Thunder Clap: Break Out

Posted by natechen on

Izzy

I finally managed to squeeze my hands out of the shackles and carefully set them to one side on the floor. Then it was back to the hole in the wall to glance in on Clark. “Alright, I’m out. From the way you were moving around I’m guessing they didn’t bother to tie you up?”

“Just took away all the furniture and jammed the door somehow. If you’re ready to move then so am I. What’s the plan?”

“We need to get out of here.” I drummed my fingers on the wall for a moment. “And if possible, we need to try and wreck whatever system Circuit is using to keep in touch with the outside world. If we can blind him he’s crippled. He was tampering with all those development projects to build a network we couldn’t tamper with, right?”

“That’s a good guess.”

“So where would the connection to that network be?”

Clark thought about it for a few seconds. “Well, in a building of this size it’s going to be somewhere in the basement or subbasements. Probably not down too low, Sykes Telecom wouldn’t have wanted to run too much extra cable through the ground to wind up lower down so I’d guess somewhere in the first basement. Mind you, I have no idea what floor we’re on now.”

“Wonderful. Just a sec.” I crawled over to the door, still careful of my stinging feet, and gave it a once over. It was a wood or faux wood thing that looked hefty enough that it might be useful as something to throw, if I could find enough space to heft it, but probably wouldn’t stop bullets. Assuming I could even rip it off it’s frame without shattering it into something useless. I went back to the wall and asked, “How tall is this building again?”

“Eighty-six stories. Give or take.”

I squeezed the bridge of my nose between the palms of my hands. “And Circuit was pretty far up in the video Helix saw.”

“That’s what he said, yeah.” Clark gave me a worried look through the hole in the wall. “Why? What are you thinking?”

“We could just go straight down from here,” I said, glancing down at the floor before remembering he probably couldn’t follow the action.

Fortunately he caught the idea. “We might, although I’m not going to try and guess what that might do to the building overall. Smashing through eighty floors just to get to the basement doesn’t strike me as the smartest idea if we want the building to keep standing. On the other hand, we might only need to go down a few.”

“Right. The guys who were in here a little while ago seemed like they were overworked. Probably short on people. There’s no way they fill this whole building.” Which reminded me. I waited for a moment, listening to see if there were any signs of life coming from outside. But all was quiet. “I don’t suppose you memorized floor layouts for this place, or anything?”

“No. But Waltham Towers doesn’t have a large footprint, as skyscrapers go. It shouldn’t take us too long to find stairs or an elevator shaft. The real question is did they rig the building in any way? My gut says yes, just because Circuit seems to rig just about everything. If he hasn’t it’s probably a red herring or a trap of some other kind.” Clark thought for a moment. “Five floors. That should put us outside their reach and give me enough time to check over whatever route down we discover before we commit to it. Think you can get us that far?”

That was a stupid question and I answered it by sticking my hands into the hole in the wall, pushing outward a few inches until I touched the joists on either side of it, and said, “Stand back and get ready to move.”

He stood back and got.

One thing you never appreciate about being a human demolition charge until you do it is how dusty the job is. After the first experience or two you either learn to hold your breath really, really well or you get used to coughing and puking everywhere. Tearing through the wall was easy but the bigger mess, drywall pours out huge clouds of dust everywhere and it didn’t settle fast. That meant holding my breath as I stepped into Clark’s room and dropped an elbow on the floor. Under normal circumstances we were supposed to discuss strategy before pulling a forced exit (entry?) like that but the longer we sat around in enemy hands the greater the chance that someone would stumble on us and we’d be in deep.

Breaking through floor is generally less of a mess than walls, it’s mostly insulation, wiring and supports, nothing as powdery as drywall.

The problem is, while I’m pretty muscular my cardio is kind of weak. It comes from not really having to exert much to do anything. While Al’s been working on correcting that in training we haven’t made as much progress as he’d like. And with my feet still in pain and a long night already under my belt I wasn’t exactly in top form to begin with.

So I botched my landing. After coming in through the ceiling I landed in a pile of debris and went down flat, wheezing in a lungful of dust and coughing spastically. I caught a glimpse of a big room, later I’d learn we’d come down in a reception area on the floor below where a singe guard was on station. He couldn’t have gotten a good glimpse of what was going on since one of the light fixtures broke free and went swinging unpredictably through the room on its wiring and casting weird shadows all over the place. The light had just slowed enough that guard man was okay with getting close to see what had happened when Clark dropped through the hole and onto his back, putting him to sleep with a quick follow-up kick.

I didn’t see any of that personally but the dusty footprints on his shirt and sneaker shaped bruise already forming on the guard’s head when I got clear of the wreckage gave me a pretty clear idea of what happened. Clark was frisking him and had already taken his pistol and a spare magazine and was in the process of freeing something else from the man’s waistband. He looked more like the street thugs we’d been seeing all night than the trained paramilitary people that Circuit had used during the Michigan Avenue Proclamation and later at the Chain O’ Rivers state park.

“Circuit must be at the bottom of the barrel,” I said.

“Maybe.” Clark glanced at the gun. “But it’s not like he didn’t have the tools to hurt us.” Then he hefted his other prize. “And this.”

I rolled my eyes. “Your tire iron.”

He grinned. “My tire iron.”

“Just get ready to drop again.”

He collected the sidearm and down we went.

The next three floors were empty, in fact that guard Clark KOed was probably the outer edge of security in the building. But that didn’t mean we were out of the woods. When he failed to report in Circuit’s people would come looking to see what was wrong and it wouldn’t take them long to figure it out. But we hit kind of a snag when we got to the stairs since Clark didn’t want to go down them.

“Just give me a few seconds,” he said, carefully looking over the doorframe. “If this thing is rigged it will be faster to know about it ahead of time.”

After about fifteen seconds of time wasted he finally decided the doorway was safe and we pushed it open with a desk I grabbed out of a nearby office. Well, more like I threw the desk at the door from about twenty feet away. Nothing exploded or shot out of the stairwell at us so he ruled it safe to go in.

In, mind you, not down.

“Stairs and elevators are part of the skeleton of a building.” He rand his hand absently along the stairwell wall. “The major utility wiring runs alongside them. If we can cut it off here we can cut Circuit’s headquarters off. No electricity or Internet will go a long way to blinding him and helping us retake the city.”

“Do you know where the cables are?” I asked, looking around at the blank walls. “And can I rip them out without hurting the building?”

“Oh, a few holes in the wall shouldn’t be that big a deal,” Clark said. “But we don’t want to cause too many or hit anything loadbearing. It won’t drop the whole building but it probably won’t be great for us.”

“Perhaps I could offer an alternative.”

I froze, quickly examining my surroundings even as my brain told me the voice I was hearing was exactly like Amp’s. Which is to say, it had that weird distant quality and no visible source, it sounded much like a tired old man doing the talking.

Clark recovered first. “Can I ask who’s talking here?”

“I’m Special Agent Stillwater of Project Sumter,” the voice answered. “I heard you break into the stairwell just now and you don’t sound like you’re here to ruin our plans. Which is what you’re very close to doing right now. So, again, might I suggest an alternative?”

Clark and I shared a quick glance then I asked, “What did you have in mind?”

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Genrely Speaking: Parody

Posted by natechen on

So last time around I talked about deconstruction and how it’s all about taking a genre back to basics. This month let’s take a look at another genre that’s very meta in it’s approaches to tropes, characters and story – parody.

Parody is a genre (metagenre?), like deconstruction, that is best when the creator behind it has a deep and abiding love of the foundational genre. While it can be done without that love, parodies that are just done to create a parody have a tendency to feel flat and lifeless at best or downright mean-spirited and petty at worst, frequently lapsing into the third metagenre, satire. Parody is closest to a characteristic genre, because most of it’s scenarios are drawn straight from the aesthetic genre being parodied while the characters toss around more lampshades than a discount furniture store.

The goal of all this nonsense is, of course, to illustrate the nonsense of the genre being parodied. Fun is the name of the game, fun had by pushing tropes to the limit and beyond to see how absurd they are then cleverly tying it all together to give the viewers the resolution they expect but not in the way they expected.

When you see the following, it’s probably safe to assume you’re dealing with parody:

  1. Lampshades. Big lampshades. Everywhere. Part of the humor in a parody is showing how the conventions of the parodied genre don’t actually make a whole lot of sense. And then, of course, allowing your characters to accept that absurdity as a part of their world and move on. In addition to being very funny it offers a valuable life lesson – much of real life doesn’t make sense to us but we still need to accept it to be able to function. Doing it with a bit of humor just makes it that much easier to do.
  2. Characters who are dangerously genre savvy. Since parodies tend to stack up tropes faster than Scrooge McDuck stacks money there’s a real need for the main characters to recognize and deal with the situations as fast as possible, otherwise the story either bogs down horribly or reaches the point where any believable resolution is impossible. Most of the time genre savvy is restricted to just one or two characters in a standard genre story – if more are demonstrating it odds are good you’re in a parody.
  3. As much flair and embellishment as possible. While most genres are trying to keep focus on their own central elements parody expects the audience to bring a functional knowledge of the central elements of its parent genre to the table so it can focus on making the tropes as big and over the top as possible rather than digging in to the depths of potential meaning the parent genre has.

What are the weaknesses of a parody? Probably the biggest is the basic investment parody expects its audience to have in the parent genre. A high fantasy parody expects us to understand the idea of rings of power or halflings and be ready to be entertained by them, it’s not going to delve too deeply into those concepts it’s going to be contorting them into new and weird shapes in an attempt to make us laugh.

On top of that, parody is a very loud and bombastic genre, very easily coming off as without reverence for the parent genre it is based on. And in some cases that’s true. A genre can suddenly skyrocket to popularity and detractors of the genre will try and show what’s wrong with it by using a parody – an attempt that pretty much always fails. Other times a creator’s idea of what would make a good parody doesn’t resonate with large chunks of a genre’s audience and the parody’s creator winds up loosing a lot of the audience he should be catering most too.

What are the strengths of a parody? As I said in the above point about lampshading, a good-natured attitude towards apparent absurdity is by no means a bad thing and parodies are very good at showing us how to maintain that. Also, the freakish gambit pileups that are often at the heart of parodies can be incredible showcases for creativity and fresh ideas, something genres can come up short on over time.

Most of all, parodies remind creators not to take themselves too seriously. Yes, being a creator is serious business. It’s very hard work most all of the time. It can be very easy to loose sight of the obligations creators have to their audiences, to loose touch with a spirit of fun that can make even the hardest messages more palatable. By bringing everyone, audience and creator, back in contact with that spirit the parody can do it’s parent genre a great service.

Cool Things: Titan A.E

Posted by natechen on

Does anyone else out there remember this movie? Because it was awesome.

It had a pop-punk soundtrack that was either the best or the worst of it’s era, depending on how much you like that kind of thing, and the art, both hand drawn and digital, was beautiful. The CG hasn’t held up that well with time but for a film produced in the 1990s and released in the year 2000 it’s pretty impressive. The hand drawn stuff is just plain top of the line, classic stuff. It’s never going to age or look bad.

Seriously, whether you absolutely love space opera or you’re just looking for a fun, simple primer to the genre, you can’t go wrong with this movie. It’s animated, sure, but the story is not just for kids, the main characters are fun and the animation is gorgeous. Makes you wonder why there aren’t more fully animated space operas – it really solves the problem of aliens looking fake next to their human counterparts.

Okay, enough about how this film looks. It’s a visual treat but movies need to be more for me to recommend them.

Titan A.E. is an incredibly bold movie, a reminder of different times. For starters, look at the title. That “A.E.” part? It stands for “after Earth” and it’s a signifier of time period, like B.C., A.D. or B.C.E. Yes, this film begins with the death of Planet Earth, not from pollution or relentless warfare but planet destroying superbeings! Humanity has somehow drawn the ire of an alien race called the Drej who decide that blowing up our planet is the best way to deal with us. We’re not told explicitly what they dislike about us but we do know it’s somehow tied to a large spaceship called the Titan.

The creators of the Titan manage to get it off Earth before the planet is destroyed but they kind of disappear afterwards. Cale, our hero, is the son of a chief scientist on the project who’s left effectively an orphan. Humanity, with no home planet or interstellar real estate to work from, is left a poor and dying race and Cale is drifting from job to job and focuses on just scraping by.

Then he meets Captain Joe Korso, someone who claims that he knew Cale’s father and shows Cale that his father left him a clue to find the Titan. And in no time we’re off to find the Titan and see if it can still help humanity in some way – after all, the Drej still seem to want it.

In little, tiny pieces or possibly thrown into the heart of a sun.

There’s a lot of chasing, a lot of searching and a lot of cool spaceships in flight from that point onward. Sure, the story’s not exactly fresh, it basically boils down to a race for the MacGuffin. Sure, Cale’s not a terribly original character and you’ll either love or hate the supporting cast, much like the music, but the whole thing is done with so much heart and cheer that it’s almost impossible not to have fun when you’re watching it.

Titan A.E. isn’t an instant classic but it is a good piece of film trying to do something that animation hasn’t always shot at: Telling honest stories looking at human nature in an straight forward way suitable for all ages. It’s worth seeing on that account alone.

Thunder Clap: Bend and Break

Posted by natechen on

Izzy

“Clark?” There was no answer so I scooted around until I could turn my head so it faced most of the way into the corner. “Clark, where are you?”

“Sorry, thought there was someone at the door. Best guess is I’m in the next room over. Unless you’ve managed to pick up a few things from Amp when I wasn’t looking.”

Yeah, that had been a silly question in retrospect. “Are you okay?”

“Better than you from the sound of things.” A couple of soft thumps came from the wall. “Did I hear right that you’re in manacles with some kind of explosive dead man’s switch? Can you describe it?”

I looked down at the cuffs on my wrists and thought about it for a moment. “Well, they’re like handcuffs except they’ve got a bar between them instead of a chain. And there’s-”

“What kind of load does the wire carry?”

“Uh…” I picked it up and gave an experimental tug, not that I really learned anything. “It could probably support a couple of hundred pounds, I guess.”

“Not that kind-” He gave the wall a frustrated thump. Yes, frustrated. You’d know one if you heard one. “Look, do you think you could kick in this wall without breaking the wire and blowing your hands off? Or attracting attention?”

“Not breaking the wire is easy.” I looked at the door. “Not attracting attention is probably a pipe dream.”

The wall thumped some more. “Not enough for me to come through it. Just enough to see through. Listen, I think if you position your foot right… here.” There was a firm thump from a half a foot over to my left. “You can go between joists and just shatter drywall. I could do it myself but do it fast enough with enough force and it will make less noise. You just need to be really, really careful to hit the right spot.”

I bit my lower lip. “I don’t know, Clark. My hitting things right hasn’t been that great lately.”

“Just put your boot on it, pull it away and put it right back in the same place. Without sneezing or anything. Just wait a second while I move over a bit.”

I looked at the wall then down at my feet. Being a taxman didn’t mean I was immune to pain and I didn’t think standing on my feet was a good idea at the moment. Kicking wouldn’t be such a big deal, the motion or impact wasn’t really necessary so much as what dad calls projecting force. There’s a lot of image training and stuff that goes into it but the basic idea is, as a battery of energy, all we really need to do to use it is point it in the right direction and let it out to get an effect. So I worked my way around until I was lying on my back and put one foot on the wall about where Clark had told me to break it down. Then I gingerly flexed it so the sole of my foot and thought about trying to jump upwards.

The wall gave way with a sharp crack and my leg lit up with pain like it had been dipped in acid. I let it drop to the ground, wincing, and pulled myself back to a sitting position. Clark was in the process of cleaning loose drywall debris from around the edge of a hole in the wall, about size ten. “Hold the manacles up to the hole.”

I did as he asked and spent the next thirty seconds or so holding the pose as he made quiet “Yes, I see” sounds in the back of his throat. If you’ve never heard these before then you probably don’t watch many mystery movies. Finally, he said, “Okay, I think I see a way for you to get out of those.”

I perked up. “What?”

“The problem is, they couldn’t really put a whole lot of ways to set off the explosives in there without making them too complex and error prone to be practical. So they just explode if the circuit in the manacles are broken.” He reached a hand through and grabbed my wrist that was closer to the hole and stuck his finger between the bracelet and my wrist. His fingertip could only go a half inch or so before it stopped. “Look, if you can work your fingers under the wristbands like this you can probably bend them enough to slip out without actually breaking them and setting the bombs off.”

“Oh, it’s that easy?”

Clark just shrugged off my sarcasm. “Look, metal’s really elastic. That’s one of the things that makes it so useful. Just don’t overdo it and you should be able to bend it no problem.”

I dropped my hands and glared through the hole at Clark. He probably would have been more impressed by it if his hand wasn’t still sticking through the hole. “Maybe you just forgot the conversation we were having but I’ve kind of been lacking in the fine control department lately.”

“I though that was just hitting targets accurately or using the right amount of force at your top end.” His arm withdrew with a grunt and then the left half of his face came into view. “You mean you can’t even move slowly?”

“What part of lacking precision doesn’t compute?”

He made a face I could only guess was confusion. “So you never used your talent to just pick up and carry heavy stuff?”

“Well, sometimes. But never on purpose until a couple of years ago when talents were outed. Papa and mama didn’t want me getting discovered.” I sighed and leaned my forehead against the wall. “It’s not easy to find the right amount of force to do anything practical. It’s like I’m a giant tank of water and the spigot it’s supposed to pour through has corroded shut. To force anything out at all you have to put real pressure on and then when you finally get something it’s water spraying all over the place. If that makes any sense at all.”

“Yes, I see” noises once again.

I turned my stare back up to glare and said, “Stop that.”

“Sorry.” He sighed and was quiet for a few seconds. “You know, I’m kind of surprised, given your father’s past, that he didn’t want you to follow in his footsteps. Was that a religious thing? No putting women at risk?”

“Don’t be silly.” I norted. “If you’d ever met mama you’d know how ridiculous that is. She expects us all to be ready to take charge and keep our families safe and on track. But it’s kind of right, too, I guess. Papa didn’t like the idea of a job where he half his time lying to people and he didn’t want us to, either.”

Clark smiled with real warmth. “Your dad does strike me as a pretty principled guy. You’re lucky to have him around.”

“He retired for us as much as anything, really.” I smiled back, thinking about all the times I’d heard mama and papa arguing quietly about whether he should train my youngest sister and I to use our talent or not. “Papa used to tell my mother he didn’t teach Zoe or I anything beyond basic self control because he felt it was better to live quietly and justly than to seek power in corrupt ways. Mama could never think of a good way for us to use our gifts without attracting Project Sumter’s attention and she didn’t want that anymore than papa did. She remembers what his life was like before they got married and he went to seminary.”

Clark snorted. “Yeah, that’s something else. How did your dad wind up going from street thug to Federal agent to priest?”

“Minister, technically, and he thought it was a natural progression. Mike – I mean, Senator Voorman’s a Christian, you know.” I laughed at Clark’s amazed expression, or at least the half of it I could see. The whole face was probably more than twice as funny. “We do go into politics sometimes, you know.”

“It’s not that,” he spluttered. “I just can’t see him converting anyone…”

“He’s not good with strangers one on one, that’s all. But he convinced papa that it was a better way to live than street life and then papa took it one step further. He visited a lot, before he moved to Washington.” I absently put my hands in my lap, wondering what Clark would think of the fact Zoe called a U.S. Senator Uncle Mike. The bar of my manacles bumped against my leg in a strange fashion and I tensed. “Clark.”

“Yes?”

I looked down at my hands which were now clenched together hard enough to turn the knuckles white. The bar of the manacles was bent into a teardrop shape. “Clark, I just put my hands together.”

Clark smirked. Yes, smirked. “Lots of people do that when they’re reminiscing or talking about family, especially if they’re accustomed to religious rituals or-”

My head jerked back up and I pushed my face as close to his as the wall would allow. “Clark Movsessian, did you start me talking about my family just so I’d absently fold my hands together?”

He froze with mouth open and considered his response for a couple of seconds. “No?”

“Because I could have just blown my own hands off because I wasn’t paying attention.”

“I would definitely not have run that kind of risk. Sounds more like a design flaw in the manacles to me.” All signs of smirking were gone now. “You were nervous and I was just trying to calm you down.”

A likely story. “Fine.” I took a couple of deep breaths and got a handle on things again. “So I’m calm and I’ve got my hands together in one place. Now I just work my fingers under the shackles, right?”

“That’s all you need to do. Nice and easy, now.” His gave me half an encouraging smile and said, “You mentioned Zoe, so I guess that’s one of your sisters?”

I nodded, running my fingertips along the edge of the manacle and trying not to think about what they were designed to do. “Zoe’s the youngest.”

“So there’s a sister between you two?”

Another nod. “Alicia. She’s the normal one, didn’t inherit dad’s talent.”

“Tell me about her.”

“Well, she gets to run track…”

——–

Helix

It was shortly after 8 AM and I’d just gotten off the phone to Washington – again – when Teresa showed up in my office. I looked at her through bleary eyes and tried to remember why I felt that was wrong. I liked it when Teresa was in my office. But for some reason I thought it strange that she was there at the moment. It wasn’t that I thought she didn’t like being there, although I hadn’t seen any sign that she did. But she had her own office to work in when she wasn’t out in the field and-

And my brain is no exception to the rule that the sleep deprivation makes you stupid. “Aren’t you supposed to be out in the field?”

She slumped down into one of the chairs in front of my desk and said, “Sanders called me back when Samson went out. He said he didn’t want too many senior people in Circuit’s area of operations while we still have no idea what exactly he’s doing.”

“That was probably good thinking.” I leaned back in my chair and gave her my undivided attention. “So far we here in the office have covered the same ground three or four times and we don’t know any more than we did out in the field. Different branches of the government keep calling to ask if we’re really sure it’s a criminal we’ve dealt with before and would we like their assistance. It’s getting harder to convince them to focus on cleaning up the other four sites and let us deal with this mess here.”

“Other four sites?!” Her eyes rolled up to heaven in some kind of unspoken plea, then she folded her arms on my desk and dropped her head down into them. “I may never sleep again. I’ll die of exhaustion and they’ll wonder why I looked like a hag when they buried me.”

“You look fine. Better than me for sure.” I stifled a yawn and shook my head in a vain attempt to focus my thoughts. “Anyway, the other attack sites are all outside Midwest jurisdiction so we’re probably not going to be involved in cleaning those up at all. Did you find out anything on the mean streets?”

“We were trying to clean up those EMP stations Circuit’s put out but so far we only managed to take half a dozen. I think Massif was going to try and cut a clear path for emergency response vehicles to move through but I’m not sure how it’s going now. I slept through most of the car ride back here.” She grimly pushed herself back into a sitting position. “We still don’t have much in the way of actual intelligence on what’s going on out there. We talked to a couple of cops who’ve been interviewing those groups of thugs Circuit’s been leaving around but all we really got from them is that there was some guys in combat gear going around and beating the crap out of looters and the like. Looks like they disappeared come daylight.”

“Not surprised.” I sighed. “Maybe we could-”

My phone ringing cut me off. I thought about not answering but the caller ID said it was Jack’s desk phone, not an outside line. So against my better judgment, I answered.

“Mrs. Sykes flight just touched down,” Jack said. “She’ll be here in about an hour.”

“You’re bringing her in under high security, I hope?”

“Triple strength.”

Despite my exhaustion I smiled. “Good. Maybe we can finally get some idea what part Matthew Sykes has in all this. Let me know the minute she walks in the door, Jack.”

“Will do.”

I hung up and glanced at Teresa. “New plan. I’m going to get a nap in the hopes Mrs. Sykes won’t be too frightened of me to answer questions when she gets here.”

“You, trying to be civil? Tell you what, you nap and I’ll sell tickets.” Teresa shoved herself up and out of the chair and headed to the door. “See you in an hour.”

I was worried I’d have trouble sleeping given all the stress I was under but for some reason I was able to relax and fall asleep almost as soon as I hit my cot.

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Be Thankful!

Posted by natechen on

That’s right, be thankful for I have decided to give the Internet a break from my presence this week!

In the ol’ US of A this is the week of Thanksgiving, a holiday set aside to give thanks for the many blessings we have. In the past couple of years I’ve just taken the last two days of the week off but this year, due to some family matters that have taken up a fair amount of time and thought in the last month or so, I’ve fallen a bit behind and I’m going to take the whole week off to recover and rest up.

So thanks for dropping by and I hope to see you come December 1st for the next installment of Thunder Clap.

Nate

Writing Men: Mentors (Pt 2)

Posted by natechen on

Welcome back to Writing Men’s first two part section! Not familiar with Writing Men? A complete list of articles from the beginning until now can be found on this page. We’re talking about mentors and the mentoring relationship, starting last week with the general appeal of mentorship to men and continuing now with what mentoring might add to a story.

Mentoring can add one of three things to a story. A mentor can serve as an instigating party, as a source of character development or as a source of conflict. The truly ambitious will use it as a source for all three characteristics! The great flexibility of the mentoring relationship makes it incredibly useful from a writing perspective, meaning you probably see it turn up more often in fiction than it does in real life. So what are some ways you, an author, can use mentoring to develop the men in your story?

Inciting Incident – A way of starting the action off.

  • Mentors are in the business of testing their pupils to see what they’re capable of. Mentors can incite action in a story by setting a new goal or test your characters need to tackle. This can be a reasonable goal that excites your character or a fantastic one that intimidates him.
  • A character and his mentor can suffer a breach of trust, leading either character – or both! – to try and repair the relationship and return to a mutually beneficial mentorship.
  • If your primary character is a mentor he might be looking for some item necessary for the next stage of training and get sucked into an adventure looking for it.
  • The possibility of the student leaving his current mentor for a new one, whether of his own free will or because of the interference of family or circumstance, can result in all kinds of hijinks.
  • Finally, the death of one half of a mentorship – whether it’s the student or the mentor – is such a common inciting incident it’s become a cliché.

Some of these events could happen in other relationships, family for example, but the mentorship combines them all and allows you to employ them in just about any order as a part of a longer running story. This continuity is the perfect set up for the second thing mentors bring to your story, namely character development.

Character Development – Growth is Part of the Deal

  • Let’s start off with the easy stuff. Mentors are tasked with making their students grow. Cooking up tests that will stretch them in new ways and make them confront weaknesses is part and parcel of what mentors do. This is one of the most basic ways to bring character development out of a mentoring relationship.
  • A student might come to realize that the thing he’s been studying so long, be it medicine or music, sports or combat, may not be a good fit for him. Just as directing growth in his field of specialty is the mentor’s responsibility, so too is pointing out when his field is a poor fit for his students. The mentor helping a disciple reach peace with the limits of his abilities or realize that the student’s priorities have changed is another way mentorship helps character growth.
  • Of course, mentors don’t have a perfect grasp on their discipline either, just a much better one than their students. Sometimes the tables turn and students teach their mentor a lesson or two. This kind of character growth can also apply to areas outside the mentor’s specialty to give it a little more flavor.
  • Finally, most mentors and students eventually go their own way. The mentor has taught all he can and it’s time for the student to strike out on his own, with all the challenges and uncertainties that go along with that.
  • As an extension of the previous point, sometimes the mentor will arrange for former students to take on students of their own immediately, swiftly transforming disciple to teacher, a great kind of character growth to illustrate.

Mentorship brings a unique dynamic to character conflict. Unlike parents and children the mentor is generally someone the student chooses to entrust his own goals and desires to by asking for their instruction. While a man has no choice in his parents he does usually choose his mentor, or at least choose to trust him. While a romantic relationship or a friendship is one you enter of your own free will, both parties in it are equals. The obedience of the student and the responsibility of the mentor is not as significant a factor in either friendship or romance. These overtones shift conflict in the mentoring relationship in new directions.

Conflict – Mentor vs. Student, Student vs. Mentor, or one or both vs. All

  • Mentors and students most often conflict over how well the understudy is progressing. You can see this in a thousand and one stories about this relationship, most frequently in sports oriented stories. It’s also the one that’s most likely to occur in real life. This is usually an outgrowth of the competitive, testing nature of a male character and their desire to be capable of new things. This desire often skews the perspective of the student and avoiding it is one of the major reason to have a mentor. Not that men always pay attention to this.
  • Mentor and student can also disagree on the student’s end goals. Men are objective driven but that doesn’t mean their desires never change or just get reprioritized. A student may be trying to balance priorities when he needs to sacrifice one of them and the mentor should be the one that forces the issue.
  • On the other side of the coin, the mentor may have developed a skewed idea of what his discipline means. Usually this takes the shape of prioritizing advancing whatever field of study the mentor specializes in over moral behavior. In this case it may fall to the student to try and push his mentor back onto the right path – a challenge that will result in character growth for both mentor and student.
  • Finally, the as noted above, the understudy may just not feel the subject he joined his mentor to learn is valuable any more and his desire to change disciplines – and most likely mentors in the process – is a great source of character conflict.
  • Of course the student who strays from the path of righteousness is a common trope in storytelling as well, and can be done with just about any field of study with a little work. This is a good chance for delving deeper into the mentor character. Will he choose to compartmentalize, and say that the student has moved beyond his authority? Or will he see it as a test of himself as a mentor who needs to put his disciple back on the right path? Or perhaps we’ll discover that it’s an axiom of his that the mentor is responsible for all things about the student and he will just have to sacrifice whatever is necessary to improve his student, including his own sense of right and wrong.
  • Not all students are entirely free to choose their own mentors. In fact parents are often the major player in these decisions. If parents or other forces try to separate mentor and student then we might see a new dimension to both characters as they cooperate to show that they are, in fact, benefiting each other more than any other force could. On the other hand, parents may force an understudy to accept a mentor he does not like.
  • There’s the classic cliché of a mentor (or student) being killed and that provoking a quest for vengeance. Pretty much any relationship can spark this but loosing your mentor seems to be one of the most common, right after loosing your parents. For whatever reason it’s even more common than a character loosing their spouse!
  • Finally, as mentioned under character development, the mentoring relationship does eventually come to an end most of the time. Goals are reached or priorities change. But sometimes characters aren’t ready for that. Getting either mentor or student, or both, to accept that can be a battle in and of itself.

Whew! So there you have it. Mentoring – a relationship with deeply male overtones, brought forth from the male thought pattern and an excellent avenues for developing characters and growing stories. Put it to all the use you can!

Cool Things: Edge of Tomorrow

Posted by natechen on

So I’ve talked about this movie before, how it did a great job of adapting a work across mediums and culture. (A warning: The post in question has spoilers galore and it’s long. If you still want to read it click here.) That post was mostly written a few days after watching the movie and I have a hard time recommending a movie before I’ve seen it at least twice, in no small part because most movies – good movies at least – cannot be properly understood after just one watching. And while there are some movies (and books) that are good for a single watching (or reading) to be put aside afterwards, the best entertainment, the kind I try to recommend, holds up to multiple experiences.

I finished rewatching the film, this time at home on BluRay, and I find it does. So what makes Edge of Tomorrow a film worth looking at?

I think the biggest thing is it’s thematic choice of the value of courage. It’s not apparent at the beginning but our hero, Major William Cage, is a coward of the highest, purest degree. In an odd kind of way it’s refreshing. There’s no hesitation or shame in Cage’s cowardice at the beginning of the film. Cage is a PR man for the US military in a war against the Mimics, alien invaders who’s march across the world seemingly can’t be stopped.

Well, sort of. Humanity won a battle thanks to Rita Vritaski and the high tech battle suits known as “Jackets” that were engineered expressly to give humans more of a punch against Mimics. No one’s sure how Rita managed to drive the Mimics back but now they’re hoping a repeat is on tap. A huge force has gathered in England to retake the continent of Europe in a high tech reenactment of Normandy and Cage is offered the chance to go with Rita’s unit and film the landing for propaganda.

He says no, because he likes not getting shot.

Offended at the blunt nature of Cage’s cowardice his commanding officer has him busted down to an enlisted man and railroads him into the infantry. Rather than landing with a crack veteran unit he lands with pure rookies, himself one of the least experienced of them all. In the insane melee Cage kills a strange looking Mimic and gets burned to death by its strange blue blood.

After dying he wakes up again the day before the invasion, about to be run into the infantry again. This is going to be something of a theme since Cage isn’t a very good soldier, he was in the reserves before the Mimics invaded and he apparently never went on active duty. This whole loop through time until you get things right isn’t exactly a new story, in film it dates back over twenty years to the movie Groundhog Day. The idea might have first been introduced in a short story called “Doubled and Redoubled”, published in 1941. But what’s interesting about this story is that Cage isn’t the only one time travelling.

Apparently all that blood he got on him when he killed that first alien pulled him into the time loop – that’s how they fight. It’s not that the Mimics have never lost a fight in this war, they’ve just been going around as many times as it takes to not loose in the end. But humans can get sucked into the time loop as well as evidenced by Cage – and, as it turns out, Rita.

What really makes this movie great is a combination of two things. The first is the very careful way the loops show Cage’s character progression from craven coward to wanting to help but lacking skill to able to help but jaded into not caring and finally arriving at the point where he has the courage to sacrifice even the things he wants in order to do what he’s accepted as the right thing. It’s a fascinating journey and it still holds up the second time around. The other thing that makes it work is the incredibly nuanced performances of leading actors Tom Cruise and Emily Blunt who make you believe these two people have actually traveled through time and been deeply marked by the experience.

Oh, the action sequences and alien monster stuff is really good too.

The promo materials for Edge of Tomorrow called the movie a thinking man’s action film and I really think it lives up to that title. It’s an incredibly beautiful movie with well written, well acted characters and a plot just twisty enough to keep you engaged but not so bizarre as to be unbelievable. Provided you’re okay with the space-aliens-travelling-through-time-to-conquer-Earth part. So why aren’t you watching it yet?!

Thunder Clap: Hot Foot

Posted by natechen on

Helix

We were up to our elbows in status updates, police reports, 9-1-1 transcripts and dispatcher traffic, trying to put together a coherent picture of what had been happening in the city for the last eight to ten hours, when one of our dispatchers came in and tapped me on the shoulder.

“Is this important?” I demanded. There were at least a dozen things that I needed to be doing at the moment and if he was about to hand me another one it had better be worth it.

“We just heard from Agent Massif and his team in the city center.” The dispatcher – I couldn’t remember his name – kept his voice so low I barely made out what he was saying.

I huddled in closer and matched his tone. “What happened?”

“Agents Clark Movsessian and Isabella Rodriguez disappeared about fifteen minutes ago. Agent Massif said they found something like tear gas canisters in the area they were headed to when they were last seen.”

So yes, it was important. If we hadn’t already been at our highest state of alert that would have put us there. “Right. Listen, do you know Agent Samson? Miguel Rodriguez?”

His eyes got a little wider. “Yeah. I’ve seen him before.”

“Go find him. He was up here a couple of minutes ago but I think he went somewhere with Senator Voorman. Check Samson’s office first, if he’s not there go door to door until you find him. And when you do.” I tapped myself in the chest. “Come get me. No sidetracking, don’t tell him what happened. Got it?”

He nodded quickly and hurried off. I turned back to my reports, reminding myself that I was younger than Izzy the first time I went out in the field. She had training and more power than a freight train. The biggest problem would be convincing her dad not to tear down the city looking for her.

——–

Izzy

I woke up groggy, head throbbing and dry-mouthed. And sore all over, it felt like I’d been rolled down a couple of flights of stairs while I was out. Sitting up wasn’t hard although it made me very woozy. I was in a featureless room that had probably been an office of some sort before all the furniture was cleared out. There were still visible marks in the carpet where a desk and chairs had been in recent past. Someone had drilled a hole in the wall and a chain came out of it.

I traced the chain and realized, in a weird, detached kind of a way, that it ended at my ankles, which were held together by a set of manacles with a bar between them. The chain attached to the bar through a heavy ring. I lay back down on my back and gave a sharp kick, snapping the bar in half easily.

My ears popped, there was a vague sense of the air being thick and heavy all of a sudden, there was a sharp bang I more felt than heard and searing pain ignited at my feet for just a second before I passed back out again.

——–

Helix

“She’s what?” Samson was talking to me but his whole body was winding up like a spring, getting ready to tear straight through the wall and anything else that might come between him and his daughter.

“Not with Massif anymore,” I said, as if that thin layer of obfuscation made it better. “Now calm down, Rodriguez. It’s not guaranteed that Circuit grabbed her or anything. She could just be running down a lead with Clark. You know, underground or somewhere else where they might not have noticed that communications or power were back.”

Samson’s mind, which had obviously been drifting from the conversation at hand out through the city streets towards wherever Izzy had wandered to, snapped back to me. For the first time since I’d met him I saw what Manuel Rodriguez looked like when he was really, truly angry. I understand that side of him used to show itself a lot more frequently back in the day and I felt a brief twinge of pity for the people who had to deal with him back then.

Both the crooks and his boss.

“You don’t honestly expect me to believe they’re just poking around in the sewers do you?” He snapped.

“No. I expect you to keep your mind on a realistic assessment of the situation. Isabella is a field agent dealing with Open Circuit and there are rules about how that game is played.” I ticked points on my fingers. “She’s more useful alive than dead and Circuit’s not above using hostages so he’ll prefer her alive. She represents law and order, something Circuit claims to value as well so he can’t do much to her without harming the image he’s trying to establish. And she can crush a car with her bare hands, so there’s only so much Circuit can do to keep her restrained outside of using Movsessian as leverage against her. In all likelihood he’s just loaded them onto a truck and shipped them towards the city limits so they present the fewest complications.”

“Assuming it is Circuit,” Samson said darkly. “Even you’re not sure it is.”

“Assuming that, yes.” I sighed. “Look, I’m not saying you can’t go out there. I just want you to understand that you need to do it by the book. Contact Massif, meet up with his team and work out from her last known location until you find a promising lead and report back. Don’t go tearing through the city hunting down thugs and juggling them like bowling pins until they tell you what you want to know.”

“I only did that once.”

I grabbed his shoulder and pulled him down to my level, which was a fair distance, and dropped my voice to a whisper. “Look, I’m not going to claim to understand your feelings because I don’t. But if you go off half-cocked and do something stupid, here’s what’s going to happen. I’m going to let you tear apart the city in whatever way your personal demons tell you is best, because there’s no one here who could stop you. Then, when you find your daughter and she’s fine, because I still have every confidence that she will come out just fine, I’ll arrest you. And then I’ll throw you in a jail cell for twenty to life. Do we understand each other?”

Samson gave me a hard look, then nodded slowly. “Yes. And thank you, Helix.”

“Good. Now stop wasting our time, get out of this building and do something useful.” As he started to straighten up I grabbed his shoulder and pulled him back down and added, “Something useful, Samson.”

“I get it.” No sooner was it said than he was gone, out of the office and down the hall in the blink of an eye.

Voorman gave me an assessing look from where he sat in Samson’s desk chair. He’d watched without saying anything since I’d informed Samson of what had happened. “That was a very generous approach to the situation, Helix. I’m not sure I would have handled it that way.”

“I lied, you know. I do kind of understand how he feels.”

Voorman tilted his head in a curious fashion. “How so?”

“I want to get out of here and do something useful, too.” I left Voorman to think about that as I headed back to my office to see if maybe, just maybe, there was something productive to be done there.

——–

Izzy

“That was stupid, Davis. Incredibly stupid.”

People arguing. Great way to wake up. My ankles felt like they were on fire and things were numb from there down. I tore my eyes open and looked around. Same room, except for the scorched, pitted floor on the other side of the room.

“What did you want me to do? We’re out of spare hands and I wasn’t expecting her to just rip right out and try and tear this place apart.”

My ankles had been dressed with some thick gauze pads and I wasn’t sure what else. Bare toes stuck out beneath them – and I was really glad for that – but I couldn’t feel them. Whether anesthetic was involved or it was a result of nerve damage I couldn’t tell.

“Listen, Davis, that girl can’t even drink legally yet. She’s going to be spooked and edgy. And you’ve seen the profiles we hacked out of the Project – she can smash us both to a bloody pulp. What were you going to do if the manacles were faulty or something?”

I was sitting with my back propped in a corner, hands in a similar manacle set to what had been on my ankles before right down to the wire running into the wall. I did notice that it was a new hole in a different place. Unfortunately I wasn’t sure if that was significant.

“That would have been your fault, since you built-”

“You would have been dead, Davis, since you weren’t watching her like you were supposed to so there would have been nobody to put her back under if she got out!”

The voices were coming through the door to the room I was in. I cleared my throat once and they went quiet, which I took as an invitation. “Hello? If you’re done yelling at each other can I have a turn?”

There was a moment of total quiet then the door to the room swung open and two men came in. On my left was a squarish man, not more than five foot five but nearly that wide, with a heavy jaw and a five o’clock shadow. The other guy wasn’t much taller but he looked totally normal except for eyes that never quite seemed to focused on anything. When the square man spoke his voice told me he was Davis.

“Looks like you’ve come around.” He squatted down, an operation that didn’t really seem to make him much shorter since what height he had was in his torso, and pointed at my feet. “You’re lucky you still have those, you know. The shaped charge in those cuffs should have been enough to take your feet off. I’m not sure why it didn’t but we upped the charge in the cuffs you’re wearing now and your wrists aren’t quite so thick so maybe they’ll work this time, hm?”

I glared at him with the confidence born of pain and sleep deprivation. “You’re lucky you stopped where you did. I really just need to touch you to do the pulping thing.” To my satisfaction my toes wiggled when I told them to, coming withing a few inches of his closer leg.

Normal guy grabbed Davis by the collar and proceeded to do some weird kind of maneuver where he crouched down while also pulling Davis to his feet. “I’ll play good cop.”

“That’s a laugh,” Davis said as he backed away a step.

“Listen,” normal guy said, ignoring his partner. “I didn’t want you getting hurt and I’m sorry it happened. My friend here was supposed to keep an eye on you and warn you about that when you woke up.”

“I was getting a cup of coffee,” Davis grumbled. “We’ve been up all night.”

“Join the club,” I said, wiggling back into the corner just a bit to try and get away from them, trying to cover for it by straightening up a bit. “Maybe next time you guys can cook up a master plan that doesn’t involve drinking a gallon of coffee. It’s healthier for you.”

“Look, miss, I just need you to know we’re not planning to hurt you in any way.” He pointed at the manacles. “Those are just insurance to make sure you hold still. There’s a current running through them tied to the detonator. Don’t break the chain or the manacles and it won’t blow your hands off. We’re hoping to trade you for some concessions from Project Sumter soon, so-”

“You haven’t met my boss, have you?”

He grimaced in a way that told me he’d at least heard of Helix’s legendary obstinacy. “So just sit tight, okay? I’m sorry about your feet.”

“Look, if you guys think it’s going to be that simple you’ve got a new thing coming.” I wracked my brains for something more to say, there’s a whole course on negotiating in all circumstances but I was having a hard time remembering anything from it. In fact, I was pretty sure nothing I’d said so far matched what that class had taught.

“Come on, good cop.” Davis grabbed the other guy and hauled him to his feet. “The big guy is going to be waiting for us. Let’s see if we can actually scare up a guard now and get back to him.”

The two of them left before I could say anything else and I didn’t want to leave them with some stupid parting line so I held my tongue. Once they were gone I slumped back into the corner and let my head thump lightly against the wall, trying to figure out what my next move should be. As I sat there a soft thump from the other side of the wall interrupted my thoughts.

I was about to write it off as something being moved in the next room over when Clark’s voice, very muffled, came through the thin drywall. “Izzy? Is that you?”

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Writing Men: Mentors (Pt. 1)

Posted by natechen on

Welcome back to Writing Men, where we talk about the art of writing male characters and what about them makes them particularly masculine. You can find the complete archive of Writing Men pieces here. If you’re not familiar with this segment I’d recommend starting from the beginning, everything kind of builds on itself here.

We’ve reached the point of talking about what kinds of behaviors the male mindset creates and today it’s time to talk about mentorship – from the side of the mentor and that of his understudy or student.

Now I know that, like with everything we’ve talked about in this section, the mentoring relationship is not exclusive to men. But, far moreso than just about anything else we’ve talked about so far, it’s a distinctively masculine endeavor. I’ve meat far fewer women in my life who could point to a female mentor figure than I could men and those that could almost exclusively pointed at their mother (or this one lady I know who has an enormous gift for it). Some women have male mentor figures but I can’t think of any men who have female mentors – I’m sure they exist but I don’t know any personally.

This topic is really very big so I’m going to divide it into two parts, the first today and the next coming next Friday. Today, let’s take a look at exactly what part of a man’s mental process makes mentorship attractive on both sides of the relationship.

Mentorships are curious things. On the one hand, students are placing a large portion of their future in the hands of their mentor, taking an awful risk that he will be fair, even handed and value the same things that the student does. On the other hand mentors give up a huge chunk of their time and freedom to their understudies, making themselves available to teach the other and revealing secrets about their successes and failures that might not be valued the way the mentor thinks they should. All in all, a very risky relationship. Why bother with it?

For the understudy seeking a mentor there are a lot of things about the relationship that are appealing. First, mentors are almost always people who have achieved the objective – or at least the understudy sees them as someone who’s reached it.

Furthermore, the mentor provides axioms readymade. While each person is different and most of the lessons the understudy learns will require some adjustment to apply fully to the student, having a mentor provides the understudy with a very solid set of basic principles to draw on when trying to reach his objective. To go with the axioms, the mentor also provides tests.

Mentors are like built in competition – not that the understudy expects to be his mentor’s equal any time soon. In fact, some understudies spend their whole life trying to equal their mentor, using him as a standard to strive for that they will never live up to. However mentors are not passive in this, frequently presenting their understudies with difficult challenges that will test their understudy to the point of failure. In fact, in the eyes of many mentors tests are better when they are failed than when the student succeeds, as it shows more about their weaknesses and how they might be improved upon.

These failures help the student examine the axioms they are learning and integrate them into the way they look at the world. The mentor frequently pushes the process along with hard questions and forceful demonstrations (in the best cases) or verbal and physical reprimands (in less ideal mentorships).

(An aside: While I’m far from an expert on women, a part of me has always suspected that this rather hostile approach to testing and “encouragement” is a big part of why women in mentoring relationships are so rare. At the same time, being male, I can’t really see a way around this component of it, either… A big part of testing is to push things to the breaking point and that’s not always comfortable. On the other hand, men frequently won’t entirely trust the things they’ve learned until they’ve gone all the way up to that breaking point.)

Finally, a mentorship is a small relationship, just two people in ideal cases. This lets it start as a very compartmentalized relationship, making it easy to manage. At least at first, if it lasts long enough the mentor expands in the students mind until his territory becomes advice on all topics. But the fact that it starts so easy to deal with is what makes it so likely to grow.

The mentor gets a lot out of this relationship as well. The first and most obvious is the emotional fulfillment of the relationship and the act of teaching. Mentoring is a very fulfilling relationship for most people, much like parenting or teaching, and it has a lot of joy and happiness to offer just from seeing someone who is growing and benefiting from being around you and hearing what you have to say. Not everyone will like doing it and not everyone is suited to doing it well but it can be a very positive experience in and of itself.

But on top of that it appeals to men in particular as a way to fulfill those goals that they themselves will not be able to accomplish. This can be both good and bad, offering student and mentor a goal to bond over or resulting in the mentor completely ignoring his student’s wishes and pushing them in directions they don’t wish to go. Regardless of whether it is good or bad it is a very masculine thing and something that frequently draws men to the position of mentor.

Finally it offers the mentor perpetuity. Rather than just having their skills or knowledge endure for a short time a mentor passes things along and builds a legacy that joins mentor and student together into a greater whole. Good mentors tend to beget good mentors, who are then equipped to pass these skills down again and again ad infinitum, allowing the mentor’s influence to continue as long as possible. This not only draws men to the role of mentor but prompts them to do everything they can to be good mentors.

Both sides of the mentor and student relationship have a lot to offer to the male thought process, in fact mentoring as a relationship seems to have been built by men for men. So it’s no surprise that using it is a powerful tool for developing male characters. How do you go about using it when you write? Well tune in next week and we’ll talk about it some!

Cool Things: Plunder of Souls

Posted by natechen on

Ethan Kaille has a rough life. He’s one of only two thieftakers in Boston and the other hates his guts, there’s a cholera outbreak in town and tensions between the British troops and the British townfolk are growing ever higher. And someone’s desecrating graves and Ethan’s been hired to find out who and bring them to justice.

So it’s Tuesday.

No, actually one thing that’s interesting about D.B. Jackson’s titular thieftaker is that his adventures don’t tumble one after the other in rapid succession. There’s actually been about a year between this adventure and Ethan’s last, no doubt so that interesting events of history can line up with fictional events. While the author obviously has that goal in mind it also allows the world some time to pass around the characters which really makes things feel more realistic.

Another nice touch about this story is that Ethan is not investigating a death under unusual circumstances this time. As I said at the beginning he’s been called in to figure out why graves are being desecrated and to bring the perpetrator to justice. Now if you haven’t read my previous recommendation of the Thieftaker Chronicles you need to know that Ethan is a conjuror, a kind of wizard who has to balance his need to make money with his need not to get burned at the stake as a witch. While Ethan has a kind of truce with the authorities in Boston that lets him do his job mostly in peace he is going to have other things to deal with.

For one thing, while conjurors can protect themselves from disease for a little while the materials they need to do it are very hard to find and very expensive and the cholera outbreak isn’t going anywhere. Plus Kaille opens the book by showing up his rival thieftaker Sephira Pryce and she’s not happy about it. While Ethan has conjuring to back him up Sephira has hired muscle and now a hired conjuror of her own and their rivalry is coming to a serious head. But worst of all something is interfering with Ethan’s ability to conjure. And not just Ethan’s, but the abilities of every conjuror in the city.

The best thing about the story in A Plunder of Souls is the development of the characters. While Ethan is a very well established character the supporting characters haven’t gotten as much screen time in the previous couple of books. Even Sephira, who has been turning up a lot in previous books, was mostly a secondary antagonist before where as now she and Ethan establish an uneasy peace that lets us see her in a new light. All of this is great but above and beyond that, unlike in previous books, the villain is also very well developed.

It turns out that Ethan has a history with the villain, another conjuror who has a twisted relationship with Ethan and… well just about everybody. While there’s not a whole lot that’s new to the urban fantasy/paranormal investigation genres in this story’s formula the execution of the formula and the construction of the characters on both sides of the conflict makes it worthwhile. On top of that the villain offers real intelligence and menace whenever he’s on hand to threaten Ethan. Finally the feel and danger of pre-Revolution America is icing on the cake, making the setting in the Theiftaker Chronicles much more real and engaging than many other urban fantasies.

A decent, if formulaic, story filled with very interesting characters makes A Plunder of Souls a read that’s attractive and fun.