficult to build conflict out of. The idea that he’d picked up an object someone else wanted and would try to steal quickly occurred to me and the events of Cornerstone eventually grew out of that. However, given the nature of storytelling, the balance of things made it difficult to make Roy the protagonist. He’s not pushing events forward. Largely he reacts to input from Cassie and Marius, which makes his point of view very important but not really that of the main character.

That’s Marius. He’s the one on a job, he’s the one who wants something and, I quickly realized, he’s the one who should get it. That was another break from the status quo. Roy doesn’t lose very often, which makes sense because he is the protagonist, he’s well equipped and very experienced. That means the person who bests him needs to be all those things, except moreso.

At the same time, just being equal or better than Roy on all counts doesn’t mean all that much given that our hero is usually behind the ball. He’s quite used to people who outclass him one way or another. He’s also used to winning. I needed another element to break Roy off from the confrontation. There had to be something beyond physical defeat to ensure that Roy doesn’t pursue the conflict perpetually because he’s a stubborn man. That was the origin of the three coin duel. That was also the origin of Cassie’s betrayal.

Either one of those things might not be enough to stop someone like Roy from pursuing Marius to the ends of the earth (or at least southern Tetzlan). However, I felt like both of them are enough to tell him he shouldn’t pursue the path. At the same, the Fairchilds have become a steady part of Roy’s status quo, allies that are nice to have for the characters and the audience. Putting a wedge between them is another change to the status quo…

Will the breach ever be mended? Time will tell. But you shouldn’t be surprised if Roy is forced to work in solitude again, at least the next time he turns up around here. Will that become the new status quo? That’s harder to say.

In the meantime, I hope you’ve enjoyed this story. I had a lot of fun writing it. Now my attention turns back to the wild realms of Nerona, where Cassian Ironhand and his friends are finding their way through a new city with new problems…

But before that, I’ll be taking a week off and indulging myself in a few more essays on the art of writing. I’ll see you April 4th!