Genrely Speaking: The Amateur Detective

Welcome back to Genrely Speaking, where we talk about the genres of fiction and what they mean when they’re mentioned here at Nate Chen Publications. Genres are a slipper thing, as much based on the whims of whoever is doing the classifying as any specific criteria. That also means that creating a new genre is almost as simple as saying, “this is a genre,” and then mentioning it as much as possible. If it catches on, great, if not, that’s no real loss.

Today we’re going to invent a genre.

You won’t really find much if you Google amateur detective stories, other than to find that sometimes the protagonists of detective stories are amateurs and not professionals. And in the very broad, general sense that’s true. But if you read the Gernely Speaking post on detective stories you’ll find that, when we use that term here, we’re talking about stories where the main character is a detective to the bone. A story with a protagonist who’s never solved a crime before is not what those stories want. Besides, amateur detective stories have their own standards that must be met.

What standards, exactly? Well by now you know that’s what we’re here to talk about.

  1. An amateur detective is not normally a detective, but has attributes that will prove useful in solving a mystery. Amateur detective stories are still detective stories in the end, there’s going to be some kind of mystery that needs unravelling and our protagonist is going to be leading the charge. As such, he needs to be equipped to handle the problem but not with years of experience and savvy, but rather a set of skills that will give him a unique and fresh perspective. One classic example is Miss Marple, the matronly old lady who stars in a number of Agatha Christie stories, solves problems using logic and an incredibly shrewd insight into human nature honed after years of being a benevolent busybody. Another example would be Ellis Peter’s Brother Cadfael, who is a monk who serves as apothecary to his cloister and the nearby village. As a soldier and man of learning in the dreary middle ages, Cadfael is well equipped to solve murders and has a sense of right and wrong that burdens him to do so.

  2. The amateur detective usually stumbles into his mystery by accident. Where as the protagonists in police procedurals and detective stories will often be sought out or called into an investigation, amateur detectives tend to just get swept up in the course of events. They’re in the wrong place at the wrong time, or they know someone who was, or they just have a friend who tends to fall into bad company – there’s as many excuses as there are stars in the sky, really. But, while the hero can, and perhaps should, be a man of upstanding moral character he is not, by nature, a person who seeks out and challenges injustice on a regular basis.

  3. The amateur detective survives by cunning and occasionally luck, but not skill. This doesn’t refer to how the protagonist solves his mystery but rather how he deals with the frequently manifold dangers solving a crime will present him with. Since amateur detectives aren’t used to dealing with criminals they probably hasn’t been put in significant physical danger at any point in their lives. There are possible exceptions, of course, but for the most part amateur detectives will have to get out of tight scrapes using something other than skilled gunplay or fisticuffs. In fact this wild improvisation is frequently part of their appeal to the audience.

What are the weaknesses of the amateur detective story? Unlike other detective stories you can’t write a series of amateur detective stories – at some point the protagonist’s amateurish characteristics will stop being appealing and start making them look kind of lame. Thus most of these stories have a one-and-done kind of a feel. There’s nothing wrong with that from the writing perspective but it may make your audience and/or publisher less willing to invest the time into the story – long running mystery series are some of the biggest money makers out there, they’re popular with people and thus with publishers. But people really want them to go on, not come to a stop.

And for the writer the biggest pitfall is letting too much hinge on happenstance. Your protagonist is already (most of the time) involved in the story at least partly by coincidence, and will probably need some measure of luck to survive a scrape at some point. If you let your protagonist skate by on nothing but luck your plot starts to look a little bit thin. On the other hand, take fate completely out of the equation and your protagonist may wind up looking a little too much like Batman to be believable.

What are the strengths of an amateur detective story? The biggest is simply that the protagonist is much more relatable than most in the mystery genre. Let’s face it, the average reader is not Sherlock Holmes, nor does he understand the chemical or biological sciences of an experienced CSI tech. She might get the basics of the psychology behind interviewing witnesses and tricking or forcing information out of them but there’s a good chance readers won’t be entirely comfortable with those things.

Neither will an amateur detective. This isn’t what they do, after all. As an outsider to the game of crime and punishment they are just like us. This is part of the genre’s great appeal. While everyone wants to see justice done when we are offended; few people want to actually get their hands dirty doing it. Finding the truth of a situation is often unpleasant and makes you a lot of enemies. But the amateur detective is driven by something greater than their personal comfort or satisfaction, and that is often the only thing that sets them apart from us. They can be more than a little inspiring to find, and make us want to be a little more like them. That alone makes them worth our time.

Cool Things: The Mark of Zorro

Okay, that is not actually the plot of The Mark of Zorro but from the moment they meet each other on screen you know it’s what must happen. The razor sharp intensity of Basil Rathbone as Captain Esteban and Tyrone Power as the verbose, lacksidasical Don Diego Vega could not be more at odds with one another. We see the steel under Diego’s façade  for a moment during their first meeting but the shrewd don is quick to hide his dislike for Esteban and his partner in crime, the Alcalde, or governor, Luis Quintero. Instead of public displays against the powers that be, Diego adopts the persona of El Zorro, or The Fox, and becomes one of the first superheroes to grace the silver screen.

While not equipped with superpowers in the traditional sense, or even the advantages of masked geniuses like Batman, Zorro quickly strikes fear into the heart of the corrupt officials of California and, in doing so, rode into the minds of the American people. Zorro is charming, skilled and mysterious and, while things look bleak for a time, he never looses.

You may have noticed that this post begins with a spoiler. But, if you’re at all familiar with swashbuckling films or you’re paying any attention at all to the incredible tension between these two characters you’ll quickly realize that the battle between Power’s Zorro and Rathbone’s Esteban is more than a plot point. It’s an inevitable law of nature. The two must clash, and it will be a battle for the ages.

In fact, more than anything else, it’s the power of these two actors that makes the movie something more than basic swashbuckling fare. Power depicts Zorro with such panache, such flair, such incredible ease of attitude and motion that you can’t help but believe this dashing rogue is really the most shrewd plotter and deadly swordsman in all of California. Rathbone’s signature glare, supreme self-confidence and air of constant readiness is a brilliant contrast. It feels almost as if the two start their duel from their first meeting, only escalating to actual steel when verbal barbs and crafty schemes fail to get them what they want.

Oh, there are other brilliant moments in the movie. At any moment with Zorro or Esteban on the screen, they dominate it. When they share a scene we cannot tell where to look. There literally isn’t room for both of them there, and sooner or later one of them will have to go. For a study in well crafted rivalry there really is no film better than this one (although there might be some just as  good.)

The greatest tribute to any black and white film is to say it’s still worth watching today. For most swashbucklers, even some only a decade or two old, this isn’t the case. The acting tends to be mediocre, the action dated.

It’s true that the sword battles in The Mark of Zorro could be shot better, with better cinematography or special effects. But in terms of actual sword work these two actors are peerless and they demonstrate their skill with little of the flare or embellishment you see in action movies today – there’s nothing here but pulse pounding action.

The acting, as you’ve hopefully already gathered, is incredible.

The plot is timeless. We’ve all heard this story a million times before, but we don’t care because it’s such a fundamental tale. Sure, it’s not the greatest script, but sometimes it doesn’t have to be.

The Mark of Zorro. Watch it. You won’t be disappointed.

Water Fall: Still Waters

The Day After the Michigan Avenue Proclamation 

Circuit

“This is not an exclusive interview, you understand,” I said, settling into the chair across from Terrance Martin.

“Exclusive?” Martin laughed bitterly as he shook his head and plunked his phone down between us hard enough to make me wonder if he’d need a new one. Then he slid his own chair a bit close to the table and adjusted his bulk so it sat more comfortably. “I’ve never heard of anyone blackmailing a reporter into interviewing him. Why should any other part of the interview be normal?”

“An excellent attitude to take, Mr. Martin.” I took my hat off and set it on the table beside me in an effort to be polite, although the scarf that hid my face would have to stay. Beside me Heavy Water took a chair of his own. We’d both dressed down a bit for this meeting, he went with a simple hoodie and jeans, with the hood up and a turtleneck with the neck unrolled and pulled up to hide most of his face. In addition to my scarf, I was wearing a beige overcoat and knee high waterproof boots that would conceal everything I was wearing underneath.

“I don’t know who you people are, but you look ridiculous,” he added, sitting back in his chair and glancing around the echoing lobby of the Circle Centre. There weren’t a lot of people there, by shopping mall standards, but there were still enough to create a lot of background noise. “But not as ridiculous as meeting here. I’m going to have a hard time hearing you on the recording.”

“I’m sure this interview will be memorable enough that you won’t need to consult your notes too closely.” I smiled, even though he couldn’t see it. “We’re making history, after all.”

“I’m a sports writer,” he said skeptically. “The only history I write happens on the playing field.”

“I’m well aware of your specialty,” I said with a smile. “But we did choose you for a reason and, trust me, once word of other events comes out your editor will want a part of this.”

Martin gave Heavy a skeptical look. “This guy okay?”

If he’d been expecting some kind of ethnic sympathy from Heavy he was in for a disappointment. Any shared experiences they had as African Americans were more than overwritten by hidden talent, criminal background and blood relation to a serial killer. Heavy just grunted and said, “You’d be surprised. We have something to show you.”

With that much preamble and no more, Heavy picked up Martin’s cup of coffee, popped the lid off and reached in. A second later he quickly dumped a shiny, viscous blob of steaming coffee out on the table where it trembled a bit like the world’s most bitter tasting blob of jelly. Martin jerked back with a yelp, perhaps to avoid getting scalded, then leaned back in for a closer look.

Heavy let the coffee sit there for a moment then reached out and flicked the blob with a single finger, returning the liquid to normal viscosity. It burst almost like a bubble sending coffee rushing out in all directions and causing the reporter to jerk back again, cursing this time. I grabbed some napkins and casually dropped them on the brown mess on the table, then said, “Pretty little trick, don’t you think?”

The reporter glared at Heavy. “What did you do?”

“I altered the viscosity of your coffee until it was closer to glue than caffeine,” Heavy said with a shrug. “Then I put it back to normal. Splash.”

“You…” Martin’s face scrunched up, probably reviewing high school physics that he hadn’t had to use in decades. “How is that possible?”

“Modern science tells us what’s happening, but not the mechanism by which it is accomplished. Another example.” I held my hand out palm up over the table. With a flex of my fingers I sent electricity arcing through my fingers like it was a miniature Jacob’s Ladder. It was a modification, or actually the original incarnation of, my taser rig. It wasn’t really much more than a parlor trick but in this case that was exactly what I wanted. “What you are seeing is called an unusual talent.”

He switched his attention from the sparks crawling down my hand back to me. “Seriously?”

“That’s the official term.” I snapped the current off and closed my hand. “We chose to talk to you, in part, because you’re used to seeing people with exceptional abilities.”

“Whoa. Hold up.” Martin leaned back and put his hands between us like he was trying to push me away. “There’s a huge difference between being a good athlete and having…” He gestured at my hand. “Some kind of superpowers.”

“Not a superpower,” I said quickly. “An unusual talent. We can do one thing you can’t. We’re not comic book characters. We’re real people, just like you.”

Our interviewer gave us a skeptical look. “Who hide your faces and blackmail people like you’re cut-rate villains.”

“Look, we can go back and for over this all day our you can listen to his point,” Heavy said, leaning forward just enough to make it clear he wasn’t making a request. “This isn’t about us having a couple of sweet tricks up our sleeves, it’s about equality.”

“Really?” He still looked and sounded skeptical. “How so? Your friend looks pretty well off to me.”

“Money isn’t the central issue.” I drummed my fingers on the tabletop for a second. Heavy had jumped ahead in our script but, given the direction things had been going, that was actually a good choice. Best to stick with him and catch the rest later. “Have you ever heard of people like us before? I mean outside of Greek myth or movies something like that.”

“No…” Martin said slowly. “But there are good reasons for you people to stay hidden, right?”

“Such as?”

“Well, wouldn’t you be worried about getting outed?”

“Worried about what?” I asked, keeping my tone casual. “Persecution by others? Do you realize how difficult it is for us to stay hidden?”

The reporter’s brow furrowed. “I don’t follow.”

“Think about it.” I rested an elbow on the table, careful to avoid the mess Heavy had made, and leaned in, lowering my voice and prompting Martin to match my posture to hear better. “Life isn’t like fiction. We don’t magically develop our talents in adolescence. It’s much less like athletic ability and much more like perfect pitch in that respect. Ninety nine percent of the time there’s no way to keep family members or close friends from knowing. Then there’s the shrewd folks who notice their friends always have something weird happening around them. And that doesn’t even begin to take into account the cops who have one to many strange things happen to them, the conspiracy theorists who are in the right place at the right time-”

“Wait, wait, wait.” Martin waved his had to cut me off. “Exactly how many people know about you talented folks?”

“The official government estimates, made during the 2000 Census, are that about 1 in 25 people are either talented themselves, or know someone who is. Don’t ask how they reached that conclusion, the math is kind of complicated.”

“Right. I don’t care anyways.” He shook his head. “What I want to know is, how do you guys even stay secret?”

“Ah. Well.” I leaned back in my chair and stared at the ceiling. That wasn’t in the script, but it was a good question. “It’s actually a combination of two things. Most fiction would have you believe that people pass off anything they see and don’t understand as hallucinations or something similar, they simply won’t believe anything that doesn’t fit with their way of looking at the world.”

“I notice that you don’t seem worried about that,” Martin said.

“Because it’s just not true. People want there to be fantastic abilities, that’s why there’s a million stories about people who have them – well, that and the fact we’re real and there’s at least a cultural memory of our existence.” I glanced down at the reporter and gave him the hardest look I could manage. It’s actually quite good even when you can only see half my face, I know because I practice with a mirror from time to time. “People keep the secret out of fear.”

“Fear of what?” Martin asked incredulously. “You have crazy superpowers, what’s there to be afraid of?”

“Don’t get it wrong,” Heavy said. “We can mess with a couple of laws of nature, sure, but that doesn’t mean we’re invincible. I’ve been laid up for months after getting shot. Maybe there’s one or two guys who can bounce bullets out there but, as far as I know, that’s all they can do. There’s plenty to be afraid of.”

I drummed my fingers to grab and keep Martin’s attention. “What you don’t seem to understand is, most of us don’t know just how common talented people are. So even if one of us should see some sign that another person might have a talent of their own we keep quiet. And if your son could juggle electricity and you met another man who you saw doing the same, would you approach him? What would you say when he asked you how you realized what he could do? What if he saw your son as some kind of rival?”

“I get the picture.” He gave us a meaningful look. “Not everyone with your talents is a nice person.”

“Funny, coming from you. But it’s much worse than that.” I leaned forward again and said in a softer tone, “The government doesn’t want people to know about us.  That’s the other thing that keeps us secret. We can’t use our talents for our own profit, in fact we’re not supposed to use them at all unless we’re employed by the government. We’re hounded when we do, and we can even go to jail. They’re careful to keep it all neat and kosher looking, but the real purpose is to make sure we never become known to the general public.”

Martin frowned. “I’m guessing they don’t want to cause a panic or riots or hate crimes or something like that?”

“That’s the idea,” Heavy said. “But tell me, has that ever worked? In this country or anywhere else?”

I picked up the line of thought smoothly, glad to be back to something resembling our script. “A fundamental part of our identity is being repressed right now. Significant contributions we could be making with our unique abilities are being prevented, or kept strictly in the hands of the government, supposedly for our own safety. But who does it really benefit? Project Sumter, the government’s organization for controlling talents, has the monopoly on talents who are well educated on what they can do and how they can do it safely. They use it to conduct surveillance and enforce laws in ways no one else can match.”

“One out of ten of known talents dies in accidents resulting because they don’t understand what they can do,” Heavy added. “By keeping that information to themselves The Man makes himself partly responsible for those deaths.”

Martin’s eyes widened slightly, then his skeptical expression was back in force. “Okay, that does sound bad. But any numbers you produce to support that are going to be a case of your word versus the government’s. And what do you think running a story in a newspaper is going to do about it? The Indianapolis Star isn’t even a big paper.”

“It wouldn’t be that big a help, if that’s all we did,” I said with a shrug. “You’ve seen the kind of long term differences movements that were all protest and no plan have made. Fortunately, we have something of a little more substance. We’ve already proclaimed our intention not to suffer second class citizenship in silence any longer. Now we’re beginning to act. What we need is to reach out to likeminded people, get in touch with them. A little activist journalism could go a long way in that regard.”

Marin nodded. “I could see that. Okay, what do you want to say to our readers about your intentions?”

“For now, just that we want equality, no different than anyone else in America. We’re willing to do what we need to in order to get it. You can call me Open Circuit, that was given to me by the government but it’s a name I’m not afraid to use as I stand up to them. I’m the nominal leader of our movement right now. There will be further demonstrations of what we can do with our unique talents and how we can use them to address our national problems in the coming weeks. In the mean time, we need other talents to come out of hiding and normal people to start demanding answers from the government.”

“What about this Project Sumter that you say manages your people?”

“Very hush hush,” I said, spreading my hands. “I don’t know all that much about it, other than that it is a government agency and it answers to a Senate committee chaired by Senator Brahms Dawson of Wisconsin.”

A grin broke out on Martin’s face. “Oh, really?”

“Someone to talk to when you start fact checking,” I said, letting a smile creep into my voice.

“That it is.” He reached out to pick up his phone then hesitated. “Anything else you’d like to add?”

“Not right now.” I raised an eyebrow. “Do you think your editor will want to run the story?”

“He might be persuaded,” Martin said, picking up his phone and tapping at the screen for a moment. He hesitated as he started to put it a way and gave me a nervous look. “Does it make a difference about that other thing?”

I placed a USB stick on the table between us. “This is the only existing copy of the security camera footage. It’s all yours. No repercussions even if your editor doesn’t run the story. But I don’t think that will be his decision.”

“You’re probably right,” Martin said, scooping up the stick and tucking it away. “If you want another interview just call me. I’m pretty sure we can work something out easier next time.”

“A pleasure,” I said. But Martin was already hurrying off, dialing frantically on his phone.

——–

“Was that really the only copy of the camera film?” Heavy asked, tossing his hoodie onto the bathroom sink and rolling down his shirt collar.

“It was,” I said, winding my scarf up carefully and setting it next to my coat and hat. In half an hour some enterprising soul would be pawning them or perhaps just adding them to their personal wardrobe. They no longer served any purpose for the two of us. “It was a hit and run, Heavy. Martin was well past the statute of limitations on those and, even if he wasn’t, it was a drug dealer he killed.”

“A sixteen year old drug dealer,” Heavy pointed out.

“Granted. But the chances of his being prosecuted would be small, particularly based on footage from a low quality, unmanned security camera on a warehouse that just happens to be owned by a wanted fugitive.” I unhooked the Jacob’s Ladder glove I was wearing and tucked it into the pocket of a light windbreaker I’d stuffed into the pocket of my long coat, then rolled down the sleeve of my shirt.

Heavy wasn’t planning on wearing a jacket. Between his beat-up turtleneck and my ratty flannel shirt and windbreaker we now looked like a couple of worn out blue collar workers getting off of third shift and heading home for the day. Except instead of looking tired, Heavy looked mad. “It’s not right. Kids like him get out there, slinging drugs on corners because they got nothing else.”

“I know it, Heavy.” I shrugged into the windbreaker and left the front open. “Society owed that boy something better and what it gave him was the front bumper of Terrance Martin’s car. And he didn’t even have the guts to stay there until someone could come and take the kid’s body away. Trust me, just because the world’s forgotten that kid doesn’t mean I have. We can’t afford to discredit him right now, but once Martin’s usefulness is over we’ll be in a position to do something about that.”

“You’re gonna use him and loose him, huh?”

I sighed. “That’s the world we live in, Heavy.”

“At least you’re trying for the right thing.” He shoved his hands in his pockets and slumped his shoulders, starting to look more like the exhausted, overworked manual laborers we were supposed to be. “I guess you can’t let it get to you.”

“And yet it still does,” I muttered under my breath, heading towards the restroom door. “But one day we’ll change that. One day very soon…”

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