Every writer wants to write about writers. It’s a weird obsession we have. Stephen King has made a career of it (not entirely but a large part of it). As an author of thrillers Andrew Klavan has steered away from this cliché, at least in those books of his I have read, as most writers are not the athletic, rush towards danger, survive and thrive types. But, as a clever, scheming, determined author Klavan found a work around and, honestly, it’s a pretty simple one. Many thrillers just throw normal people into a situation where they have no idea what’s going on and are in mortal danger then let things unfold from there. Klavan uses the same formula in his new story Another Kingdom, except he’s replaced the normal person with an aspiring Hollywood writer.
Another Kingdom is an interesting experience, taking the form of an audiobook in podcast form, read by actor Michael J. Knowles with some decent sound design to add atmosphere. Knowles has a decent vocal range and the good judgement not to try and force himself too far out of his comfort zone to read the voices of some characters. His emotional range is a bit of a question mark as the story hasn’t pushed him in very many directions yet. He does do dazed and confused quite well, but he’s also an actor so there’s that.
There are three big mysteries in Another Kingdom. First, why does Austin Lively keep going from L.A. to a mysterious fantasy world? Second, who murdered the woman found dead at his feet on Austin’s first trip to said fantasy world? Third, why did Austin read a book by the title “Another Kingdom” that mentioned said fantasy world a few months before his trips there began?
We don’t get any of the answers to these questions quickly, which is to the story’s credit. Austin keeps flipping from our world to the other at least once a chapter so the answers to all questions are pursued at a similar rate, which is fast enough to satisfy but not so fast as to give us answers too easily. In short, waiting to find out what’s going on with Austin is pleasantly frustrating, which is what any good thriller author should want.
There are a number of scenes that caused me to raise eyebrows scattered throughout the tale so far, in particular a video call with Austin’s younger sister which doesn’t seem like it will be directly relevant to the story beyond generally expanding our understanding of Austin himself. These kinds of scenes are common in storytelling but rare in thrillers, which try to keep a very brisk pacing to keep audiences hooked. This has the unfortunate side effect of making every scene of this type look like it could be a hidden flag for something important later on. Such scenes can be distracting for some in the audience, myself included, as we try and place them in the grander scheme of things. Still, Klavan manages to make everything else interesting enough that our interest isn’t always drawn to a single out-of-place moment. And it is a problem more for authors than general audiences.
The best part of Another Kingdom is the sense of purpose everything has infused in it. Austin’s world weighs on him in a way that drives him always to the next thing, as if some greater destiny is calling him from point to point until he discovers the truth behind it all. Not a shy truth, reluctant to be known, but a truth that is calling to him, laying out every step, every clue in the hope he’ll discover it. Lending weight to that sense of destiny is Klavan’s excellent portrayal of the strange, emotionally taxing life of the average aspiring Hollywood artist giving a creditable, tangible, real point of reference amidst all the fantastic elements of Austin’s predicament.
Another Kingdom is not a fantasy story for everyone. It doesn’t have much in the way of magic or even well explored mechanics to it (at least so far). No time passes in one world when Austin is in the other, a strange take on the world crossing conceit, especially as Austin has vague memories of what he did in the other world before his first visit. This is such a point of confusion for him that I’m sure it will be addressed later, but this kind of obfuscation will undoubtedly frustrate some scifi fantasy connoisseurs. Likewise, the murder mystery premise, quite well trod in any number of genres, will probably be a turn off to some readers as well. But if that kind of thing does pique your interest and you don’t mind some harsh language and mild violence Another Kingdom might be a story for you.