Book Binding

The runner burst into the bullpen and announced, “There’s an Anarchy loose on Baker’s Street!”

Vander dropped his pile of Ink slips in a heap on his desk, grabbed his ledger and leapt to his feet, head swiveling until he spotted the boy. “When did it appear?”

“Twelve minutes ago, give or take,” the runner said, dashing up to him, doffing his cap by the brim and fishing out a sheet of paper.

“Has the Tower of Law dispatched anyone yet?” Vander flipped his ledger open and creased a page back towards the binding, creating a new section.

“George Randolph Hartley, the Elder.” The runner offered Vander the slip of paper with his bet marked on it. “I have twenty on him taking it.”

“I haven’t even put odds on it yet,” Vander said.

The runner offered a savage grin. “On Hartley? Come on, Van, you know he never fails.”

Vander plucked the page out of the runner’s hands and slid it into his ledger, letting the book’s Axioms bind it in place. “That’s not the way the odds work, boy. Stick with the Library long enough and you’ll learn to appreciate that.”

“I’ll learn whatever you want so long as you give me the odds.”

“Three to one.”

“Good enough for me.” The runner grinned again and took off to whatever the next stop on his circuit was.

The ledger went into the inside pocket of Vander’s jacket as he pulled it on. As he snatched his hat off his desk he slipped his oddsmaker’s card into its band before tugging it onto his head. A check of his pockets confirmed he had all his blank slips and Ink bottles. With a nod to himself he strode out the door of the Library bullpen towards Baker’s Street.

It hadn’t been that long since Vander was a runner himself and the urge to take off for his destination in a dead run was hard to ignore. However, that wasn’t his part to play anymore. Oddsmakers had other things to think about. So he tilted his hat back and strode confidently down the streets towards the south, one hand resting inside his coat on top of his ledger. It took all of thirty seconds for the good people of Ivybrook to take note of him.

“Hullo, Oddsmaker!” Called a pug faced boot waxer, hopping up from his stool on the street corner. “What’s the word?”

“A loose Anarchy in the brick maker’s paradise, my good shoe shine. They say Mr. Hartly himself is on his way to care for it.” Vander flicked his ledger out and the book opened itself, hovering in the air in front of him in an expectant fashion. With his other hand the oddsmaker offered the other man a slip. “Take a chance on it?”

“What kind of Anarchy?” The boot waxer asked, his deep set eyes suspicious. “And the younger Hartley or the elder?”

“The elder,” Vander said, proceeding onward at a steady pace. “No word on the class of Anarchy yet, though we’ve had plenty of Sensory Anarchies in the last few months. We’re overdue for a Material one.”

The shoe shiner fell in beside Vander as he scratched his scraggly beard. He had to trot along quickly to keep up with Vander’s longer strides. “Aye, that’s what worries me. Hartley’s old and savvy but his Axioms are a bad fit for a Material Anarchy on the biggest brick baking street in the city!”

“You could always bet on the Anarchy…”

“Ain’t sit right to bet against the home boys.”

Vander slowed a bit and stared hard at the boot waxer’s watery blue eyes. “Sir, you’re not speaking to any old oddsmaker. I am from the Library of Chances!” He held out the Ink slip. “We give odds on anything you’d like, and if you’d like four to one on the chance that Hartley finds Ivybrook’s seventh Sensory Anarchy in a row then you may certainly have it.”

Those eyes sparkled at the offer of easy wealth. The boot black took the slip and deposited several drops of Ink onto it saying, “That’s quite a generous offer, oddsmaker. I’ll put five on it.”

He squashed his thumb onto the last drop of Ink and handed the slip back to Vander before returning to his shoe shine station. Like the first drop of rain from the sky, the boot waxer’s Ink was rapidly followed by a torrent more. Vander hadn’t even bound the slip into his ledger before two businessmen in fine waistcoats and billowing robes approached him. The taller worried the point of his ivory beard between his fingers as he said, “Anarchy on Baker Street, was it?”

“As you say, sir!”

The shorter had produced his own Ink bottle from his pocket and dribbled some of the precious substance onto a paper as he said, “Fifty drops says it gives old Hartley the slip.”

“A daring choice, to be sure, though at six to one odds it’s worth considering,” Vander said, binding the man’s betting sheet to his ledger. “Not a fan of Hartley’s?”

“Not a fan of easy Ink,” the taller said with a laugh. “Ten drops on the Anarchy being Material.”

Another Ink slip bound into the ledger. “That will get you two and a half to one, sir.”

They turned back towards their original destination and Vander continued on his way. Once he rounded the corner at Ordination Street it was a straight shot south to Baker Street, moving at the same even pace the whole way. Word of the Anarchy there had already spread. At least a dozen other citizens stopped to ask what brought him into the street and what odds he would give them on this aspect or that.

As Vander got closer to the scene of the action he passed more and more people moving away from it. Few stopped to ask him questions or place bets. Fewer still responded when he asked them questions. It was a common problem when giving odds on something as dangerous as an Anarchy. Most people didn’t want to look at it too closely, not when they could just leave the vicinity as quickly as possible. Yet good odds required good information and good instincts. Vander had carefully cultivated the latter over the years but getting ahold of the former never seemed to get any easier. It was confounding considering how much Shirelings loved gossip under other circumstances.

Ultimately there was nothing for it but getting to Baker Street as soon as possible. As the city’s crowds thinned out the brick kilns that gave the street its name came into view, a perpetual coal haze giving the neighborhood a grimy feel. In sharp contrast a piece of rich, purple cloth with bright red embroidery hung from the open doorway of a shop front, flapping gently in the fall breeze. A twinge of anticipation shot up his spine. He was getting close.

“Sarah, Sarah, Sarah O’Hara,” he whispered under his breath. “Bright red locks and skin so fair…”

As if summoned by the lyrics of the children’s rhyme, the woman herself emerged from the fabric, the cloth of her veil emerging from the scarf she’d left in the doorway with a sudden twist that defied human vision. One moment the doorway was empty, the next she was there. With a flip of a single hand, gloved in the same cloth, she pulled a blood smeared workman out behind her and gently laid him down on the ground. She knelt down by him, a bottle of some tonic in one hand, but he waved her away. She hesitated, clearly of two minds.

“Miss O’Hara!” Vander called, closing his ledger and increasing his pace to a light jog. “Miss O’Hara! A moment of your time!”

Her attention swung around to him, a worried look quickly melting into an expression of contempt that was a poor fit for her fine boned features. Like Hartley, her senior Lawman, she was no fan of the Library. “No bets, oddsmaker.”

“Just a question then?”

In response she rose back to her feet, the cloth fluttered between them and she vanished into it once again. The workman watched her go with a vaguely satisfied look. Vander knelt down beside him, opening his ledger once more. “It got you, did it?”

“Glancing hit,” the man whispered. “Here to put the odds on it?”

“What else?” Vander examined the man, looking for the source of the blood, but realized it was just a slowly leaking scrape on his forehead. Hardly enough to explain his thready voice and pale color. He carefully probed the bricklayer’s torso and elicited a groan.

“Side,” he muttered. “Crushed ribs.” Vander heard a wet gurgle in the second word but he tried to ignore it.

“A Material Anarchy then,” Vander muttered. “And half the neighborhood full of bricks. What is it doing with them? Melting them? Bouncing them like rubber?”

“Not Material.” The bricklayer carefully pointed at a ceramic tile with a blue star painted on its glazed surface, for sale in the window beside them. “Sidereal.”

Vander’s stomach clenched. A Sidereal Anarchy in Ivybrook? He’d have to check the Library to know when the last time something that unlikely had happened. If it ever had.

“Oddsmaker.” The other man tapped him on the leg. “A bet.”

Vander shook off his surprise and pulled an Ink slip from his pocket. “Of course, sir. Your name?”

“George. George Potter.”

“Ah! The same name as Master Hartley. That’s some luck, sharing a name with the Lawman who came to save you.” Vander forced himself to smile, doing his best to appear comforting.

“Some luck. Yes.” George’s smile looked almost serene. “My bet: I survive the day. Three drops. What odds?”

Vander’s smile faded as the nature of his work forced him to answer. “Eighty to one.”

The brick maker looked skeptical. “And what are they in truth?”

“Eighty two to one.”

“Less than I thought. Five drops, then.” He pulled a small, porcelain bottle from his pants pocket and held it out, hand shaking. “George Potter, Twenty Six Pushkin Lane.”

Vander quickly finished filling out the Ink slip and took the bottle from him. “Best keep breathing, then, Mr. Potter. Now, if you’ll forgive me, duty calls.”

The Anarchy itself was only a block and a half away, looming over the intersection of Baker’s Street and Gaspard’s Way, a place called Bricker’s Square. Looming was the only word Vander could think of for it. As the name implied, there were no rules to an Anarchy, they followed no predictable structure and, indeed, the appearance of each was entirely unique. Sensory Anarchies were a riot of colors, sounds and smells, no two alike. They might be tall pillars of light and sound or deep pools of dark and loathsome smells. Material Anarchies absorbed whatever was around them, becoming spinning discs of stone or trees that wormed along the ground like a snake.

Vander had never seen a Sidereal Anarchy before. He wasn’t sure he was seeing one now. Instead it looked as if the sky a few dozen feet over the rooftops of Bricker’s Square had transformed into the inside of a cave, if the ceiling of that cave was lined with strange trees and thick brush with wild green fronds for leaves. In short, it seemed there was a jungle upside down in the sky overhead. Huge snakes, uprooted trees, savage cats and swarms of insects all tumbled down from the Anarchy in an almost constant stream, pelting the Square.

Or rather, most of the Square.

At the western entrance to the intersection, feet astride Gaspard’s Way, stood George Randolph Hartley, the elder, surrounded by open grimoires, protected from the unnatural rain by a pale blue dome. Ivybrook’s foremost Lawman was in fine form that day.

He had lost his hat at some point in the battle, that was true. As a consequence the world could see graying hairs and a receding hairline that were less than flattering. An observant man might note that his stomach hung a bit further over his belt than it had when he led the Lawmen in the Founder’s Day parade a year ago. His muttonchops whiskers, though luxurious, were now out of fashion.

But his hands worked quickly, a brush in one and a draftsman’s compass in the other. As Vander watched, Hartley painted in the pages of one of his floating grimoires, the pale, rust colored Ink on his brush glowing faintly with the Axioms it contained. The fingers of his other hand looped the compass around and around, deftly expanding it a tiny amount with each revolution. Each time it completed a loop the glowing dome expanded another foot. Any creature or debris from the Anarchy that came into contact with the blue dome seemed to fade to transparency, flicker once or twice then vanish.

It was impressive work. Especially since Hartley was dealing with something as bizarre as a Sidereal Anarchy.

Vander struggled to recall anything about that kind of Anarchy. The only detail that came to mind was that they joined distant places together. The name Sidereal was given to them because most scholars agreed they did not just join places on Terra but rather spanned the far reaches of the stars, bringing weird and unnatural forms of life to their little planet with malice and cruelty for all involved.

“Not a pretty sight, is it?” Vander tore his eyes away from the Anarchy to find that Hartley’s other famous apprentice had put in an appearance – his son, George Randolph Hartley, the younger. Randolph to his friends. He was the spitting image of his father. Average height, stocky build, wild, curly brown hair. Randolph was clean shaven and twenty pounds lighter than his father but otherwise they could easily be mistaken for one another. Except the bright purple and red scarf he wore and the bleeding man he carried made who was who obvious.

“Ever seen one of these before?” Vander asked, running his fingers through the Ink slips in his ledger.

“In books and one of Father’s paintings.” Randolph pulled off his scarf and snapped it once, twice and a third time. O’Hara emerged from it and scooped up the injured man. Then she was gone again. As he wrapped it back around his neck he said, “You’re the first oddsmaker on scene. What are our chances?”

The gambles recorded in Vander’s ledger were more than the collected hopes of the people of Ivybrook. They were a window, however flawed it might be, into the laws of probability itself. If this Anarchy was going to be restrained then every Law known, however poorly understood, must be brought to bear on it. Yet Vander struggled to formulate what kind of odds could apply to the current predicament.

The strange image overhead spasmed, a distant voice booming out garbled and meaningless words. The inverted forest began to disappear in the same way the shadows faded before a creeping sunrise. Except it didn’t reveal the hope of a better day to come. Instead the vibrant green was replaced with a blinding white and a blast of icy cold wind fell on Bricker’s Square like an avalanche. It tore Randolph’s scarf from his hands and sent it billowing down the street, away from the action.

Vander’s ledger was nearly swept away as well. If he hadn’t been holding it in his hands right that moment he would surely have lost it and with it any hopes of constraining the Anarchy through the odds. It was, he realized, a fine bit of luck. And, of course, there was Lucky George, who turned the father and son duo into a perfectly symmetrical trio. In point of fact, they might be very lucky that day. With a surge of confidence, Vander raised his voice over the wind and yelled, “Two in three. You can handle this one, Lawman, but it’s not a sure thing by any stretch of the imagination.”

“Well then, we’d best get to it.” Randolph pulled his hat a little lower over his brow to shelter him from the wind, pulled a grimoire out of one of his robe pockets and pushed into the wind, heading towards his father.

Vander pulled a bottle of Ink out of his pocket, fumbling to uncork it with stiff fingers as he watched the battle unfold. The debris and animals from the jungle hadn’t vanished when the Anarchy changed but the cold made the snakes and insects useless almost immediately. That left a pair of panthers stalking Hartley. His son charged towards them, his grimoire unfolding to a roaring locomotive made of paper and Axiom. It blasted steam with a soul shaking whistle that sent the cats running scared up Baker’s Street.

That would cause some sort of a problem eventually and Vander went to make a note of it in his ledger. However, as he dipped his pen into the Ink he felt an odd scraping sensation. Confused, he looked down. The Ink was frozen.

The odds had changed and, worse, Vander wasn’t able to make note of them in his ledger. Cupping his freezing hands in front of his mouth to form a horn he yelled, “One in four, Hartley! One in four!”

But between the howling wind and the puffing locomotive grimoire Vander could tell they hadn’t heard him. At least he could tell Hartley understood the problem. His dome shield was gone, he’d had to put his compass away to hold onto the book he was painting in, and he’d met Randolph halfway, rushing to the side of the glowing steam engine construct his son created. Hopefully the heat would be enough to thaw his ink and let him return to his art. Which brought Vander back to his own predicament.

Thankfully he was on Baker Street, where the finest bricks in Ivybrook were made. He looked around for the closest smoking chimney and rushed into that building, fishing some coals out of the kiln there and into a thick, clay bowl waiting for firing. He dumped sand from the sand pail on top of the coals and then stuck his Ink bottle on top. The whole process took a minute, perhaps two. In the midst of it he heard an incredible bang, like a balloon popping, and by the time he got back out into the Square everything was different. Again.

Randolph’s locomotive was torn to shreds, the pages of its grimoire scattered and burning all up and down Gaspard’s Way. To make matters more confusing the rest of Bricker’s Square was ankle deep in liquid. Torrents of foul smelling saltwater cascaded out of the sky, pouring down the sides of a colossal serpent that had fallen through the Sidereal, thrashing and snapping jaws the size of an elephant this way and that. At a guess Vander thought there might be fifty or sixty feet of the creature in the square. Yet some part of its body was still on the other side of the Sidereal Anarchy in whatever horrid ocean had given birth to the creature. The sight of it’s enormous body rising into the air and disappearing through the Anarchy was the most surreal thing he’d seen yet.

Hartley and son were no longer on the ground. In fact, Vander only spotted them on the roof of the square’s tallest building because they were still beside the huge purple flag O’Hara had used to bring them there. Randolph had opened two new grimoires, one packed with raw, pulsing Axiom that poured out of its pitch black pages and into pages the other, which was unfolding itself into two enormous purple hands that grabbed the sea snake and slammed it to the ground. Vander felt like the whole world shook on the impact.

Even with the snake’s head and twenty feet of its body pinned more and more of the creature’s bulk was sliding through the Anarchy into the Square, coiling and thrashing as it tried to escape Randolph’s grip. Vander cursed and scrambled back into the building, barely getting away before the serpent’s flank crashed into the wall. The building’s front cracked and partly collapsed under the impact. The oddsmaker dashed out the back, running down the back alley with his bowl balanced on one hand. “One chance in eight, now. One in eight!”

It was doubtful anyone could hear him.

After running half a block at a dead sprint he looped back around on Baker’s Street, pausing just long enough to note the changing odds in his ledger now that his Ink was thawed. He set the bowl and sand aside, hoping to return it to the kiln’s owner, and sloshed through the ankle deep water filling Baker’s Street back towards the Square. Along the way a bright swatch of purple caught Vander’s eye and he fished Randolph’s lost scarf out of the water right as the liquid started turning a ghastly shade of muddy red.

The Anarchy had changed again, cutting the snake in half and leaving the bloody stump of its body thrashing weakly in Bricker’s Square. The Sidereal’s new terminus was a volcanic landscape. Heat poured out of it in waves and the skin of the serpent began to blacken and crack accompanied by a smell more vile than a fish market in summer. Compared to most of what he’d seen so far Vander thought it was fairly pleasant.

Even better than that, Hartley was finally ready to make his own move. One of Randolph’s giant hands took up O’Hara’s flag and carried it to the opposite side of the Square. A moment later she stepped out of it, a rune covered rectangle three feet by four held in one hand. Randolph held it’s matching counterpart in his own hands while the hands of his grimoire shrank to nearly human size and picked up the two halves of a pole and carried them to the other two sides of the Square.

Hartley himself was surrounded by an almost solid dome of pages, his brush moving swiftly to put the finishing touches on his work, a half a dozen empty Ink bottles of different colors scattered about him. The scorched tarn in the sky began to change to a dark, rocky landscape lit by a handful of barely visible stars. A sudden, unnatural wind kicked up, rushing into the Square. It felt for all the world like the Anarchy was taking a deep breath as it prepared for its next great eruption of violence.

The papers surged up and stretched over the Square, flying over the Anarchy and the square in a solid, unbroken sheet. For a moment they hung there like a hot air balloon that had sprung a leak. Then Hartley waved a hand down and the papers slammed to the ground, pressing the Anarchy to the earth like a flower pressed in a book. The wind cut off. The serpent and the water and much of the rubble disappeared under the Anarchy, presumably expelled back out into the Sidereal places beyond it.

Vander looked over the papers in stark amazement. The backs of the papers were painted with a mural of Bricker’s Square as seen from above. If he didn’t look closely he might almost be convinced that nothing about the intersection had changed since the day previous, Hartley’s painting was that convincing. Under any scrutiny the illusion fell apart, of course. The brushwork was rough and the colors didn’t quite match reality but the intent of Hartley’s masterpiece was obvious. He was going to press the Anarchy under the weight of the Square and force it to conform to the laws of the world or depart it entirely. Paper wasn’t the best medium to enforce the Axioms of brick and stone. Hopefully the artistic eye that had made Hartley Ivybrook’s greatest Lawman would be enough to make up the balance.

“One in six,” Vander muttered, scribbling the change into his ledger. He wanted to tilt things more in the Lawmen’s favor but his own professionalism wouldn’t let him. There was just too much he didn’t know about what they were dealing with. Already the Sidereal Anarchy was proving itself more than they had bargained for. The painting Hartley had woven together was bulging unnaturally as the creature beneath it struggled to break free, the outlines of limbs distorting the image of the square as they struggled against the paper pressing it down.

Anarchies had made themselves known since time immemorial. In all that time no one had ever managed to draw any definitive conclusions about what they might look like or whether they would be intelligible or not. As one might expect of beings that embodied chaos, each was different. So Vander was not surprised to count seven limbs with three joints in each. That was as expected as any other possible body plan. He was far more disturbed at the pure strength they demonstrated, pushing so hard part of the Square caved into the sewers below with a crash. Splashes echoed up from the storm drains lining the streets.

Randolph and O’Hara leapt down to the ground, the runes on their boards glowing bright. In response Hartley’s painting began to glow as well. His apprentices held up the boards with runes facing each other and threads of Axiom began to weave their way between the two boards and between the boards and the mural on the ground. The grimoire hands lowered the poles it was holding and began to weave those threads together, slowly binding the paper and boards together.

As the threads began to pull the paper naturally developed wrinkles and folds of its own. A few of the Anarchy’s limbs seemed to get caught and folded up into the paper but three of them managed to wiggle out. Two of them dug into the painting from below, one with claws and one with disturbingly human looking fingers. As they pulled the paper taught the third stabbed it with a single large, sharp limb, tearing the painting to shreds and freeing that side of the creature’s body. All three limbs tore their way out from under the painting. Vander’s heart sank as the odds tilted wildly against them.

The situation spun out of control far faster than one might have expected, even from a situation where the odds were one in twenty. The humanesque hand grabbed O’Hara’s board, wrenched it away from her and threw it on the ground. Her arms from the elbow down went with it.

At first Vander didn’t fully comprehend what happened. The Anarchy’s arm was already beginning to warp and distort out of predictable, reasonable forms and back into a doorway to other places. It was only when bright red blood splashed onto the painted ground that he made sense of the torn stubs the Anarchy had cast aside.

O’Hara dropped to the ground, her high pitched scream rising over the Square. Vander cast his ledger aside and grabbed for the scarf he’d picked up then snapped it three times like he’d seen Randolph do before. Unfortunately nothing happened besides O’Hara’s scream faltering. It must require she do something on her side. Growing frantic he snapped it three times once more. The scarf suddenly grew heavy in his hands and O’Hara dropped out of it onto the ground. Her face, pale under the best of circumstances, was practically translucent and a trickle of blood dribbled from the stumps of her arms. Vander quickly took the scarf and tied it on one arm as a tourniquet. He used his belt to make another. He was busy trying to cinch it down tight when he caught something intelligible among O’Hara’s pained gasps.

“You have to finish the binding.” She flailed the arm with the scarf and he realized she was no longer wearing her veil. “I’ll send you.”

Vander finished with his belt and grabbed his ledger, shoving it into his jacket pocket before taking the scarf and asking, “Is there anything I need to do?”

“Tell me what our chances are.” It was hard to tell if her sour expression stemmed from pain or something else.

He grimaced. “One in ten, at best.”

The scarf went up over his head and for a brief moment Vander felt like he was wrapped in a nest of soft, fragrant fabric. Then it pulled away and he found himself standing beside the mural of the square as the Anarchy’s limbs flailed in a bizarre grapple with Randolph’s grimoire hands. Loose pages painted with patches to fill in the hole in Hartley’s painting flew over in a continuous stream, smacking into the limbs and slowly dragging them back to the ground. The stabbing, pointed arm was already mostly tied down again but the other two were still struggling and gradually pulling other parts of the mural apart. If left as is they would undoubtedly get the main body of the creature free again.

The board that would let them complete the ritual was sitting on the mural a dozen feet away. Vander tucked O’Hara’s veil into his belt in case it came in handy again and scrambled for the board, a carefully lacquered and painted piece of cherry wood, and hefted it in the air. He waved it twice and bellowed, “Randolph!”

The other man pulled his attention away from the struggling hands and raised two fingers to acknowledge Vander’s presence. Then he pointed towards the ground. Vardar followed the line just in time to see one of the Anarchy’s limbs surging underfoot, throwing him to the ground. Before the Anarchy’s limb could get free Vander elbow crawled off the mural as fast as possible. By the time he got to his feet the whole fabric of the painting was surging and straining as the Sidereal struggled against it.

Randolph held his board aloft again and Vander matched the motion. Hartley swooped by overhead, flying on a metal sheet shaped like the prow of a boat. He continued to rain down new pages to repair the mural.

The hands of Randolph’s grimoire snatched up their rods again, frantically weaving through the strands of Axiom, trying to undo all the damage done to the Anarchy’s containment. Hartley’s voice rang out from above. “The Law stands that men may know peace and not war!”

The whole mural surged upward once then slammed itself down on the Anarchy. In response the arm ending in a humanesque hand stretched up as far as it could reach. It pointed a single finger towards the sky. A shriek like steel scraping on steel rose from beneath the paper. “IGNIS.”

The Anarchy’s voice hit Vandar like a physical thing, causing the muscles on his back to lock up. His ears rang as its echoes faded. Yet he could still hear the next words in Hartley’s invocation. “The Law moves that the sun might rise and the world turn.”

The Anarchy’s hand turned about, an eye in its palm looking about until it locked onto Hartley. “FATUUS.”

The rods finished weaving the Axiom together and they flew out of the grimoire’s hands and attached themselves, one to each board. The web of Axiom connecting them to the painting began to pull itself tight. The mural came free of the ground, wrapping itself around the Anarchy and, at the same time, separating itself into pages that bound themselves to the poles and boards, forming into a new book.

Hartley stared down the Sidereal hand saying, “The Law fails if we choose not to keep it.”

The Anarchy pointed its finger at Hartley. “LUMLUSTRII.”

“So we turn its pages that we might learn.” Hartley stretched his arms out wide then clapped his hands together in front of him.

The covers of the book tried to slam themselves closed but the Anarchy’s claw arm jammed them open, its claws braced on one cover and its elbow braced on the other. Randolph’s grimoire hands grabbed at the limb and began to tortuously push it into the pages. But the humanesque arm was still free. Though muffled, the Sidereal’s final word could still be heard clearly. “PRIMORII.”

The hand lunged at Hartley, stretching further than seemed physically possible. At a loss, Vander grabbed his ledger and threw it at the Anarchy’s limb. The ledger’s impact wouldn’t have done anything to the Anarchy’s arm under normal circumstances but now that it was stretched thin it was far less solid. Though Vander was no record setting thrower he still hit the limb with enough force to knock it off course.

Instead of piercing Hartley’s hands, potentially breaking the binding ritual, the finger plunged into his eye. Hartley bared his teeth but didn’t cry out. Randolph grabbed the covers of the book with his own hands, adding his strength to that of his grimoire, and combined they pushed the book closed. There was a flash of Axiom and new threads wrapped around the Anarchy’s remaining arm. It was dragged twitching into the pages of the book.

Just like that Bricker’s Square fell quiet. A strange smell hung in the air, the walls of the buildings on the north side were cracked or collapsing and a deep sinkhole now led down into the sewers. Streaks of sea serpent blood still stained the ground. But the sky was once again clear and blue and the breeze was cool and gentle.

The enormous codex that now contained the Sidereal Anarchy tumbled to the ground, already shrinking to the size of a normal grimoire. Randolph ignored it and sprinted over to his father. Vander realized he was incredibly tired and decided he would take a seat right there in the middle of the Square.

“Are you alright, sir?”

Vander took a break from enjoying living and breathing to examine the runner that had just arrived. It was a different one from the boy that had announced the Anarchy’s existence to him not more than half an hour ago. This one was older, perhaps on the verge of becoming an oddsmaker himself. He certainly had the politely disinterested attitude down. “I’m fine. What route did you take, runner?”

“Came up Baker Street, sir.”

“You didn’t happen to see a man lying by the ceramic store with blue star tiles in the window, did you?”

“Yes, sir,” the runner said. “There was a corpsman attending to him so I didn’t stop.”

“A corpsman?” They wouldn’t have stopped to give him medical attention if he wasn’t going to make it. “What do you know about that. All three Georges safe.”

“Sir? Do you want me to take your Ink slips back to the Library for the accountants?”

“Yes. Give me a moment.” Vander pushed himself up and went to retrieve his ledger.

On his way back to the runner his eye fell on the codex, still sitting on the ground and steaming as the Axioms and Anarchies within warred with each other. They hadn’t yet reached a state of balance. However one thing was clear. The codex had already formed a unique and disturbing cover.

“Something wrong, oddsmaker?” Hartley asked, leaning on his son’s shoulder, a handkerchief over his bleeding eye.

“Look at this.” Vander carefully picked up the codex using O’hara’s veil. Hopefully the Axiom in the cloth would cancel out any Anarchy still leaking out of the pages.

Hartley chuckled darkly. “Not in the best shape for that right now, am I?”

“Doesn’t matter.” Vander turned the book so Hartley and Randolph could see the cover. The original runes there had been replaced with a new engraving. A single human eye stared out from the center of the cover, cupped in a pair of feminine hands. Beams of light radiated out from them. “The pages have tasted blood, Lawman Hartley. This codex isn’t safe. It needs to be disposed of and the Anarchy rebound.”

Randolph frowned. “It’s Sidereal. No one willingly frees those and rebinds them. It’s far too dangerous.”

“It’s a blood codex,” Vander snapped. “Do you know how often one of these will drive its keeper insane? The odds are one in two after five years, Hartley. Five years!”

Hartley gently folded O’hara’s veil around the codex and took it from Vander’s hands. “There are ways for us to deal with those risks. We’re Lawmen. That’s what we do.”

Vander scowled. “Careless risks are unbecoming of Ivybrook’s best Lawman.”

“Well, when he takes such a risk I’ll mention that to him. What’s your name, oddsmaker?”

“Evander Halloway, sir.”

“Do you know the Mortal Speech, Mr. Halloway?”

“We don’t have the time for many scholarly books at the Library of Chances.”

Hartley nodded. “Then the Anarchy’s parting curse meant nothing to you?”

“I… did not realize it was a curse, Mr. Hartley.”

“A fool’s flame burns brightest before death. A common enough curse among those that spoke that tongue. Strange that an Anarchy would know it but no stranger than anything else about those creatures. So. Given all that and the dangers of a blood codex, which you have already described, a question.” Hartley tapped the book against his chest. “What are the chances the owner of this codex dies in the next year?”

Vander narrowed his eyes. “One chance in one, sir. It’s a statistical certainty.”

Hartley tucked the codex under his free arm. “We will see, then.”

“Yes. I suppose we will.”

A Return to Nerona

The Drownway was the first story I wrote set in the world of Nerona but it wasn’t the first story I conceived of in that setting. That would be Andre Blacklight in the Beacon’s Dark, the first in a trilogy of stories that I imagined intended to explore the idea of anti authoritarianism. It was a big idea and it needed a lot of time to percolate, so my ambitions in that direction wound up on hold.

As is often the case when one of my story ideas needs time to process, I decided to write more stories in the world around the initial concept to try and shake ideas out. The Drownway and the Nerona short stories I’ve published here are all a part of that process. You’re going to see a few more short stories that were also a part of that process soon. It was also my intention to write the sequel to The Drownway this year. However, the more I thought about it the more I concluded that I couldn’t write that sequel until I had set Andre’s first story down in stone. Too many of the decisions in the world needed to have a solid foundation to build on or plot holes could develop.

And the foundation they needed was Andre’s first adventure.

So here we are. Some three years after I had the initial idea I’m setting out to tell Andre’s story, at least in part. I suspect it will be challenging for me, as Andre is a very different man than I am. He is a character with a natural distrust for authority.

I conceived of the character as a critique of anarchy as a philosophy and I thought it would be interesting to cast him as the protagonist of a story because it would force me to be more sympathetic to the character than I am to the philosophy. I knew this would be difficult. I didn’t think it would take me three years to feel confident in how I handled the character. But no small part of the long delay between conceiving of the character and writing him was a result of my wrestling with how to present him fairly.

It’s taken a lot of work, brainstorming, daydreaming and philosophising to arrive at the version of Andre I’m now writing. That may be a testament to my lack of imagination as a writer or my dedication to that craft. I’m not sure which. That said, I have gotten to a state where I think I can handle the character. He’s different from how I originally pictured him and the trajectory of his life has changed radically as well. By the same token, I’m not sure I’d characterize him as an anarchist anymore.

Instead, I hope to study something a little more universal to human nature, which is the better thing to do in story and thus the better choice for Andre. Hopefully the better choice for you, the people as well.

When I was younger it was a common nostrum to be told we should question everything and the common retort was to question the person who told us that. Both the nostrum and the retort were childish, though both sides of the equation no doubt found them profound at the time. The problem with this mindless back and forth is that it lacks depth. It is about as useful as the dew on a blanket, which is to say you can’t use it for anything and it makes the blanket useless, too. Not that the blanket has a direct equivalent in this analogy.

I feel like the usefulness of this line of thought has run out.

My point is that I grew up as one of the first millennials, with a whole generation of very self-satisfied “anti-authoritarian skeptics” (commonly referred to as GenX) constantly proclaiming a philosophy of life that didn’t seem to be making them happy, prosperous or wise. At the same time, I could see there were kernels of truth to their philosophy. However, the successes of GenX’s skepticism had convinced them it was the only tool they needed in their toolbox and they proceeded to slowly drive themselves insane with it. The question I’ve often contemplated while watching it was when the right time for an anti-authoritarian stance is.

I hope to work some of that out with you as we walk through Andre’s story. It’s probably going to take more than two or three individual tales but we’ll tackle them one at a time. For now, we’ll start at the beginning, which is generally the way this is done.

So, the plan for this spring and summer is to publish a few short stories, one detached from the greater Nerona mythos and at least one tied to the history of that storied continent. Perhaps there will be a second Nerona story, perhaps not. I am tinkering with something but I don’t have anything set in stone yet, we’ll know for sure come late May. Following that we’ll plunge into the Beacon’s Dark and learn what it means to shine the darklight.

In the meantime, I will be working on the 2026 Haunted Blog Crawl! I’ll be soliciting submissions starting in a month’s time but I hope my regular readers will consider submitting. My goal this year is to get the submissions up to ten entries! Lots of fun things to look forward to this year.

As I normally do I’ll be taking the next week off before plunging back into the fiction grind May 16th. Stay tuned and we’ll do our best to make it an entertaining time!

Minor Dissonance

One of the most distracting things in storytelling is when an author takes the time to line up a vast swath of details for their story, fact checking them to make sure they all comport with reality, but misses one. There’s an excellent example of this in Andy Weir’s Project Hail Mary, which we’re going to use as our example for discussion today, so be warned that there will be spoilers for the movie. Most likely the book as well but this is a rare case where I haven’t read the source so I cannot say for certain.

That said, we will need to discuss some minor spoilers to make the case so if you haven’t had a chance to watch this film (or read the book) and you wish to engage with it fresh then I won’t mind if you come back later. I can wait. If you aren’t interested in the film, I will be covering the relevant details here.

Let me start by saying that I was pleased with Project Hail Mary and what we’re about to discuss here amounts to nothing more than a nitpick in the grand scheme of things. That said, there are still useful things to think about encapsulated here. So, the premise of Project Hail Mary is simple. An astronaut named Ryland Grace wakes up on a ship called the Hail Mary orbiting the star Tau Ceti with no memories of why he’s there and must figure out his purpose and complete it with no input other than that of the ship’s AI.

Project Hail Mary is a pretty tightly written and enjoyable romp that falls into the genre of hard scifi. The primary defining trait of hard scifi is that all the technological and scientific concepts discussed in it should be grounded in real scientific knowledge of the day. The Hail Mary, for example, is not a faster than light ship. It travels near the speed of light and uses a special fuel that is incredibly energy dense (one of only two speculative elements the story introduces) but it doesn’t use some kind of entirely theoretical system to go faster than light like a hyperdrive or warp drive. If we had the right fuel, we could build the Hail Mary now.

Everything else about Weir’s story is just as grounded. Its orbital mechanics, the environmental effects of the sun slowly darkening (which, it turns out, is the puzzle Grace is trying to solve) and even its brief jaunts into bacteriology. It’s a very solid story, except for one little detail.

See, Grace wakes up with no memories because he was put in a kind of rudimentary cryosleep. Since the Hail Mary is limited by the speed of light it takes a little over eleven years of travel for it to reach its destination and it doesn’t have nearly the carrying capacity to bring along enough food and water for Grace and the other two people on board. They have to be put into hibernation in order to make the trip practical, especially because they may have to spend months or years studying Tau Ceti to figure out what’s going on and why that star isn’t dimming like the sun is. All supplies need to be saved for that part of the trip… right?

Well, maybe not.

Without getting too deep into the weeds, the laws of relativistic physics state that when an object starts moving close to the speed of light the way it experiences time changes when compared to the rest of the universe. A particle moving at the full speed of light arrives at their destination near instantaneously. So how much time did Grace experience on the Hail Mary during his trip? The film doesn’t say. Which raises the question of whether he really needed to be put into cryosleep in the first place.

This is a relevant issue as the cryosleep procedure is integral to the plot. Grace is the only one of the Hail Mary’s three occupants that survives cryosleep and wakes up at Tau Ceti. It’s also integral to understanding his character development and motivations. If cryosleep isn’t necessary for him to survive the journey its use in the story begins to look like a contrivance intended to make the story function, since it’s necessary for the other elements of the plot to fall into place. Yet the movie never addresses this factor.

Now, based on a little research I’ve done it turns out that Grace and his companions probably did need to enter cryosleep. Even if they reached 99% of the speed of light for most of their trip they still would have experienced about a year of travel time on the Hail Mary and, given the realities of acceleration and deceleration it would certainly take longer than that. However, ignoring this issue in the script of the film raises questions and distracts the audience. It’s minorly dissonant. The audience shouldn’t have to do a google search and find a time dilation calculator to figure these things out.

It’s particularly glaring in this instance as the entire story is structured around the necessity of cryosleep where ideas that are less important to the story are explored in some detail. This omission did keep drawing my attention back to that particular story element. However, it didn’t do so in a way that underlined its importance to the plot but rather in a way that pulled me out of the plot and made me question its integrity. And it did it in no small part because so much of the rest of the film fit squarely into the expectations of the hard scifi genre.

It was a clear point of dissonance and it had an impact on the story. Again, not a big one but an impact none the less. It would have been nice to see it corrected. That’s the price of holding yourself to a standard, after all. The closer you get to it, the more glaring any deviation becomes. It’s a lesson in taking care with your stories, no matter what the standard may be.

“Media Literacy

Ever heard of media literacy?

If not, you’re fortunate. The term is relatively new, although it apparently goes all the way back to some time in the 1930s. Part of the problem of figuring it out is that what it refers to is somewhat nebulous.

The casual observer might hear the term and assume that it refers to a collection of tools that help a person extract meaning from media. What makes media literacy so tricky is that the casual observer is correct. At the same time, they’re not.

Most people would break the phrase down to its constituent parts, beginning with “media”, which in this case clearly refers to entertainment in any medium, and “literacy,” which is the ability to understand and create the media in question.

Once upon a time it was thought that literacy developed in the same way one develops a facility for speech – through gradual exposure to writing over time. This theory is largely disproven at this point but its aftereffects are still felt. In the brief time this theory of mind existed an entire new theory of education was built on top of it and the way people were taught to read changed entirely.

At my age I remember the days of phonics. If you were like me, you were taught to read by looking at each letter in a word and assigning a sound to them. You probably said them out loud at first, to help you build the association. When you strung all the sounds together, voila! You’ve read a word.

That is not how reading is taught now.

These days, students are taught reading using a system known as “whole word comprehension” which we will refer to as the cuing method. When reading with this methodology, students look at the general shape of a group of letters. If they recognize the shape of the letters they can assign a meaning to it while if they don’t they look at the first letter of the word and guess.

This is not a joke. Here is Amanda Malone, the state literacy director of Mississippi explaining this “method” to a reporter:

Another method she mentions in this brief exchange is cuing students using pictures connected to words, which I have chosen as the term for this method overall. Neither of these methods is particularly good at creating actual literacy in students. Mississippi used to rank near the bottom of state literacy rates but, since reforms put in place by the state and carried out by Malone and her colleagues, Mississippi has shot up into the top ten states for student literacy.

All well and good, certainly, but the cuing method of teaching literacy has prevailed in schools for some time and it will take time for reforms (and the students educated by them) to spread into the broader culture. That leaves us with its shortcomings for quite some time. Assuming that the old, phonics driven method of education ever makes a complete return.

See, the cuing method is very seductive for teachers. It does something that phonics does not. When students are taught to read via cuing it makes the student entirely dependent on the teacher to figure out the meaning of every word. As Malone and the report discuss, even a simple three letter word that starts with “c” could have any number of meanings. It is teachers who shape the words. Not readers.

And they don’t just get to set the meanings of words. They can shape emotional reactions by always placing those meanings in specific contexts. This has the knock on effect of making the words feel meaningless in new contexts, even though human language is designed to be flexible enough to fit multiple contexts. However, if teachers never present specific framings of words they can make those frames feel alien and even offensive to their students.

Scale this back up to media literacy. What does it mean to be media literate?

A lot, actually.

Psychologically, people tend to structure their thoughts based on the last form of communication they’ve learned. Literacy, as previously noted, is not natural and thus tends to come very late in a person’s communication education. Unless you are a polyglot who learns numerous languages, you are probably going to construct thoughts using the literacy techniques you were taught in elementary school.

This means that modern media literacy is built on the cuing principle.

If you’ve ever tipped your toes into YouTube media criticism you’ll quickly discover that there are whole spheres of commentary that are designed to cue up framings for stories so people can understand them. We’ve actually spent the two previous weeks discussing the results of that. Yes, I believe the tendency to judge characters and stories by archetypes and genres is a direct result of the cuing principle that was used to educate readers.

This is how many people can look at two characters as radically different as Monkey D. Luffy and Rocks D. Xebec and say that they are the same. Readers are cued by the “D.” and the fact they are both pirates. So the readers lump these two characters into the same category, in spite of the massive differences in goals and methodology.

Media is a vast and expansive subject so no one group of teachers can cue audiences into how to interpret media. In fact, the aforementioned YouTube Media critics existed largely to help the cuing process. It is understanding this massive body of cues and expanding it as new media is created that makes one media literate. Not only must one know the cues, one must also know the orthodoxy. After all, cuing isn’t only done to inform the meaning of the media, it’s framed to provoke certain reactions to it. If you try to frame media in the wrong way it’s not a sign that the media may mean multiple things. It’s a sign you’re media illiterate.

It is an extremely narrow minded methodology.

That is the part that worries me the most about the cuing method of literacy. If there is a group of skills we might call “social literacy” that govern how we understand and think about the people and culture around us, and if we were to apply the cuing method in that sphere, we would not call the result enlightened thought. We would call it bigotry.

Is it a coincidence we are living in an era where this kind of short sighted prejudice, once thought a thing of the past, is making a sudden return? No, it’s not. Sadly, such things are very comforting to the heart of man. Neither is it directly a consequence of the way we are taught to read, although I am certain the cuing method of literacy doesn’t help.

By the same token, I don’t think simply taking up phonics and learning to break down words, stories and people piece by piece is a magical panacea that will counter this trend. There are evils that come about from going too far into the opposite direction as well. Ultimately, you must first start from a position of good will towards your fellow man, an understanding of the frailties of mankind and a heaping helping of divine grace before such fundamental flaws in human nature can be addressed.

However, if you’ve gotten that far and still find yourself jumping to these archetypes in all areas of life, a simple change in your method of literacy may help. At the least, it can slow down your leaping on cues long enough for you to analyze them. It will make you a better thinker and writer. Or so we can hope.

For purposes of full disclosure, my research into the literacy revolution in America is vastly incomplete. Currently I am working through a list of materials assembled by Hilary Lane. I give her full credit for assembling it and admit my own thoughts on this are influenced by hers. If you’re interested in a deeper dive into the history, methods and motives behind this change, I recommend looking through her article and picking up a few of the books she lists. It’s an enlightening experience. You can find it here:

https://www.hilarylayne.com/p/very-carefully-educated-to-be-idiots

A Question of Leadership

It’s time to talk about One Piece again.

The magic of Eiichiro Oda’s pirate epic is something truly unique, as on the surface it appears to be a fun adventure story yet when studied carefully it reveals depths of character and morals missing from most modern narratives. It’s very tempting to put the entire opus under a microscope to see just how much scrutiny it can withstand. In this way the story itself is something of a treasure hunt. Very fitting, because the reality is that One Piece is not aiming to be a landmark work of literature with ironclad morals and legendary characters.

It is aiming to be a fun adventure story about pirates looking for treasure. The rest just happens along the way.

This is something I can personally attest to, as I’ve been following Monkey D. Luffy and his crew along their adventures for some twenty years now, and I’ve found a lot of treasure over that time. Like the rubber guy himself, I love to share it with my friends. So let’s talk a little bit about the tale of Captain Rocks D Xebec and King Harald of Elbaf.

If you’re not overly familiar with One Piece, don’t worry. The story of Rocks and Harald is fairly contained. What makes them interesting is the commentary they offer on what it means to be a leader, a topic that is at the core of One Piece. On their own, these two titans did a lot to shape the world of One Piece as we know it. That alone would make them interesting characters to study. However, when we consider them in contrast to the central character of Oda’s tale we start to see some very interesting contrasts that illuminate Luffy’s leadership style in fascinating ways.

Luffy’s often repeated dream is to become King of the Pirates by discovering the eponymous One Piece, the lost treasure of the previous Pirate King, Gold Rogers. The only clue he has to this goal is Rogers’ statement that anyone looking for this treasure will have to search the whole world. So Luffy sets out to the Grand Line, the only sea route that circles the globe, gathering members for his crew along the way.

Each member of Luffy’s crew is a fascinating character in their own right. He had to win them over individually, learning who they were and breaking down the barriers that keep them from committing to his cause. The crew have dreams and goals rooted in long histories, personal ambition and deep grief they are slowly moving past. Luffy understands and values each of these people and pushes them towards their own goals while pursuing his own. It speaks volumes of him and what he values.

In contrast, Rocks D Xebec is a very careless person. He doesn’t care about his crew or what they want so long as they do what they’re told and advance his goals. He seems vaguely aware that they have things they want but we never see him consider those wants at all. He certainly didn’t do much to win them over to his cause.

The Rocks Pirates were assembled using an ancient contest known as the Davy Back Fight, where crews compete to press gang members of the opposing crew into their own ranks. Rocks doesn’t have a crew of friends and allies. He has a crew of prizes. They’re all powerful but, as you might expect of people who have been forced into working together, they’re not very friendly towards each other.

There’s only one person who Rocks seems really friendly towards and that’s Harald, who isn’t even a member of his crew!

While it’s not readily apparent at first glance, in terms of dreams and ambitions Harald is the exact opposite of Rocks. Although he is the king of a nation of literal giants, Harald is a kindly man. In spite of a wild youth, Harald came to realize that Elbaf’s reputation as a nation of violent warmongers had limited their opportunities and stunted their growth. So he sets out to reform the nation and establish diplomatic ties with the rest of the world, hoping to earn Elbaf membership in the World Government.

It might seem odd that a king seeking membership in a worldwide government would form a friendship with a famous pirate wanted by that same government. In fairness, things didn’t start that way. Rocks and Harald met in passing and traded blows but Harald proved the first man who could match Rocks in any measure. Rocks immediately realized he would need Harald’s help to achieve his goals. Yet he could not force the giant king to go along with him the way he had with the rest of his crew. So Rocks attempts friendship, instead. 

Harald was never interested in joining forces with Rocks but he kept meeting Xebec when the pirate came to call. Like Rocks, Harald had no other equals of note. Perhaps he felt some kinship to the pirate captain as well. However, Harald’s dream was diplomatic in nature. The self centered behavior Rocks embodied was not something he could indulge if he hoped to achieve his own goals.

If Rocks embodies an entirely egocentric style of leadership, where he overwhelms his followers and drags them along towards his goals, Harald embodies a selfless kind of leadership. We don’t know much about how Harald went about forging his alliances with surrounding nations but he does form them. In many ways his own nature vanishes. Giants tower over others but Harald bent down to their level. Elbaf’s giants are known as warriors but Harald was a diplomat. Harald was a direct descendant of an ancient lineage that grows horns on their heads so he tore them off to distance himself from the violent reputation of that lineage.

Harald must do all this because he is entirely dependent on how others see him to achieve his own ends. Another way in which he is the opposite of Rocks.

These contrasting styles of leadership are repeatedly juxtaposed throughout Rocks’ and Harald’s story. Eventually they both spiral in ways that lead to the destruction of both characters. Rocks drags his crew to an island without explaining the dangers there and they fracture under intense pressure from the World Government. Rocks himself is killed and the others flee in disarray.

Harald never finds the reconciliation he hoped for, only ever greater demands from the World Government. Eventually, his son is forced to kill him to keep the whole nation from falling into slavery. Both endings are incredibly tragic.

What makes them interesting is that, in spite of the very different ways these two men lead, they both have the same flaw. They paid no attention to the people they led. 

For Rocks, his crew was all about himself, his own dreams and his ability to force them to work towards his own ends. By the time it collapsed he had been betrayed by one of his crewmates and the rest had been too busy fighting amongst themselves to help him in his darkest hour. For all of Harald’s diplomatic overtures to distant lands, his own nation had deep rifts between factions that led to constant infighting. A little of that peacemaking at home would have been nice. He spent so much time overseas that he neglected his two sons, creating every circumstance they could want to thrive in the future – except for his own love and attention.

After all was said and done, what we are left with is a much clearer picture of why Luffy is the hero of our tale. Many legendary figures have sailed the Grand Line before. However, we do not just need a leader who looks forward to a goal. Finding the One Piece demands a leader who will look behind him, to care for the people who follow in his footsteps as well.

The threefold contrast between Luffy, Rocks and Harald makes this clear. It’s a fascinating use of character writing to drive home a core theme of the larger story. At the same time, it is a strong story in its own right. It also shows the importance of not analyzing these characters as their tropes. Both Rocks and Harald fall into archetypes we’ve already seen in One Piece. Many people thought of Rocks as a predecessor to Luffy himself because he was a pirate who strove to be free of the World Government.

However, that ignores the details of Rocks’ story in favor of his trope. Rocks doesn’t trust his crew, he exploits them. He doesn’t seek his own dream in conjunction with others. He destroys things that get in his way and devours the rest, though not with any malice per se. He’s not typologically related to Luffy or Gold Rogers (who is largely a previous iteration of Luffy’s archetype). The closest character to Rocks’ type in the story is probably Crocodile, who is an unambiguous villain.

If you’re struggling with how to compare and contrast characters who are very similar to each other in a single narrative, I suggest studying One Piece. As Rocks, Harald and Luffy show I believe it’s very worthwhile.

The Right Tool for the Job

I’ve noticed a growing tendency, when stories are analyzed on the World Wide Web, to talk about them from two angles: Genre and tropes.

Let me start by acknowledging the elephant in the room. I am one of the people who likes to think about genres and tropes, to the point where I once wrote a somewhat lengthy series of posts on this very blog which I titled Genrely Speaking. I enjoyed writing that series and several people have told me they enjoyed reading it. I haven’t added to it recently, largely because I’ve already written about all the genres I feel I know well enough to expound on. I still think having a reference for genre conventions helps more than harms discussions of fiction.

I haven’t delved as deeply into tropes in my own essays but I have read a great deal of that authoritative internet reference known as TV Tropes. I like tropes just as much as I like genres. They’re frequently more useful than not when discussing fiction and they make useful widgets to think about when working on stories or characters. In general, when used wisely, tropes are good storytelling tools.

However, when wisely used, tropes and genres are tools for discussion. Not analysis.

Tropes and genres are like colors. There are a lot of them, theoretically infinite numbers of them, but people have a general understanding of what is meant when they are invoked. No one pictures the same red in their mind’s eye when they hear the name of that color. Yet if I told you my car is red you wouldn’t expect my car to match the exact shade of red your mind’s eye defaults when you go looking for it. You realize that red is a spectrum in the truest sense of the word.

Tropes and genres have the same power. Everyone pictures a different movie in their mind’s eye when they hear of an adventure movie. At the same time, no one would really question you if you said you wanted to watch an adventure movie and you chose Indiana Jones and the Last Crusade. Or The Rescuers: Down Under. Or Jason and the Argonauts.

That is because these are all adventure stories, even though they come from different eras, are filmed in different mediums and feature wildly different protagonists with different goals. When we discuss them, we see the similarities that make them alike, even though they are wildly different. They take us to exotic locations. We go there with brave souls, seeking to fulfill grand and meaningful goals. We will see dangers there and our heroes will overcome them by virtue of their simple yet noble characters, with a decent side of hard work and daring do.

On the other hand, there are problems tropes become a tool for analysis rather than a term for discussion. Take, for example, Rian Johnson’s Knives Out. Knives Out, is a whodunnit murder mystery and one of the key witnesses in said mystery is Marta, a nurse who gets violently nauseous and vomits whenever she lies. These kinds of pronounced personality quirks are very common in a certain kind of mystery. They add spice and interest to the puzzle because they offer the audience testimony they know is true, something that can be leveraged to make the puzzle both easier and more difficult to accomplish.

However, at the climax of the mystery in Knives Out the culprit is cornered because Marta lies several times without apparent difficulty. This is “explained” by having her throw up after the scene is over. The problem is, this breaks the narrative by having the character do something we were repeatedly told she could not do without any clear explanation. There is nothing wrong with this twist inherently. Yet nothing is done earlier in the narrative to justify it so it feels more like a plothole with a postage stamp over it than a serious development of the narrative. This is typically justified as “subverting” the trope underpinning Marta’s character.

Johnson does something similar in Glass Onion, another whodunnit, when he introduces the character Helen Brand as the identical twin sister of the murder victim, Andi. He was praised for doing something innovative and new with the genre. Why? Because the murderer having an identical twin is a trope often associated with bad mysteries.

However, Andi and Helen being twins doesn’t have any impact on the plot, other than introducing plot holes. Andi is invited to a retreat for the tech startup she works for but she’s been murdered. So Helen accepts the invitation in her place, bringing the detective Benoit Blanc along with her in the hopes she can solve Andi’s murder. She isn’t discovered until she reveals herself and the murderer never reacts to her presence with a world famous detective in any way. In short, the twin murderers trope isn’t even subverted. It’s not in play. It’s not even really important to the plot. Andi could have simply survived the first murder attempt and the rest of the story could have played out as written, except with less exposition to explain how her twin sister pulled off impersonating her.

In spite of this, Johnson receives a lot of praise for this decision.

The problem is, subverting a trope is something that must be done with care, thought and careful setup in the narrative itself or it becomes arbitrary, dependent on the audience reading the story rather than the storytelling. These choices do not expand on the story’s theme, do not illuminate the characters, do not add intrigue. They just eat up screen time and appeal to the audience’s understanding of tropes and conventions to make… a joke? Do they even have a point? It’s hard to tell.

Overall it’s poor craftsmanship and worse communication. Yet Johnson has received a lot of praise for the way he plays with tropes because people are only looking at the tropes and not the way they fit together. It’s a bit like looking at a house built with cedar wood and praising it for its excellent construction, in spite of the cracked foundation and leaking roof. The building is more than its materials just as a story is more than its genre and tropes.

This problem can creep up in the reverse, as well. In the manga Freiren: Beyond Journey’s End, the character of Himmel is vitally important to understanding the world. He is a hero who spent a decade of his life fighting demons and eventually defeating the demon lord, ushering in a more peaceful era. One of his companions, Freiren, is an elf who ultimately outlives him. As the name implies, Freiren: Beyond Journey’s End focuses on what this elf does in the decades after their triumph over the demon lord. It’s a deep, introspective story about memory, identity and what it means to live for a really, really long time.

Himmel is a character who is vitally important to understanding Freiren’s emotional journey. Those that pay attention find him to be a rich, fascinating and nuanced man. However it’s common to see the general discourse online boil Himmel down to a flat, simple character who was “the hero.” He fought the demon lord because he was the hero. He won because he was the hero. He was a charitable man because he was the hero.

This ignores Himmel’s boundless ego, an ego that led to him personally posing for statues in dozens of cities across the north. It ignores how hard he pushed his companions to measure up to his standards. It overlooks his naivete in the face of demonic evil, which led him to spare his enemies early in his career and directly led to tragedy. Most of all it ignores the many questions Freiren’s relationship to Himmel raises about him.

Himmel was in love with Freiren. Yet in spite of the many opportunities he had to appeal to her he never offered her a relationship, even once their work was done. Why? Time was a chasm between them – Freiren is more than a millenia old – and Himmel was deeply aware of that. Was that enough to drown Himmel’s high opinion of himself?

There are hints part of his obsession with statues stems from that. Was Freiren the source of his craving for legendary status or did she just feed into something that already existed?

Was Freiren really unaware of Himmel’s feelings? If so, why did she find herself weeping at the graveside of a person she only knew for ten years?

These and other questions are a vein of deep, rich reflection on human nature encompassed in a charming, heartwarming story that plays out at an expert pace. Slapping a simple label on this central character and saying, “It’s because he’s the hero” is a grave disservice to the author, the characters and the audience. Yet when tropes become analytical tools, that’s exactly what happens.

I like tropes and genres. They’re very useful tools for summing up an idea when we start to explore it. Yet when they become the end goal of exploring an idea we’re locked into simple, shallow and ultimately flat considerations of those ideas. Stories suffer for it and so do we. To go back to an earlier analogy, it’s best to think of tropes as the materials we build our story from. They have strengths and weaknesses of themselves, sure. However, in an actual story they have to be shaped, fitted and attached to one another with purpose and skill or even the best trope will make for a poor story.

Focus on purpose and skill and we’ll see better stories overall, no matter what genres and tropes are used.

A Precious Cornerstone – Afterwords

The status quo is often invoked as a negative thing. People try to escape it, war against it or moralize about it but rarely do they embrace it. Yet, for the fiction writer, the status quo is an incredibly useful tool.

Building a story from the ground up is an incredibly demanding task, requiring the construction of coherent characters, worlds, conflicts and story arcs. Once the story is over you need to start that process all over again – unless you have a status quo. If there is a predictable place that your stories starts from and ends at then you can save yourself half or more of that work. Coherent characters and worlds continue to exist, you only need to add conflict and arc. Certain kinds of conflict can even bake themselves into the fabric of the status quo.

These reliable touchstones in a story aren’t just there for the benefit of the creators, either, audiences like them a great deal as well. It can be incredibly draining to spend so much time learning new characters and worlds every time you crack a book or sit down for a movie. Sometimes you want to slip into a story like an old pair of slippers. The familiar is a powerful draw for consumers who will often read the same story with a different coat of paint over and over again. In more optimistic terms, TV shows have perfected the craft of offering viewers the same character solving new hurdles every week.

That doesn’t necessarily the status quo is a good thing.

Like many things that creep up in artistic pursuits, the status quo is not strictly positive or negative. On the other hand, it is something you must be aware of.

When I set out to write Firespinner, Roy’s first adventure, I made it a point to set a status quo that I thought would facilitate the widest variety of potential stories. Roy was a travelling mercenary, moving about the Columbian West, doing whatever was needed. He would never be in the same place twice. He would ostensibly work alone but forever be pulling in favors, expertise and allies from various parties.

I always knew Roy had a “home base” he worked out of, that it was called Oakheart Manor and that I wanted to set a story there. In point of fact, A Precious Cornerstone was one of the first two story ideas I had after I started on Firespinner (the other being Night Train to Hardwick). Ironically, that alone broke from the status quo of one of Roy’s adventures. He’s not there to work, he’s there waiting for his next job and keeping in touch with his broad library of connections.

That’s a pretty passive role and makes it difficult to build conflict out of. The idea that he’d picked up an object someone else wanted and would try to steal quickly occurred to me and the events of Cornerstone eventually grew out of that. However, given the nature of storytelling, the balance of things made it difficult to make Roy the protagonist. He’s not pushing events forward. Largely he reacts to input from Cassie and Marius, which makes his point of view very important but not really that of the main character.

That’s Marius. He’s the one on a job, he’s the one who wants something and, I quickly realized, he’s the one who should get it. That was another break from the status quo. Roy doesn’t lose very often, which makes sense because he is the protagonist, he’s well equipped and very experienced. That means the person who bests him needs to be all those things, except moreso.

At the same time, just being equal or better than Roy on all counts doesn’t mean all that much given that our hero is usually behind the ball. He’s quite used to people who outclass him one way or another. He’s also used to winning. I needed another element to break Roy off from the confrontation. There had to be something beyond physical defeat to ensure that Roy doesn’t pursue the conflict perpetually because he’s a stubborn man. That was the origin of the three coin duel. That was also the origin of Cassie’s betrayal.

Either one of those things might not be enough to stop someone like Roy from pursuing Marius to the ends of the earth (or at least southern Tetzlan). However, I felt like both of them are enough to tell him he shouldn’t pursue the path. At the same, the Fairchilds have become a steady part of Roy’s status quo, allies that are nice to have for the characters and the audience. Putting a wedge between them is another change to the status quo…

Will the breach ever be mended? Time will tell. But you shouldn’t be surprised if Roy is forced to work in solitude again, at least the next time he turns up around here. Will that become the new status quo? That’s harder to say.

In the meantime, I hope you’ve enjoyed this story. I had a lot of fun writing it. Now my attention turns back to the wild realms of Nerona, where Cassian Ironhand and his friends are finding their way through a new city with new problems…

But before that, I’ll be taking a week off and indulging myself in a few more essays on the art of writing. I’ll see you April 4th!

A Precious Cornerstone Chapter Fourteen – A Sudden Parting

Previous Chapter

The morning sun shone down on the bluffs, a bright, harsh light that cast the hills in hard edges and deep shadows. A thin haze drifting up from the Manor house was the only smudge on the bright blue sky. Cassie took a deep breath and let it out slowly, revelling in the simple pleasure of seeing again. Her brief absence from the world of the looking had left her with a new found appreciation for a sense she had always taken for granted.

Going blind was a fact of her life. Up until the last few days she had assumed that the gifts she had would make up for that. Certainly, her sense of hearing was not normal. She could hear every word Roy was saying in spite of the fact that she was up on the bluff’s highest point and he was down in the Armory. That didn’t mean her sight meant nothing to her.

An uncomfortable analogy to the quest for the Secret of Steel popped into her mind but she pushed it aside. Having the opportunity to enjoy her sight again didn’t mean she could ignore her ears. She turned around and headed down towards the back of the house, where Mrs. Sondervan was busy scrubbing blood out of Roy’s shirt.

“There’s a guest coming up from town,” Cassie said. “He sounds like he’s about twenty minutes away. If I have the timing right he probably got off the morning skytrain, which means he’s likely the gentleman you contacted for Mr. Harper.”

The housekeeper nodded, pulling the shirt off the washboard and pinning it to the drying line with fast, practiced movements. “That’s likely. Mr. Booker was always good at getting where he wanted to go quickly. I’ll let Mr. Harper know.”

“No, I’ll tell him.” The words came out faster than she’d intended, faster than she was comfortable with. “I just wanted you to know when to expect him.”

Mrs. Sondervan gave her a sideways look, the meaning of which she wasn’t entirely certain of, but nodded. “Thank you, Miss Fairchild. That’s very kind of you.”

The inside of the Manor was a depressing wreck. Even the parts of the house that hadn’t burned were full of lingering smoke, which had contributed to her spending the morning outdoors. The men were in the process of pulling up broken and burnt boards out of the walls and floors of the house and replacing them, a process that involved crowbars, hammers and the occasional curse.

Roy and Mr. Sondervan were working to patch a hole in the hallway floor. A few feet closer to the front of the house her brother was ripping the burnt ends of boards off the wall studs. His hand had returned to normal but there were still odd notes in his voice when he spoke which might be a cause for concern. She hadn’t gotten him to hold still long enough to investigate it yet.

That wasn’t about to change, either. When Brandon saw her coming he glanced down the hall and said, “Georg, give me a hand with this rubbish, will you?”

The rubbish in question was a barrel, sawed in half, that the men had been throwing broken and burnt boards into. They weren’t even full and Brandon was more than capable of moving both of them on his own when they were. Clearly her brother was deliberately clearing the building for reasons of his own. She ignored the two of them as they gathered their things and left her alone in the hall with Roy.

The Manor’s owner was standing on a ladder down in the Armory, his head and shoulders protruding through the hole as he worked on the joists. As she approached he pulled a pair of nails out of his teeth and set them on one of the wooden beams along with his hammer. “Morning, Miss Fairchild.”

Cassie glanced at the bandage on his forearm. “Should you really be doing that?”

“I can’t leave my house a wreck, can I?” The flames that crackled within him had choked down low as she approached but now they growled with a strange overtone she didn’t really understand. There was a frightening edge to it that she’d never heard before.

“It sounds like Mr. Booker is on his way up from town.”

“Moving fast as always,” he grumbled, bracing his good hand on the edge of the hole and dragging himself up into a sitting position on the floor on the far side of the hole. He pulled his feet up and levered himself into a standing position then stared at her. “Was there anything else?”

“Are you sure you’re feeling well, Mr. Harper? You don’t seem yourself.”

“I don’t know if I count as healthy right now but I’ve been in much worse condition.” Roy rubbed the palms of his hands together, a gesture she’d never seen from him before. “Your vision seems to have returned.”

“Yes.”

The silence between them stretched into something awkward before Roy finally said, “Why did you want Marius to leave with the cornerstone?”

She jumped as if Roy had burned her, the shock racing through her body before her better sense caught up with it. “What do you mean?”

The question was a flimsy attempt to cover for her guilty reaction and Roy clearly knew it. “Don’t act stupid, Cassandra. I’ve dueled with that coin before and I’ve heard it hit the ground, or rather I should say I didn’t hear it hit the ground. There’s only one reason I would this time. It shouldn’t take that much for you to alter the course of a coin flip from what I’ve seen and I heard the note you used to do it. I just want to know why.”

In the light of day it was a much harder question to answer than it had been just twelve hours ago. How much of her vision the night before had come from the lingering dread she carried out of Riker’s Cove? How much was her own insecurities born from losing her sight for the first time? How much had been carefully planted by Marius, who knew far more about stone singers than the average person? It was impossible to tell. The best thing to do was try to make him understand what her thoughts had been in the moment.

“I heard Huaxili last night, Mr. Harper. As I was crossing the bluffs.” Nervous and at an inexplicable loss for words, she paused to wet her lips. “She… we came to understand each other, I think.”

“You let Marius take her because she wanted to go?” He sounded horrified.

“No! No, she wanted to stay, Mr. Harper. She has some purpose in mind for you, whether it’s revenge or simply malice I couldn’t tell but she had her sights set on you.” Cassie shuddered slightly at the memory of her brief contact with the Tetzlani spirit. “And she was in your blind spot because you thought she was contained but she wasn’t. I’ve been able to sense her influence since we returned from Riker’s Cover. It’s probably always been there but I wasn’t able to hear it until my ears were forced to make up for the lack of my eyes.”

Roy’s shock turned to concern. “Why didn’t you say anything?”

“Because I didn’t understand what it was, had no idea there was a Tetzlani earth goddess at all, much less that she was hiding in your Armory. You never asked us to go down there before. Which, given what was down there, was a fairly prudent decision on the whole.”

Roy sighed and ran a hand through his hair, his expression pensive. “Fine. I suppose those are good enough reasons as any for it and there wasn’t exactly an opportunity to discuss the issue ahead of time.”

“I would have if I could.”

“I don’t doubt it, Miss Fairchild, but that doesn’t make things any less difficult.” His gaze flicked past her towards the front door. “I’m going to have to explain all this mess to Books. He didn’t want to leave the coalstoking thing with me in the first place.”

She wondered why Roy would have to explain anything to his friend in the first place. At first glance he didn’t seem like much of a leader, lacking the kind of personable air that usually marked such people. Yet she’d noticed most people quickly gave way to his brusque energy and clarity of purpose. “Perhaps I can explain things to him-”

“No.” He said it with sharp certainty. “You definitely should not do that. In fact, I’d like it if you and Brandon gathered your things and slipped down the back side of the bluff to spend a few days in town.”

For a moment Cassie was too shocked to say anything. Then she rallied and asked, “Why?”

Roy pulled his attention back to her, his expression blank again. “Frankly speaking, because I’d rather he not know what you look like. Out here in the West we have one kind of dangerous men and let’s not kid ourselves, I’m one of the most dangerous among them. But there’s an entirely different breed of them that work in the shadows of the powerful and Reginald Booker is the pinnacle of their kind. Not even I know how he’s going to take this.”

“You don’t think he’ll defer to your judgement on this?”

Deferring judgement is not a concept he understands, Miss Fairchild, and I’d rather not take chances.”

“I understand.” She really didn’t. It was hard to piece together what exactly he was implying but whatever had him in this unusual mood it was something that intimidated him more than the greatest duelist in Tetzlan. So she swallowed down all the objections she wanted to make and said, “We’ll be on our way in a few minutes, then. If my letter contains a useful lead on the Secret of Steel perhaps we’ll just follow it up. Leave town for a few days.

“That might be best.”

“Very well.” She turned to go and collect Brandon.

To her surprise, Roy walked her to the front door. As he held it open for her he said, “Cassie. You and your brother are still welcome back here once this business is done.”

“Thank you, Mr. Harper.” She swallowed once, her voice suddenly thick. In truth, she wasn’t entirely sure they were. Even if Roy said it, even if she still felt she’d made the right choice, she still sensed a hurt in his voice, a sense of betrayal that was entirely justified. She’d damaged something last night. Done far more hurt to it with a single note than she’d done to her own eyes with an hour of singing in Riker’s Cove.

Maybe she shouldn’t come back.

But that was a decision she’d have to make later. For now, she’d have to keep moving. “Hearthfires, Roy.”

“Hearthfires, Cassie. Keep your brother out of trouble.”

“Of course.”

As she went to find Brandon she found herself wondering if she was satisfied with that. They might be the last words they ever exchanged and that thought filled her with a profound sadness. It was an odd thing to think. Not one brought by the melody of the situation, not one inspired by a sense of supernatural dread. It felt more like one that arose from within her own heart and that almost made it worse.

So she pushed it down and went on her way.

A Precious Cornerstone Chapter Thirteen – The Third Exchange

Previous Chapter

Roy offered the dueling mark to Marius. “Do you want to toss it or should I?”

“Down south we have the challenged person toss the coin,” Marius replied, lowering the point of his sword as he shook his arms out. “The challenger is also heads, though if the Columbian traditions are different I’m happy to do things your way. I suppose if I win I get to take the cornerstone back to Tetzlan with me but I’m curious what you expect to get if you win.”

“You go home and leave me in peace.” He gestured back towards the smoking ruin of the house’s east wall with his off hand. “And pay for the lumber to fix my house.”

“You burned that on your own, senor.” Marius smiled, though, and patted at the pocket where he kept his coin purse. “Yet I think arrangements can be made. I would like to add one thing to my prize, if you don’t mind.”

Roy’s eyes narrowed. “What?”

“The iron plate you kept the cornerstone on.” Marius shifted the box clamped under his left arm until it made its way down to his off hand, then rotated it so Roy could see the strange marks on it. Then he set it on the ground off to one side. “That mirror frame in your basement damaged the wards on the box I brought to contain it and I’ll need something to reinforce them.”

Odd that Marius would want an iron plate to repair wards damaged by steel. Roy had always been under the impression that the two metals were very similar in function but perhaps there was some hint at a difference there. He filed the thought away for later, as it wasn’t the thing to focus on now. “Fine. You can have the plate if you tell me what you did with Miss Fairchild if I win.”

“I swear to do so regardless.” Marius leaned back, stretching out his torso and chest, then snapped back upright and raised his blade to a guard. “If there is nothing else, let us begin. I have a schedule to keep.”

“Will you use magic?” Roy asked.

“No.”

The man’s answer was flat and immediate, giving no hint as to whether he still could use magic. Roy kept his annoyance away from his face. He’d been hoping to bring his own talent for manipulating flames to the third bout but, after he’d already played his strongest cards, he was pretty much out of options himself. 

He’d already revealed the secret to the Manor walls and exhausted all the heat he brought with him from them. Marius probably wouldn’t wait for him to go back for more. And conjuring ice from the necklace too frequently was a risky move, as well. It got hungry. In fact, at this point Roy probably had just as little magic at his disposal as the duelist did. Maybe less.

So it would have to be a straight fight.

Roy assumed his own stance, weight even, messer between himself and Marius. The other man had a reach advantage and, by all accounts, a much longer history as a duelist. It was going to be a difficult bout. Other than a brief encounter with a Tetzlani gold drinker a few months ago he hadn’t traded blows with an Iberian swordsman in years and he tried to remember their habits. Conventional wisdom was that they were quite technical, but a little effete. Close quarters might be the way to go.

He brought the dueling mark in his offhand up and displayed it for Marius to see then balanced it on his finger tips. A deft curl of his hand and it wound up in the crook of one finger, perched on this thumb. “The Lord in Raging Skies judges the rightness of all disputes,” Roy said, drawing on half remembered phrases from the circuit judges he’d met. “May he judge between you and I.”

“The earth is the foundation of life,” Marius replied. “If your path is level it will favor you. If not, may you sink beneath.”

That seemed like all there was to say so Roy threw the coin. It flew into the air with a sharp metallic ringing noise, glimmers of starlight reflecting on its surface.

Marius was moving before Roy’s thumb was fully extended. However instead of rushing in headfirst, exploiting the incredibly sharp movements Roy had come to expect from the other to close the distance, Marius reached high. With a blinding sweep of his blade he slapped the tip of Roy’s sword, then looped back to try and prick Roy’s hand as his wrist was wrenched out of line. It was a shockingly fast move and Roy only kept his hand unbloodied because he jerked his own guard up reflexively.

It saved his hand but left him with his own blade too high to block and Marius pressed forward, forcing his point up to try and prick Roy’s sword arm a second time. Roy was already moving forward as well, which saved him as the point wound up under his arm before it could find its new line of attack. For the moment he was spared due to the dullness of the rapier’s edge, which slid along his sleeve without biting in.

His own attempt to slash Marius’ sword arm was stopped when the duelist shoved his left forearm up under Roy’s right wrist. Just like that, the two of them came to grips. Roy made a grab for Marius’ off hand, thinking he could throw the other, but instead he offered his left arm to the darting point of the rapier.

It had been a long time since he’d been run through. It was only an arm this time but it hurt just as badly as he remembered. The worst part was the fact that Roy was running out of time before the coin hit ground, rendering a verdict, and so far Marius was clearly the better duelist at the moment. Teeth gritted, Roy pressed even further forward.

For a brief moment he saw a shocked expression on Marius’ face before his headbutt connected, only slightly deflected by the brims of their hats. Headgear and combatants scattered in all directions. Roy kept his feet in spite of the searing pain of the rapier point pulling out of his arm and his sword windmilled about, aimed at the space Marius’ neck would normally occupy. Unfortunately the Tetzlani duelist wasn’t as hard headed as Roy was and he had ducked away from the impact. The edge of the messer scraped along the top of his skull, scattering a mix of hair and blood, but did little lasting harm. Roaring in pain, Marius snapped up in his guard once more and Roy matched him.

Blood was already running down the side of the other man’s face and Roy could feel his own trickling down his left arm. As his weight shifted forward for the next exchange a single note chimed across the bluff. It rang with supernatural clarity and brought both men to a halt, breathing hard.

They stared at each other for a moment, the unspoken question of who would go and look at the coin hanging between them.

“Heads.”

Cassie’s voice cut between them like a physical thing.

“It’s over here, if you want to look at it yourself.”

With a deliberate effort Roy broke away from Marius’ death glare and glanced around to find Cassie standing a few dozen feet away, the dueling mark softly gleaming on the ground beside her. He walked over and looked at it.

“Dust and ashes.”

Marius sheathed his rapier but remained where he was. “Then I’ll take my prize.”

Roy also stowed his weapon and pressed his hand over his wound, trying to staunch both sides of the wound by pressing the other side into his shirt. “I’m sorry to impose on you right away, Miss Fairchild, but could you ask your brother to bring the iron plate for the cornerstone up from the Armory?”

From the look she gave him he could tell she wasn’t happy to be sent away immediately but she headed into the house without protest. He did notice she went though the front door, rather than use the more convenient entrance he’d just added. Roy himself had no such computations. “Come on,” he said, tilting his head towards the Manor. “Let’s get a bandage on your head before you go.”

“Very generous of you,” Marius said, cautiously following along behind. “You could have hoped I would bleed out on the way home and spare your reputation that way.”

“I’d rather not risk you dying and leaving that rock in the middle of the desert.” Roy walked through the scorched remains of his house towards the kitchen where he kept a small surgical kit. “My reputation, such as it is, isn’t worth that.”

Roy pulled the kit down from a cupboard and set it on the table. He took a roll of bandages and bottle of alcohol for himself while Marius took the scissors and quickly snipped his hair back from the edge of his wound. “You know, nothing about this job went the way I expected.”

“Burning my own house wasn’t something I ever wanted to do, either.” Roy hissed as the alcohol stung his wound. “Do you mind if I ask you something?”

“He’s dead.”

Roy turned to the other man in surprise. “Who?”

“Whatever man you knew who died touching the cornerstone. There’s no way to revive them once they’re like that. We tried it for decades and all we managed to do was turn a stone corpse into a flesh one. They’re probably not actually alive in there.” Marius dabbed alcohol on his scalp with a bandage then grimaced. “The cults say a lot of things about their gods that probably aren’t true.”

“So he hasn’t been aware and suffering as a living block of stone for the last six years?”

Marius lowered his hands and looked Roy straight in the eye. “I don’t truly know.” The uncertainty in his eyes matched his words. “And there’s no way to ask anyone who would. If it makes you feel any better, once we’re done with the stone and it’s destroyed we believe anyone who’s touched it will return to flesh. They’ll be dead, but at least you’ll know for sure.”

“How long will that take?”

“I don’t know. A year. Maybe three.”

The kitchen door swung open and Brandon walked in, carrying the warding box in one hand. He had reverted to his normal form except for the hand that cradled the plate, which seemed like it was covered in more layers of wood than normal for his free form. Roy frowned. He’d never seen Brandon touch iron directly before. Most people didn’t. Wordlessly, the knight put the box down on the table and gave Roy a curious look.

Ray ignored it and gestured to Marius. “Take it and get out of here before I change my mind.”

The Tetzlani man nodded and rearranged things so the box’s damaged side was sitting on the plate, then he picked it all up and said, “Thank you, Mr. Harper. I’m sorry for all that this has cost you. Ultimately, that happened because my people couldn’t protect the cornerstone properly. We won’t let that happen again.”

Then he took the box and was gone.

Roy found himself staring blankly at the table top for several moments. Then Brandon asked, “What now? Are we going to run him down later and steal it back?”

“No. I’m not sure it’s worth it at this point. Let’s call it a night. Tomorrow we have to find Georg and start fixing my house.”

A Precious Cornerstone Chapter Twelve – A Jealous Goddess

Previous Chapter

Oddly enough Cassie found it easier to see the bluffs in the growing darkness than she had during the day. As the sun slipped behind the hills she found it easier to make out the low scrub brush and the subtle differences between the color of grass and open dirt. It was probably wiser to wait at the campsite for someone to find her. Yet the discordant echoes rising from below the dirt made her more and more anxious.

So she set out to follow Marius’ path through the earth via sound, carefully picking her way over the bluffs while occasionally pausing to press an ear to the ground. Thankfully, the Tetzlani man had conjured a particularly large elemental and it was easy to hear. Far easier than crossing the bluffs herself.

As she picked her way down the hill Marius had chosen for his campsite Cassie found her mind wandering. The mercenary had told her the ground below Oakheart Manor resisted his calls. This reluctance to answer him he assigned to her, which was a very curious conclusion to reach in her opinion. She didn’t know the bluffs very well. She hadn’t stayed in the vicinity long and, in the time she’d spent there, she hadn’t invested any of it in walking the hills or singing to the stones in the way she might have in Avalon.

Yet there was no reason to doubt Marius’ assessment, either. The man was clearly a very skilled lithomancer, perhaps the best she had met in person, and that was a much more formal school of magic than stonesong. He undoubtedly did a lot of book study in the process of mastering his craft. He didn’t have a reason to lie to her about it, either. Perhaps it had something to do with the bluffs themselves or some quirk of their history. She would have to ask Roy about it at some point, when there were less pressing issues to deal with.

However the issues of the moment left little time for her musings. As she made her way across the valley between one hill and the next an incredible racket rose up from nearby. That made it very apparent which bluff Oakheart Manor stood on, although with her vision clearing more by the minute she could probably have made her way there without the sound to guide her in another half an hour or so.

Whether going to the Manor at that moment was a good idea or not was an open question.

In point of fact, it wasn’t. As Cassie’s foot fell on the worn dirt path leading up to the Manor house she heard the distant whine from Marius’ blood funnel once more. This time it rang clarion through the open air, filled with a deep, heartbreaking hatred. Layered through the long, keening note was a story of loss, of broken bonds, of a fellowship once strong and nourishing now reduced to dust and ashes.

With the sound came a wash of hot, dry air. It smelled of warm stone, beat on her skin like sunlight and sucked the moisture out of her mouth and nose all at once. A lifetime of experience warned her this wasn’t real. It was a revelation, an echo in the earth so powerful it moved beyond sound and became a full sensory apparition. Stone song at its most powerful and sinister.

Not even her weakened vision was immune to the influence of the wail, the view shifting from dim shadows on a dirt path to the sharp stone edges of an early morning mountainside. Cassie’s head spun with vertigo as the rocks rushed past her. It had been a long time since the song had brought her an apparition like this and her body hadn’t been prepared for it.

Somewhere else, Cassie sat down hard on the ground. In the vision, she ran over the rocks, looking around frantically as she scrambled down the mountainside.

Brennan!

It was Roy’s voice, high and desperate, coming from her. Cassie had never seen a vision from a living person before and briefly wondered why this would be her first. Seeing through his eyes it was impossible to tell if this was a glimpse of the past or the future.

Their shared vision latched onto a patch of pale blue cotton that stuck out like a sore thumb amongst the brown stones and brown dirt of the mountain. They turned and ran towards it at full tilt, skidding around brush and leaping over rocks with reckless abandon. At first Cassie thought it was just a jacket. Then she realized her mistake.

It was a jacket wrapped around a strangely misshapen pile of rock.

Brennan!

They dropped to the ground and grabbed the jacket and one edge of the stone within it then heaved it up and over. The ugly thing resisted their efforts for a moment then finally rolled over as they let out an anguished groan. As she’d feared, it wasn’t just a rock. It was a man whose body had hardened to stone, his eyes blank and unseeing. The individual hairs of his neatly trimmed beard were clearly visible for a moment before the movement broke the delicate rock threads apart. The most surreal part was his mouth, half open as if to say something, with the teeth and tongue clearly visible inside.

Dust and ashes. They reared up to their feet, gaze fixed on a familiar, pitted hunk of stone cradled in the statue’s hands. Coalstoking cult!

In that moment, as Roy stood up, rocked back on one leg and stomped Huaxili’s cornerstone out of Brennan’s hands, Cassie felt herself separate from the vision. As the apparition faded one last whisper drifted down the side of the bluff to her. But it wasn’t Roy’s voice this time. It was deep, husky and feminine, full of contempt and desire, and it said one word. Mine.

The mountainside faded into the shadowed bluff once more, leaving Cassie shivering and confused. The rumbling, crackling cacophony on the top of the bluff was still going but she ignored it. Dread gripped her again but she was starting to understand it. There was a difference between this and the mindless panic she’d experienced at the top of the lighthouse but they both felt unnatural.

One was the work of a deranged man’s conjurings, the other the influence of Huaxili. The fact Roy hadn’t mentioned the Tetzlani god was, in fact, a goddess annoyed Cassie, as it probably had something to do with why she was the only one Huaxili had influenced. When she was young she’d spent a year with the Heath Keepers. Her father believed developing a closer connection with the Lady in Burning Stone would give her songs greater force. However it was possible it had also made her more open to other earthly elementals like Huaxili.

The other possibility was that Huaxili herself disliked Cassie. Though their connection had been brief and veiled in a vision of Roy’s past, Cassie could sense the deep bitterness and jealousy of the entity. She suspected it had little of it was directed at her but rather originated from the nature of the goddess. Where the Lady was a warm, nurturing creature who balanced her husband’s cold, distant nature; Huaxili was grasping and possessive and, if she had ever had a relationship to balance her flaws, it was now long gone.

Clearly, when Roy had claimed the cornerstone the goddess had marked him in some way. If Marius was right about how the artifact’s malicious magic lived in some blindspot inherent to firespinners that made matters worse, since he had no idea Huaxili had staked a claim on him. For a split second Cassie saw another vision.

Roy Harper, turned to stone, wedged into the base of a sprawling temple complex built on the backs of countless people transformed to statues, aware of their fate for millennia as they slowly wore away to dust. She wasn’t sure if this apparition came from Huaxili or her own talents but she knew it was unacceptable. As it passed Cassie scrambled to her feet, trying to clamp down on the unnatural panic.

She managed to stagger a few steps up the trail but quickly found herself gasping for breath, heart racing, physically unable to continue. Frustrated, she stopped and forced herself to breathe slowly and deliberately. She had performed in front of hundreds of people, sung to ghosts on behalf of death and seen the faces of creatures from beyond the horizon. She should be able to master this. 

She felt a spark of annoyance at the waves of unnatural emotion and seized on it with a flash of inspiration. That was how Roy did it, after all. Whenever he wandered into a situation where normal people might get discouraged or afraid he would stoke up a disgruntled fury in himself to replace that feeling. She’d seen him do it time and again.

Of course, Cassie wasn’t nearly as irritable as he was but when she contemplated Huaxili’s constant meddling she got more and more angry. Inhaling deeply she slapped the side of the bluff with the flat of her hand. “This is my stage, Huaxili. Get off. Your whining is a terrible tune to begin with.”

A shrieking crash came from overhead as the sky lit up with a boom then everything went quiet. Cassie wasn’t sure what had happened but she took it as an opportunity and started towards the top of the bluff. Another wave of panic washed over her but she muttered, “What do you want with Roy, anyway? Annoyed that he’s ignoring you? He’s quite good at that you know, gets caught up in his work and can’t think about anything else. You’re more used to ignoring people than being ignored, aren’t you?”

A final wave of panic, the weakest yet, broke over her but now she could ignore it, her march up the path picking up speed as she gathered her skirts in one hand. “He’s not yours, Huaxili,” she muttered, “and it’s high time you left him alone.”