Tag Archives: romance month

Sense and Sensibility

Posted by natechen on

I still don’t understand how the man who made this film could have gone on to make… every thing else Ang Lee has made. Yes, it’s still romance month here at Nate Chen Publications and we’re wrapping it up with a true classic. This film is fairly old, in fact it turns 20 this year, but it’s based on a story by Jane Austen so it’s less a question of whether it’s aged well and more a question of whether it’s timeless.

Sense and Sensibility is two love stories in one, the first focusing on Ms. Elinor Dashwood and Edward Ferrars, a pair of people eminently suited to one another. Both are quiet, serious people of good sense who see in the other admirable qualities and good character. If this sounds kind of boring don’t worry, circumstances and previous history are very much set against them. There’s inheritances, overbearing mothers, previous commitments and general social standing to take into account, after all.

The second romance focuses on Elinor’s younger sister Marianne, a free sprited and sentimentally minded young lady who faces no obstacles to her paramour, John Willoughby, except that of Willoughby’s character itself. He’s a real cad, eventually proving to have gotten another woman pregnant and run from the fact. When he looses his inhertiance over the matter he leaves Marianne and goes looking for a wife who can support him. Marianne eventually winds up married to the kind, generous but reserved Colonel Brandon.

This story contrasts two different ideas of romance. The first is represented by Elinor and Edward, who don’t have a particularly exuberant or emotional connection. That’s not the same as saying they don’t connect, because they do. It’s just not in the big, expressive way most of the people around Elinor can understand. Marianne is even worried about her sister, wondering if she gets what love is. Marianne, on the other hand, falls hard and extravegantly. She practically throws herself at Willoughby (by the standards of the time) and takes not time to build a connection beyond a superficial emotional reaction. She never stops to see where she stands with him, instead building castles of dreams that ultimately prove to have no foundation.

Like all of Austen’s stories, in most of their adaptations, Sense and Sensibility takes a lot of time to look at the characters and how they relate to each other. With Emma Thomson and Kate Winslet staring as the two leading ladies we can see a lot of the contrast between the two characters, with the less expressive Elinor coming across as a woman who says little but feels deeply and the vibrant Marianne practically floating across the screen in most of her scenes. Of course, this is most effective when the romantic couple are together. Both Elinor and Edward and Marianne and Willoughby spend a lot of time in conversation. They manage to avoid boredom while clearly illustrating the character traights and connections that will eventually make Elinor and Edward’s relationship work when Marianne and Willoughby’s will fall through.

What I love the most is how the film manages to stick to a dry tone, rarely taking love entirely seriously but still recognizing that the people it portrays could very well be us. The mixture of humor and sympathy, along with an understanding of the importance in a meeting of characters and minds, as well as hearts, makes this a great romantic film. If you’ve never seen it, now’s the time to go and check it out.

The O’Malley Serries

Posted by natechen on

It’s the month of romance so we’re taking a look at a handful of romance stories that I feel really do romance right, avoiding cliches of sentimentality and accidental relationships and instead providing thoughtful, emotionally and intellectually satisfying looks at romance. This is going to be a particularly hurried look because we’re not looking at a single book but rather a series of six. The story goes like this.

Seven orphans meet in a group home in Chicago and start looking out for one another. With time they reach the age of legal adulthood, change their last names to O’Malley and declare themselves a family. The first rule of the O’Malleys is family will always come first. (No, nothing to do with Fight Club. Not anywhere in the rules.)

So far this probably doesn’t sound like much of a romance series, right?

Well, as it turns out the O’Malleys have found themselves a wide and diverse set of careers to work in, the family includes a U.S. Marshal, a hostage negotiator, an EMT, a firefighter, a trauma counselor, a forensic pathologist and a pediatrician. With such a crazy line-up of careers, and the kinds of personalities that tend to get into such careers, the only logical thing to do is try and marry them all off, am I right?

At least, such is the premise of Dee Henderson’s six book series that explores this wacky and unusual family and exactly what it might take to get such people to the alter. There are a lot of things I like about the O’Malley series but probably the biggest is the way the characters look at each other. Most of the couples meet on the job – no matter how crazy the job is, what they do is never a source of tension in the relationship. Way, way too many romance stories try to treat work as this terrible, horrible thing that will only be a barrier between you and the one you love.

What Henderson does in her books is show how the O’Malley family have chosen their paths as a result of the burdens they bear from their time as orphans or abandoned children, a way to fight back against the wrongs they’ve seen and suffered and make the world a better place. What’s more, she shows how the people who come into the lives of the O’Malleys understand the choices they have made. These are not romantic interests with no connection to the callings the O’Malley’s have undertaken, these are romantic interests who understand those callings and share in them.

In point of fact, each and every one of the O’Malley books centers on a situation that demands the unique talents of one of the family. Solving those situations, whether it be the murder of a Federal judge or a string of arsons across the city, brings one member of the family closer to someone they know or meet and sparks of a relationship built not only on feelings but on shared purpose and the promise of a brighter future. At the same time, the O’Malley family itself is drawing closer together, dealing not only with the promise of better futures but the troubles of jobs that are not always forgiving and the specter of hard times in the distance.

That’s probably what I like the most about the stories – aside from the healthy dose of suspense and intrigue next to the romance. They have a healthy emotional equilibrium. While each story has heroes and villains, romance and filial love, they also balance these things against very difficult personal problems that the O’Malleys have to face when dealing with a world that needs professional firefighters and hostage negotiators.

In a way, the O’Malleys themselves embody what makes their stories so great. Their powerful bond exists only because each and every one of them was once without family or friends and they are grateful for it every day and work to make it a continued reality every moment. It’s a good background for romance – one we can all try to cultivate, whether we find romance there or not.