Andre Blacklight in the Beacon’s Dark – Chapter Six

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By the time Andre finished his story Isobela had joined them, asking questions that forced him to go back and fill her in. Finally, after about an hour of back and forth he reached the end of the story. Once he was done the Maestro leaned back on the bench where he sat with an arm around his wife and sighed. “It’s a bad situation, Andre.”

“You should have told us about this sooner,” Isobela said.

“There wasn’t time to do anything about it before the performance started,” Andre protested.

“If you knew the girl they were looking for you should have told us as soon as you realized it.” When she saw his stricken expression she hastened to add, “Not to send the guards after her. I see no reason for that. But we could have discussed the situation and decided what to do if they came to us immediately; then you could have been more prepared tonight.”

“Perhaps,” the Maestro said. “Though there’s no telling what would have happened. Either way, it would have been better if you had told one of us the situation before it became so salient. But the damage is done. What will you do now?”

Andre flopped down on the locked money box in the corner of the caravan. “Does it matter? The guards already took Sophia and her mother, there’s not much I can do for them now.”

Mastroianni leaned forward, his expression severe. “What are you going to tell her father when he comes looking for her? It sounds like the other girl knows enough to look for Sophia here so at some point he’s going to drag that out of her. Then he’s going to come looking for her.”

Andre put his head down in his hands. “I don’t know. I’ve never met him and I’ve never had to tell someone the guards arrested their daughter and wife!”

“You can write him a script,” Isobela said. “Contrite, I think, with a dramatic recounting of their heroic attempt to escape.”

“You know I’ll forget it.”

“It will only be two people!”

“A hostile crowd is a hundred times worse than a large one,” the Maestro said. “You’re young, Andre, but you’re also a man grown. I won’t tell you what to do about it, though I suggest being respectful and regretful, but I can’t let them stay here. It would be different if the guards hadn’t already found half their party here. Now that they have it will be far harder for us to survive a second discovery without suspicion or worse falling on us. I can’t have that.”

Andre nodded, glum. He wasn’t surprised, although the plain fact of it still stung. “Then I’ll send them on their way if I see them.”

Mastroianni slapped his hands down on his thighs and said, “There are worse things to do, I suppose.”

His wife gave him a curious look. “What is that supposed to mean?”

“As I said, he made his own decision that created this problem,” the Maestro replied, pushing himself to his feet. “Now he must decide how to solve it.”

Ha crossed to Andre and gently but firmly pulled him to his feet. “I’ve searched for the right part for you for years, boy, but I have to admit I never thought you would choose to try improv.” The Maestro led him to the caravan’s door and paused there, studying Andre with a concerned look. “If you find it’s more than you can handle, that’s fine. Don’t do anything you’re not ready for. But if you are ready for it there’s no better time to try something new than right now. We don’t have another performance for a few days so you have some time and if you need something from the props or costumes make sure it’s back before the next show. Just let us know if you’ll be leaving camp. That’s all I ask.”

Their conversation done, Andre found himself crossing the camp with his thoughts awhirl. He wasn’t sure what had just happened. The Maestro clearly had some idea in mind, which annoyed Andre to no end both because Mastroianni hadn’t explained his idea and because he clearly expected Andre to do whatever it was regardless. It felt like he was just another actor for the Maestro to boss about on stage.

Ultimately there wasn’t much he could do about that either way in the middle of the night. So he slipped into his caravan, quietly made ready for bed and did his best to fall asleep. The results were mixed.

Andre didn’t remember the sun coming up the next morning so he assumed he must have fallen asleep at some point but from his overall exhaustion it couldn’t have been for more than a few hours. He dragged himself through the next day, mechanically going through the basic maintenance and cleaning tasks of a day without a show. He never saw sign of Belladonna. No strange man appeared and identified himself as Sophia’s father.

The next day he took Tullio and Gianni over to one of the city gates and they went busking, collecting a few coins from the people entering and exiting Fionni. Tullio played flute, like his mother taught him, while Gianni and Andre took turns tumbling. They did very well. By the time the sun was high overhead Andre had already emptied the coins from their collection basket twice. He was growing worried about the amount of money in their bag attracting attention. Finally, as things slowed to a crawl during lunch, he called for a stop and told the boys to run their takings back to the Maestro. Andre himself stayed by the gate, occasionally pulling a stunt or two for passersby.

With the sun directly overhead it was hot, tiring work and Andre eventually conjured a sheet a few poles to shelter under. He was in the process of sitting down on a convenient rock when he heard the coins in his basket jingle. Worried some urchin was trying to run off with them he spun around and snatched for the basket, scooping it off the ground with more effort than he’d expected.

A small but weighty bag sat in it, nestled among the loose coins. Andre looked up from his basket to find a short but remarkably wide man with absurdly curly hair studying him with keen eyes. He looked like the type of men Andre had seen in other troupes who specialized in lifting incredible weights or dealing with dangerous animals. His hands were scarred and calloused, the arms they were attached to as wide as Andre’s legs.

In contrast to his remarkable stature, the man was dressed in the most forgettable clothes imaginable. A long, reddish brown tunic. Dark brown hose and boots that rose to midcalf. Over it all a tanned leather apron with pockets below the waist and an unadorned cap.

The two of them stared at each other until Andre grew uncomfortable. “Signore del Rhodes, I presume?”

“And you are Andre the stagehand,” the man replied, crossing his arms across his chest. Andre briefly marvelled that they were long enough to reach. “I understand you did a kindness for my family and our guest. Don’t look around for her, please, she’s nearby and safe, which is as much as you need to know for the moment. You understand the power of a simple glance, don’t you?”

“Of course, signore.” Andre forced himself to casually put his basket back down and return to his seat on the rock. “Would you like a seat?”

A ghost of a smile appeared on the other man’s face. “No, thank you. I don’t get up as easily as I used to.” The amusement vanished. “Please, just call me Ragi for now. The Borgias know my name, though I doubt any of them have seen my face.”

“Of course.” Andre eyed the purse Ragi had thrown into his basket. “You’re a very generous man, signore.”

“Consider it gratitude, Andre. I know you took care of the girls a few days ago and I hope you can answer a question now.”

Andre looked down, suddenly interested in the rocks on the ground. “You hope I can tell you where two of the girls are now.”

Ragi nodded wordlessly.

“They came to me two days ago but the guards found them before I could do anything to help. I’m sorry.”

A soft, rumbling sound leaked from deep in Ragi’s chest, a mix of frustration and something Andre couldn’t quite place. “I worried as much when they didn’t come to our meeting place this morning. I take it they were found as soon as they arrived.”

“The same night, though they were there for a bit.”

“Then I know where they are at this point,” Ragi said, spinning on one heel and starting towards the city. “Thank you, Andre.”

“Wait, signore.” Andre reached into the basket, scooped up the weighty purse and held it out towards the other man. “I haven’t earned this.”

“There you’re wrong, signore. A few moment’s kindness may not seem like much but in Nerona these days it’s far rarer than gold.” 

Andre stared at the money in his hand, confused. The Maestro had made it sound like this was going to be a difficult conversation but so far, other than the lingering sense that he’d somehow let Sophia and her mother down, it had felt quite natural. Of course, Mastroianni had been wrong before and would likely be wrong again, as all men were from time to time. But a nagging intuition told Andre the Maestro wasn’t wrong this time.

“What will you do now, signore?”

“We must meet our ship,” Ragi said with a resigned shrug. “Then I must find my family.”

Andre took note of the change from ‘we’ to ‘I’ and drew the obvious conclusion. “A notion, signore.” He gestured for Ragi to join him under his shelter again so they wouldn’t have to speak quite so loudly to be heard. Once the other man did so he continued, “It will be difficult for your guest to pass the gate guards. They most likely have a sketch of her and they will examine every merchant’s daughter they see with extra care.”

“We will manage.”

“I’m sure you could,” Andre said with a placating gesture. “But even if you pass once, you and your family must pass through again, for it doesn’t sound like there will be a ship for you to leave on. So you will have to pass the gates twice.”

Something about Ragi’s expression told Andre the other man disagreed with that assessment but rather than bring it up he just asked, “What do you have in mind?”

Andre hefted the bag of coins and said, “What do you think of commissioning a private production, signore?”

Andre Blacklight in the Beacon’s Dark – Chapter Five

Previous Chapter

In point of fact, rather than overstaying its welcome the show felt like it flew by. Andre struggled to stay focused on the stage due to a constant need to count the guardsmen on the edge of the crowd and ensure they were all still there. Yet the constant back and forth kept him so wound up he barely noticed the time passing.

The distraction was not all upside. He nearly missed three major set changes and fumbled so badly during the dragon sequence Isobela singed his hair. By the end of the show he could tell the Maestro and his wife were not happy with him. At least he had a brief respite from their disapproval as they went out into the crowd afterwards.

Andre turned his full attention towards striking the set. With the sun fully set the stagehands struggled to get everything put away, scattering more blacklights than normal and still struggling to move the delicate scenery and props in the dark of night. After nearly an hour of tripping over half seen hillocks and invisible roots the work was done. He sent Tullio and Gianni to collect the lanterns, keeping one for himself, then went to find the Maestro.

Normally he would still be milling through the audience, basking in their attention and receiving any contributions they offered. That night there was no audience left. Between the late starting time and the difficulty in striking the set they hadn’t finished until long after the audience departed.

Well, most of the audience. Andre couldn’t help but note that the three guardsmen who accompanied the grim faced man were still loitering around the stage when he policed it. That told him their leader was still around somewhere as well. He flipped the shutter of his lantern full open and made his way towards the Maestro’s caravan, vigilant for signs of Mastroianni or the guardsman.

He heard them first.

“…though I am glad something good came out of it, Maestro,” the guardsman was saying. “What brought you to Oliviamonde, if I may ask? It wasn’t the kind of place to attract actors even before the siege, did you have another profession at the time?”

Andre froze and flipped the blacklight’s shutters closed, hesitating by the corner of the lumber wagon. He couldn’t see the other two men yet but the soft glow of a lantern was visible over top of the vehicle. The Maestro’s voice was quiet but carried enough to make out. “As you must have guessed, Captain Phillipe, I was a condottiere.”

“With the Blacklegs, then?”

A soft chuckle, followed by the sound of Mastroianni slapping his stomach. “Hard as it may be to believe now, yes. And you? Fionni is a long way from the mountains and I don’t recall any flags from the counties here abouts flying in the camps either. Did you march there with one of the other hireling companies?”

“No. Like the boy I was born there, though I did not see the siege myself. By then I was a bravo, guarding caravans to earn my keep, but when I heard the citadel was fallen I hurried back to see what there was to see.”

“Ah.” The Maestro’s voice turned melancholy. “Then you must have been disappointed.”

“The town had been sacked before,” the captain replied, his voice thickening a bit. “I’m sure I’ll live to see it sacked again. But it wasn’t a warm homecoming.”

The conversation was beginning to fade into the distance and Andre knew he’d need to move to keep up with it. A quick glance around the corner of the wagon told him they were headed towards the Maestro’s caravan, which wasn’t a surprise, but there was no way to follow them in inconspicuous fashion. He’d have to go another way.

Easy enough to do, the encampment’s layout was as familiar to him as the back of his own hand and the two men were moving at a leisurely pace. So Andre looped the lantern through his belt and took off at a run. The lumber wagon was near the edge of the camp so he doubled back and went along the outside of it, then darted from there to the musician’s caravan. He heard Tullio’s mother murmuring inside but ignored it. He slunk along the side and peeked past the corner to see the light of the Maestro’s lantern but not the man himself.

Another quick lunge put him behind the props caravan, a few seconds later he was behind the costume caravan. He paused to knock softly, hopefully on the wagon’s side. He hadn’t bothered to set up some kind of signal with Sophia and her mother but perhaps they would answer him. If they were still inside.

But there was no answer.

So he moved on, crouching behind the last wagon in line, across from the Maestro’s caravan. He could still hear the two men speaking, although he had missed part of the conversation as he scrambled through the damp grass outside the troupe’s encampment. “…glad you could come, although I’m afraid I can’t really help you,” the Maestro was saying. “People come to the theater to lose themselves.”

“Doesn’t that make you the natural person to help me find them again?”

“It’s a breach of trust, Captain. They come to us to be no one for a while, they come to us and make us someone. If we don’t honor that exchange we betray them and then, what are we? Nothing but impoverished itinerates living on the charity of others, good for nothing and despised by all.”

“The woman is in great danger, signore, and leaving her there is no favor to her.”

“You said she was in the company of friends.”

“I fear the danger may be greater than they are prepared for.”

“Captain Phillipe.” The Maestro’s voice shifted subtly. It became slightly less deep, more rough as the polish of his public persona lapsed just a bit and his true face showed through. “I recognize that instinct, and it’s a noble one. You see people who have abandoned civilization and taken to the wild roads and think you owe them something. Safety. A hand up. A shelter from the sun and rain. However, the world is more than these simple things. Stories teach us that if a person leaves them behind it must be for a reason. If this young woman you speak of left her family and home behind it must have been with purpose in mind. Who am I to judge her reasons? I cannot say whether the danger she faces or the purpose she pursues is more worthy of consideration. I can only tell you this.”

Andre crept along the side of the wagon and peeked out, wondering what Mastroianni was about to say. What he saw made him freeze before he got a chance to look at the two men.

The Maestro continued speaking. “If I find the woman in danger I will not hesitate to bring you to her. Otherwise, it is not my place to interfere.”

“I suppose I can’t ask for more than that.” A sloshing sound came from their direction. “Are you still interested in that drink?”

The Maestro laughed. “Am I still an actor? Come, my caravan is just down here, the one with the awning.”

Andre scrambled back behind the wagon. “Awning?” Phillipe asked. “What awning?”

It was an understandable question because the red awning on Mastroianni’s caravan was gone, most likely removed by Sophia at some point. What Andre couldn’t understand was why she would do so. Perhaps they’d chosen not to wait for the Maestro to come and taken it as a blanket to sleep under?

“That’s odd.” The Maestro sounded just as confused as Andre was. “Perhaps it blew down?”

“It hasn’t been windy,” the captain replied, his voice growing nearer at an alarming speed, his footsteps in the dew soaked grass creating a sinister hissing sound. “There may be a thief in your camp, Maestro.”

A sharp whistle split the night. A moment later, three answering whistles in the distance.

“Why would someone steal my awning?” Mastroianni asked, clearly skeptical of the captain’s diagnosis.

“It would be an excellent way to carry your money box without attracting attention, for one thing.” The captain’s voice turned thoughtful. “Or perhaps they have other uses for it.”

Andre got down on his hands and knees, then laid flat and peered under the wagon. It didn’t give him a very good view of what was happening but he could make out the broad strokes. The captain was walking back and forth, looking around the Maestro’s caravan, while the Maestro approached the door with his key in hand. “I don’t think so, Captain. The lock is still here and latched but we’ll check inside just to be sure.”

“Wise of you.” Instead of just waiting by the door for the Maestro to return, Captain Phillipe walked to one of the poles that had supported the awning and wiggled it experimentally. Then he set a clay bottle down in the grass, grabbed the pole with both hands and pulled, yanking it up out of the ground. He swept it back and forth through the air a few times and grunted once.

“Find something?” Mastroianni asked from somewhere inside.

“Not yet.”

To Andre’s horror the guardsman proceeded to kneel down until they were almost at eye level with one another. He only avoided detection because the guardsman was looking the other way, under the Maestro’s caravan. The captain extended the pole he was holding underneath the vehicle at ground level and suddenly snapped it upwards, hitting the underside of the floorboards with a sharp wooden crack.

“What was that?” The vehicle rattled as Mastroianni pounded towards the door.

Phillipe didn’t answer, instead rotating the pole forty five degrees and repeating his previous maneuver. This time the pole made a dull thud and a woman’s voice let out a muffled yelp. With a flash of motion a red bundle yanked itself out from under the caravan, pulled by a rope tied to the hitching tongue. The cloth unfolded and gently deposited Sophia and her mother on the ground, the latter rubbing her side ruefully, then spun around and enveloped the captain just as quickly.

Although he didn’t look surprised at the awning’s sudden appearance, Phillipe made no effort to dodge the fabric. He got to his feet before the cloth wound around him, the pole still in his hands, but that was all he had time for. Andre scrambled up and around the wagon. By the time he got past the end of it and ran towards the scene of the encounter, as if he’d come because of the noise, the three guardsmen he’d seen earlier were less than twenty feet away in the other direction, coming at a dead run.

Captain Phillipe had somehow unwrapped himself from the awning and was in the process of rewrapping it around the pole to keep it in place. From the way it bucked and jerked it was obvious Sophia was trying to keep him from doing so. She just couldn’t and the frustration on her face was obvious. Her mother was watching the guards approach with a resigned expression and when she put a hand on her daughter’s shoulder the cloth went still in the captain’s hands.

The Maestro stood in the caravan’s doorway, his lantern held aloft, studying the scene. “What’s going on here?”

“Maestro -”

“Not now, Andre.”

The captain gave him a look, as if waiting to see whether Andre would listen to Mastroianni or not. But once it was clear he had the floor, Phillipe said, “I think I’ve found your thieves, Maestro.”

After giving the two women a cursory once over the Maestro shrugged and said, “I suppose you have.”

Sophia opened her mouth to speak but closed it again when her mother squeezed her shoulder. Then the older woman said, “My name is Charissa de la Rhodes and I am no thief.”

“I am Captain Phillipe Borgia and I am not qualified to say whether you are or are not a thief. You will have to make your plea to the Magistrate.” He set the pole against the side of the caravan, leaned down, picked up his bottle and handed it to the Maestro. “Unfortunately, my duties prevent me from sharing that drink with you now, signore, but I hope you will enjoy it none the less.”

Mastroianni took the bottle, his face expressionless. “Of course.”

With a gesture from their captain the guards surrounded the two women and led them away. Andre tried to glean some meaningful look or gesture from them, letting him know that they still had some plan to slip away but no such fleeting contact came. As they vanished into the night and his spirits slumped the Maestro put a hand on his shoulder. “Now, Andre, perhaps you will tell me what is really going on here.”

“What makes you think I know what’s going on?”

The older man grabbed the front of Andre’s tunic and held it up, covered in dew and blades of grass. “This, among other things. Is it only coincidence that you were rolling around on the ground at the same time two women were hiding in a makeshift hammock under my caravan?”

“No, Maestro.”

“Then I suppose you have a story to tell me.”

So tell it Andre did.

Andre Blacklight in the Beacon’s Dark – Chapter Four

Previous Chapter

“Gianni, look at this,” Andre shouted, shaking his hammer at the stake by his feet.

The boy plodded around the growing stage, his shoulders slumped and his eyes rolling up towards the sky, clearly exasperated. “What is it now?”

“You barely drove this into the ground at all! Look at it.” The stake had fallen over on the ground, a spattering of dirt covering its bottom few inches. “Are you trying to break your mother’s neck?”

Heaving a sigh in the way only a twelve year old could, Gianni knelt down and grabbed the piece of wood, hefting it into place and shoving it back into the divot in the ground where it had been. Andre held it in place as the boy slammed his wooden mallet on it a few times. Once he was done Andre grabbed his shoulder to prevent his running off. “Now climb up on it.”

The stakes didn’t shake underfoot as Gianni dashed up them, not wavering even when he vaulted off the highest into a somersault. He was lighter than Isobela or Antonio but Andre was satisfied that this time they were deep enough in the ground to be safe for use. He nodded and said, “That’s good. Get back to what you were doing.”

As Andre went back to hammering the frame of the stage itself into shape Guiseppe met his eye, grinning. “You’re stricter with him than his own parents.”

“Someone has to be, or an oaf like you is likely to trip on the way up and knock his teeth out on the stage.”

Guiseppe laughed and started lifting planks up on top of the frame. Once everything was in place he headed off to get dressed for the evening’s show, leaving Andre to tie down the boards. It gave him a few minutes to look around at the growing crowd. The guards hadn’t shown up yet, which was some relief, and he hoped to catch sight of Sophia and Belladonna before the grim-faced captain and his men did.

However, he had no such luck. There was no sign of either group by the time the stage was finished and he was starting to run the set pieces up onto it. Although it wasn’t heavy, the scenery demanded much more of his attention to handle without damaging it and he had to stop searching the crowd. Gianni and Tullio, Antonio’s son, worked together to pass the pieces up onto the stage where Andre arranged them and lashed them to their braces.

It was difficult, sweaty work but they managed to knock it all out in half an hour. Andre took a moment to stretch once they were done, pleased with the work. Or at least that it was done. A glance to the horizon told him there was still an hour or so until the sun set, which meant they had plenty of time.

Normally, the Maestro’s version of Ulysses wanted to begin about this time. The waning sunlight made the transition from the story’s optimistic beginning to the threatening middle acts more dramatic, or so Mastraionni claimed. However, here the terrain and orientation of the stage made that unwise. The backdrop was almost full west and audiences generally dislike having the sun in their eyes. So the decision was made to push the starting time back until after dusk, which would be a mixed blessing. 

On the one hand, they had more time to attract an audience with music and acrobatics. On the other hand, travellers rarely stayed away from their possessions for very long after dark and, since Fionni was a walled city, that was about all the audience they could expect. Residents would be back inside the walls by the time they started.

Andre finished his stretching and dashed to the edge of the stage, diving hands first onto the step stakes and somersaulting off them onto the ground in a cartwheel. A smattering of applause came from the crowd but he ignored it. A couple of hand springs and he was far enough back to slip behind the scenery and dash off to check the props. Tullio nudged him as they unpacked the dragon. “You should have taken a bow, Andre, they like you.”

“They like seeing people jump around,” he replied, nudging the younger boy back. “That’s not the same thing.”

“Do people have to like you before you can take a bow?” Gianni asked, loading his arms up with half a dozen wooden swords.

“I don’t know,” Andre admitted. “I’ve never felt like taking one before.”

“You really are a strange one,” Tullio said. “I can’t wait until the Maestro lets me do more than carry props and play the flute.”

“No surprise there,” Andre said, brushing a stray puppet string off of his arm as he carefully extracted the dragon wings from storage. “You’ve been begging for attention since the day you were born.”

“How would you know?” The boy asked, feigning indignation. “You were only three then!”

“I’ve got an exceptional memory,” Andre said, grinning toothily.

“Then how come you couldn’t recite the opening narration when papi asked you?” Gianni asked.

“It gets worse for every person looking at me.” Andre passed one of the wings to Tullio and wrestled with the other, batting at strings that seemed to constantly wind up wrapped around a hand or arm in the least convenient fashion. Annoyed, he gave Gianni, who was standing right behind them, the stink eye. “We can’t get this out of here with you right there. Get a move on and get those things by the stage, we’ll be right behind you.”

Gianni rolled his eyes in the way only children of his age could but he did get out of the way. Tullio was right behind him. Finally free of the clinging strings Andre made to follow them, only to stop short when the threads slunk off towards the back of the caravan like shy, skinny little caterpillars.

He frowned.

“Tullio, did you lock the costume caravan next door?” Andre said when he rallied and caught up with the boy.

“Not yet. I wasn’t sure if everyone was done changing and setting their things. Do you want me to check?”

“No.” Andre tried to speak a little louder than was necessary without sounding strange. “I’ll come back and check on it in a minute.” 

He finished setting the props in record time then sent the younger two boys out to work the crowd. Hopefully that would distract the guards and anyone else looking from what was happening behind the stage, too. That done, he estimated he had about half an hour before he needed to be back for the beginning of the show. Keeping his head low, Andre slipped back into the troupe’s collection of wagons and caravans, headed for the one that held their costumes.

Like Tullio had said, the caravan was unlocked. After a quick glance around Andre climbed the stairs to the door and cracked it open. Small shutters on the roof of the caravan were propped open, filling the inside with dim but serviceable light.

He didn’t see anyone, which wasn’t surprising. By this point in the evening the whole cast should have already retrieved their garments and placed them in the small canvas changing tents by the back of the stage. However, even if there had been someone standing in the middle of the wagon it would have taken a moment to pick them out. Dozens of costumes hung from long rods on either side of the vehicle. Tunics, dresses, breeches and pantaloons of all colors and sizes, a riot of colors and shapes with only a few inches of space forming an aisle between them, more clothes than the average Neronan would wear in a lifetime.

There were also sixteen pairs of shoes and boots on the floor, which was one too many.

Closing the door behind him, Andre slipped down the narrow aisle between the racks until he reached the unfamiliar pair. Sophia looked up at him from between a velvet dress and a knight’s tabard. 

“I thought you sent me here because this was a good hiding spot,” she whispered.

He matched her tone, saying, “It is. So long as no one from the troupe is looking for you. Why did you come here? The guards have been everywhere looking for Belladonna and they have a drawing of her from somewhere. Half that crowd knows what she looks like!”

“I know that now but we didn’t see the drawings until half an hour ago.”

“What happened?”

Sophia packed a great deal of confusion and defeat into a single shrug. “A pair of guards found our camp and recognized her, what else? We split up. My father and Belladonna went one way, my mother and I came here.”

Confused, Andre glanced down the two or three feet to the caravan’s back wall, as if he could have somehow missed a person standing there. “Your mother?”

The tabard Sophia was standing beside convulsed and a woman’s head popped up through the collar. “Her mother.”

Andre jerked back and hit his head on the hanging rod on the other side of the aisle. Sophia snickered. He gave her a glare while rubbing the back of his head then said, “Don’t do that again.”

“So long as you remain courteous to my daughter I don’t think I will need to,” the woman replied. “Now. What are your intentions, Andre?”

“Mother!” Sophia looked aghast.

“Quiet.” Although the woman had the same cheery face as her daughter it was, for the moment, molded into something quite hard and determined. “From what they told me you helped Sophia and Bella avoid the guards once. Now you nudge us here when Sophia gets your attention. Why?”

For a brief second Andre considered lying but decided against it. “I don’t like guardsmen very much, signora.”

A flicker of confusion broke through her hardened visage. “You have issues with Citadel Fionni?”

“No. All guardsmen.”

“You can’t have visited every city in Nerona.”

“Give me a few years. An acting troupe travels a lot.”

The womenfolk exchanged an inscrutable look, some kind of message passing between them, then the lady said, “How far will this dislike take you?”

Andre bit his lip as he thought. “It’s not my troupe, signora, and while the Maestro isn’t one to turn away someone in need I’m not sure he’ll take you for such a person, either.”

“Oh?” Sophia gave him an impish look. “How can you be so sure we’re not ruffians then, Andre?”

“Ruffians do not mend clothes in exchange for help with laundry.”
“We could be very clean ruffians.”

“Those are called lords and ladies.”

The woman cleared her throat meaningfully, cutting off the exchange. “We are waiting for a ship to come into port tomorrow, the day after at latest. If you can help us stay out of sight until then we’d be grateful, if not, we understand.”

Andre sighed. The play began in twenty minutes, maybe less. There was no time to find the Maestro and explain the situation until after it was over so he would have to make a call, at least for the moment. “You can’t hide in this caravan very long. In two or three hours they’ll be bringing their costumes back after the show. The Maestro’s caravan has the red awning. Wait there and I’ll try to get him back to it as soon as I can so we can explain the situation. Unless you’d rather not take your chances with him. In that case, you can just leave. But there’s no way I can hide you here overnight without the troupe cooperating.”

“And they won’t unless the Maestro agrees to it?” She asked.

“As you say.”

“We’ll talk it over,” Sophia said.

“Good. Now, if you’ll excuse me I have to get backstage before I’m missed.”

By the time he left the costume caravan the troupe’s campsite was deserted. Everyone else was already at the stage, making last minute preparations, so Andre made no play at nonchalance and just ran for the stage at top speed. He arrived with a good ten minutes to spare.

“About time you showed up,” Tullio said as he got into position. “The Maestro was wondering where you were.”

“Something wrong?” Andre asked after catching his breath.

Tullio pointed around the right side of the stage saying, “That’s up to you.”

So Andre looked in that direction. The hard faced guardsman looked back at him, surrounded by three other men. “Wonderful,” Andre muttered. “Nothing wrong. Everything is wonderful.”

It was going to be a long show.

Andre Blacklight in the Beacon’s Dark – Chapter Three

Previous Chapter

Andre picked up his pace, ignoring the soft, distressed noise that Bella made, and briskly rolled his cart down the path towards the guards. The two men weren’t paying him much attention, far more interested in the stack of papers they were carrying. That suited Andre just fine. It wasn’t their attention he was interested in.

Yet he did have to clear his throat, breathing deeply through his nose as he tried to warm up his voice without making a lot of noise. It was a difficult task but one he felt he accomplished well enough. At the same time he conjured a tin bowl on top of the costumes in the cart. Once he was about twenty feet away from the guardsmen he opened his lips a few inches, holding them perfectly still and speaking into the bowl using his best impression of the Maestro’s commanding voice. “Hey there, lads, come and have a look at this!”

His voice hit the tin bowl and echoed off it, ringing and distorting as it echoed over the open ground. As soon as he was done speaking he let the bowl vanish and fixed his eyes on a man in the distance, close to the city walls, who was waving flies away from his face. The guards naturally looked around to try and find who had spoken to them. When they saw Andre paying no attention to them they naturally looked to see what had him so interested.

What they saw looked an awful lot like a man waving to get their attention, so off they went. Andre slowed to a stop and waited for the girls to catch up. When they did, Sophia was giggling under her breath, saying, “How did you do that?”

“That,” Andre said, “is stage magic. I can’t tell you how it’s done, the Maestro would have my hide.”

“You just said you weren’t cut out for the stage,” Bella objected. “You look like you can manage it just fine to me.”

“We’re not on stage.”

“Does that make a difference?” Sophia asked, nudging him towards a path on the left as they started moving again.

“A lot.”

“What’s wrong with actors?” Bella asked. “You’re a stagehand, shouldn’t you like them?”

“Spoken like someone who’s never met an actor in person.”

“I’ve met a few. Why don’t you like them?”

“I never said I didn’t, although they can be a bit much sometimes.”

“That’s our wagon, over there,” Sophia said, pointing to a sturdy, canvas covered cart with a tent beside it a few hundred feet away. “The problem’s the stage, right?”

“Essentially. My real issue is that the stage isn’t real.”

Bella stopped and gave him an incredulous look. “What is that supposed to mean? Everyone knows that plays aren’t real, that’s not the point of them.”

“That’s not what I mean.” He also came to a stop and thought for a moment. Then he reached down into the pile of costumes and rummaged around until he pulled out two coifs. One was made of knitted gray yarn. The other, shimmering steel links. He held both pieces of headgear up for the women to study. “Tell me, which one of these is real?”

Sophia immediately pointed at the metal coif. “That one, obviously.”

“You think so?” Andre tossed the conjured piece of chainmail towards the cart and let it dissolve to nothing along the way. Then he set the knit coif down on top of the other costumes. “How about now?”

“No surprise there,” Bella said, clearly unimpressed. “Why would a theater troupe spend so much on a real piece of armor when a facsimile will do? It was obviously a trick, just like acting is obviously not real.”

“No,” Andre said, “the obvious thing was bait. The trick comes once you take it.” He snapped his fingers and the conjured yarn also vanished back to whence it came and he started towards the campsite again. “That’s the thing about the stage. Everyone knows the actors are playing parts so they miss that the stories themselves aren’t real.”

The two girls exchanged a confused look then started after him. Sophia wrinkled her nose and said, “Okay, Andre, that feels meaningful but I’m not really getting what the meaning is.”

“In the story of Ulysses he slays a dragon, marries the princess of Lome and eventually inherits the throne.” Andre arched an eyebrow. “How many people do you know that are given a hero’s welcome after slaying a dragon?”

“But that’s because the dragon’s closest relative comes for revenge…” The younger girl trailed off as his point became clear.

Andre nodded at her, absently scratching at the side of his neck. “No one wants a dragon around, plundering their cities, devouring the livestock and sometimes even eating the people. They tell stories about how great it is to get rid of them. But anyone who actually goes out and slays the beast is treated as worse than a dragon themselves. They’re something that brings dragons. So they get thrown outside the walls – assuming they aren’t chained to them and left there as a peace offering to the vengeful wyrm who comes looking for them. That’s because the story isn’t real.”

To his surprise, Bella nodded along looking regretful. “Many stories smooth over the worst parts of the tale and praise the best parts until they’re unrecognizable. I never liked Ulysses and the Dragon for just that reason.” Her eyes flicked up at his hand then away, chagrined. “What dragon did you challenge, Andre?”

He whipped his hand away from his neck, flushing red. “None. The only dragon I’ve ever seen is a puppet.”

“I suppose that’s enough to tell you what’s fake about the story. Can you tell what’s true?”

“I didn’t say fake, just not real. Besides.” He drew himself up in mimicry of Bella’s formal posture and measured walk, so out of place among the people camped around Fionni’s outskirts. “Do you think everything playing pretend wants the truth about it spoken?”

“No, Andre,” Sophia said, her voice barely a whisper. “I don’t suppose they do.”

An awkward silence fell over them for the last few minutes it took to reach their campsite. As they approached the wagon a woman bustled out of the tent, wiping her hands on her apron. She looked almost identical to Sophia, save for a few gray hairs her daughter lacked. “There you are!” She exclaimed, giving each girl a peck on the cheek then grabbing Andre by his elbows and looking him over. “And you! You’re the one helping some poor girls clean up. Bless you! Will you stay for a moment? I’m sure we -”

“No signora, I have to get back to my people before I’m missed. We have a tight schedule to keep, I’m afraid.”

Her look of genuine disappointment caused him a pang of guilt. “Are you sure?”

“Yes, mother,” Sophia said, gently putting a hand on the woman’s arm. “Andre’s troupe is staging a play this evening and I’m sure there’s a lot he has to do before that.”

Her mother was no fool and clearly understood there was more to it than that but she didn’t press the issue. “Very well, then. Perhaps we’ll stop by to see the show.”

“Let me know if you want to meet the Maestro afterwards,” Andre said. “I’m sure I can arrange it. If you don’t see me just look for one of the other stage hands and ask them to find me. We’re the ones in brown.”

It took a good twenty minutes to work his way back around the outside of the city to where he’d left the troupe. The roads were filling with people as midday approached. He also spotted more and more of the city guards moving about, asking questions and occasionally running a person to the ground. Andre also noticed more than one of them showing a piece of parchment to those they were talking to.

Very strange behavior. It was almost strange enough to take his mind off the two strange girls he’d met. Almost.

When he wasn’t avoiding eye contact with the guards or maneuvering his cart around other people on the road he wondered why Sophia had come down to the ocean that day. She couldn’t have known she’d meet someone doing laundry there. Was she just looking for the ship she said her family was waiting for? Or perhaps she wanted to get her cousin away from the guards milling about the walls that morning. A beautiful but unmarried woman couldn’t be too careful, after all, and more than one guard had taken advantage of such women before.

With such wonderful thoughts rattling around his head he finally arrived back at the caravan. Almost at once he heard Isobela’s voice rising over the general bustle. “Andre!” She called. “There you are, come here at once!”

Confused, his head swiveled about until he spotted her by the caravan she shared with the Maestro, waving for his attention. He hefted the cart’s handles a bit higher and started in her direction at a jog. “Never mind that.” Annoyed, she mimed setting something down. “Leave it and come over here!”

A towering man in a feathered hat stepped around the side of the caravan. He was dressed in the now familiar colors of a Fionni guardsman, although his coat and hat were of a much better quality than any Andre had seen so far. The man had a hard, weathered face that looked permanently annoyed. “No need to hurry him, signora,” he said. He glanced from her to Andre and back again. “This is your other son?”

“No, signore,” Andre said, setting the cart down as he drew near. “Though the Maestro and his family have cared for me well since taking me in.”

“Andre…” Isobela gave him a disapproving look.

The guard nodded his understanding and he produced a thin plank of wood with a stack of parchment atop it in one hand and a stick of charcoal in the other. “Your name’s Andre then?”

“Yes, sir.”

“Age?”

“About sixteen, sir.”

“Place of birth?”

“Olivamonde, sir.”

He paused in his writing and looked up. Andre whipped his hand away from his neck, annoyed that he’d been caught scratching twice in just an hour. An arm wrapped gently around his and Isobela leaned against his side, keeping him from reaching up there a third time. The guardsman pursed his lips, clearly curious, but didn’t comment on it.

Instead he finished writing whatever he was writing and said, “You and your husband did a good thing, signora. You’re a very lucky man, Andre.”

“As you say, sir.”

“Did you go anywhere in particular this morning?”

“Just down to the gulf beaches, sir.”

“That’s not the direction you came from.”

There was no reason not to tell him that he’d walked a couple of girls back to their campsite along the way. Except for the fact that he didn’t want to. “On the way back I bought some thread, sir. Some of our costumes need mending.”

The guardsman just grunted and put his charcoal stick away. “Did you meet anyone along the way?”

“I saw a lot of people, sir. It feels like half of Nerona is on their way to Fionni today.”

“That’s true most days.” He plucked a parchment off the bottom of his stack and held it out for Andre to look at. “Let me be more specific. Did you meet this person?”

“No, sir.”

“Well, if you do let a guardsman know. Thank you for being so cooperative, signora, I look forward to your show tonight. I’ve always enjoyed Ulysses and the Dragon.” The guard turned and walked out of the troupe’s camp at a measured pace, a few other guardsmen falling in behind him as he went.

Andre watched him go, wondering what it was all about. The charcoal sketch on the parchment he’d seen wasn’t great art, in fact it was badly smudged in places, but it was still perfectly recognizable as Bella. He couldn’t begin to guess why they were looking for her, though.

Whatever the reason, he found himself hoping Sophia and her cousin didn’t come to that night’s show after all.

Andre Blacklight in the Beacon’s Dark – Chapter Two

Previous Chapter

With the ocean on one side of the city and the gulf on the other there was not a lot of open land outside of Fionni on those sides. Add in how far out on the peninsula it was and there wasn’t a lot of fresh water available outside the city walls, either. There were a couple of wells in the highlands where the local herders watered their flocks but they were crowded and busy from dawn til dusk. Getting fresh water without paying the outrageous gate toll to enter the city was difficult to say the least.

However Andre had a work around for that, at least to some extent.

So the next morning he went down to the gulf beaches with a cart full of the troupe’s costumes. After an hour of hard scrubbing in conjured water he had the clothes back to a fresh state, ready for the next show that evening. Satisfied he finally dumped the water out of the tub and let it vanish.

It had only been a dozen gallons or so but keeping anything in existence for so long took a toll on him, creating a knot of exhaustion in the space between his eyes akin to a muscle cramp in his Gift. He rubbed at the bridge of his nose with wrinkled fingers. Not for the first time he wondered how his hands could stay clammy and shriveled when the water that had saturated them had returned to nothing.

“That’s a neat trick.” Andre paused in the middle of folding the costumes, glancing up the rocky shore to find a short woman, possibly still a girl, crouching on the rocks and watching him. She waved a greeting. “Not only can you clean your clothes, they dry immediately, too.”

With a nimble leap she dropped down to the sand and gravel along the shoreline, grinning as she approached. She wore a pale blue apron over a yellow tunic and breeches with deep blue slashes. Her worn leather boots and gloves spoke of someone who had been on the road for some time, though the material of her clothes suggested she was wealthier than the average Neronan pilgrim. Though not quite as wealthy as a true noble or leading merchant.

Andre finished with the tunic he was holding and set it aside, saying, “It’s not the best way to keep things clean but it’s better than anything else we’ve got out here.”

“I’ve never heard of a conjuror who makes liquid,” she said, giving Andre a curious look. “Is it rare?”

“There isn’t a lot of point to it most of the time. Conjured things taste like ash and they don’t fill you up, or at least not for very long, since they vanish when you fall asleep at the very latest. So it’s not like drinking something I conjured would do anyone any good.” Andre fished through the laundry until he found Giuseppe’s torn pantaloons and grabbed needle and thread out of the cart. “I only worked at it because we have a young flame hand in our troupe.”

“Sounds like pretty strong motivation.” The girl considered the pants he was fumbling with. “What do you say to a trade?”

He hesitated in the process of trying to thread a needle. “I’m sorry?”

“I am Sophia Ravel,” the girl said, plucking a different roll of thread out of Andre’s sewing kit and holding it up between two fingers. The thread unraveled itself and spun through the air around her arm like a living thing. “My family had been on the road for almost two weeks without a chance to attend to the washing and now that we’re expecting to stay here for a few days there’s no fresh water to do it with.”

Andre raised an eyebrow and stuck a finger through the hole in the pant leg. “So I make water for your clothes and you reravel ours?”

“You won’t even be able to see where the rip was at,” Sophia said, looking quite proud of herself. “Not a bad deal if I say so myself.”

Andre looked down at the damaged garment. It wasn’t like the Maestro would be upset if he got someone else to help him keep the troupe’s wardrobe from falling apart. Conjuring water wasn’t particularly difficult. The hardest part was keeping the picture of it in his mind for a long period of time to keep it real and he’d become quite adept at that over the last month. “How much laundry do you need to do?”

“A dress, a few cloaks and tunics. Maybe a scapular?” She paused to count things on her fingers. “Yes, I think that’s all.”

“Well, go get it. I’ll pull out everything that needs mending.”

In the ten minutes it took Sophia to get back Andre managed to fold his washing, setting aside a handful of items that needed bits of mending. He guessed they would take a raveller less than a minute per garment to fix. He was going to be keeping the water conjured for at least twenty minutes so he figured she was still getting the better deal.

When the girl returned she wasn’t alone. Andre wasn’t terribly surprised at that, most self respecting Neronan women wouldn’t spend much time around a strange man alone. He wasn’t expecting Sophia to come back in the company of another girl roughly her age.

She was a little taller than Sophia and filled out her long blue dress a bit more so he assumed the new girl was the elder of the two. Her hair was a shade darker and she walked with a poise that the younger girl hadn’t developed yet but otherwise they looked very similar. Andre guessed they were cousins.

They carried a small basket of laundry between them.

The older girl gave Andre a skeptical once over as they approached and asked, “Are you the conjuror?”

“That’s me.” Andre tipped his cap to her. “Andre Stagehand at your service.”

“Belladonna.” Her lips twitched into a flat, unimpressed line then she dismissed him with a twitch of her nose and returned her attention to the other girl. “Where are we going to hang this to dry, Sophia?”

“You’ll see, Bella, you’ll see,” her cousin replied gleefully.

They dumped their load into his tub and he conjured water in it, letting the water appear in his palms, trickle down his fingers and soak into their laundry. Bella watched the tub fill up. “Is it harder to conjure liquids?” She asked after a minute of watching the water level rise. “I’ve seen conjurors make whole planks in a couple of seconds.”

“Depends on what you mean by harder,” Andre replied. “I have to picture what I’m conjuring when I bring it here and I’ve always found picturing water in my hands harder to get right than a piece of wood. On the other hand once it’s here it’s easier to keep a bucket full of water conjured than it is the same amount of wood, rocks or cloth.”

Sophia peered at the block of white, waxy stuff she’d brought with the clothes. “Can you make soap, too?”

“I can make something that looks like soap but it doesn’t clean like soap should. I’ve only tried it once or twice, though.”

Bella raised an eyebrow. “But you could make soap that cleans? If you practiced?”

“I don’t see why I couldn’t. I can make oil that burns or greases wheels, I think I could get soap right if I worked at it enough.”

“You can burn something you conjured?” Sophia asked, looking astonished. “Does that hurt?”

“No. Conjured things fade back to where they came from eventually, it doesn’t matter if they’re wood or ash when they do.”

Bella chewed her lower lip thoughtfully as she helped her cousin with the laundry. Andre couldn’t help noticing Sophia was a lot better than her at it. “How complicated a thing can you make? Could you conjure a whole wagon with working wheels? Or… a door with hinges?”

“A wagon is too big for me right now. Maybe ever. Large objects have never been my forte although I’ve tried once or twice. I can conjure a helmet with a visor so a door with hinges wouldn’t be too hard, although I’d probably have to spend a little time getting familiar with a set of hinges first.”

“That makes sense,” Sophia said, shooting the other girl a strange look. “I had to spend a while learning stitches before I could ravel much of anything.”

Andre glanced at her unusual choice in clothes then the stuff they were washing, all of which looked like better quality stuff than the typical Neronan traveller owned. “Did you make all this yourself?”

She glowed with pride. “Most of it. My father is a merchant and I’m hoping he can set me up as a seamstress in another few years.”

“You have an eye for it.” He glanced at Bella. “What about you?”

“Sophia is the one with ambitions,” she replied, looking ambivalent as she answered, “and I’m sure I’ll help her along the way. I’m destined to be much more normal.”

“She’s going to get married next year,” Sophia faux whispered to him. “She doesn’t like to talk about it because I get jealous.”

“You fancy him for yourself?”

She just heaved a massive sigh and fluttered her eyes dreamily. Bella gave her a playful shove then gestured at the tub, saying, “We need to rinse this out.”

Andre placed a grate over the top then said, “Help me dump this.”

Bella’s eyebrows shot up as the water drained out and vanished, leaving behind dry but soap stained clothing. A couple of cycles of fresh water to rinse off the remaining soap left them with perfectly dry clothing. “Impressive,” she murmured, holding up a dress and studying it with a keen eye. “As scarce as water is out here you could make a living off this, don’t you think?”

“I don’t believe there’s as much market for it as you might think,” Andre said, giving her a skeptical look as he handed the stack of costumes needing mending to Sophia.

“She likes to be clean,” the girl told him as she took them off his hands.

“I understand the impulse. Actors are the same way.” 

Bella wrinkled her nose, clearly unhappy with the thought of being compared to an actor, but he didn’t pay it much attention. More interesting was Sophia’s work.

She touched each garment lightly and they twitched, the fibers wriggling under the influence of her Gift, giving them a surreal look. Then she pawed through his rolls of thread, selecting a few, setting the rest aside. The loose thread took on a life of its own under her fingers, leaping up and darting along frayed hems or weaving through tears, mending damage in the blink of an eye. It took them twenty five minutes to wash her laundry. She repaired a half a dozen worn and ripped pieces of clothing in less than five.

“Impressive work,” he admitted, looking over each of the costume pieces and deciding he’d made the right call, letting her fix them. It was hard to tell they’d been damaged at all. “The Maestro will appreciate it as well. We’re moving the stage to the south side of the city and we’ll be hosting another performance tonight, if you want to see your handiwork atop the boards.”

“Oooh!” Sophia squealed as she grabbed Bella’s arm, hopping in excitement. “What is your show?”

“It’s Ulysses and the Dragon,” Bella said, subtly working her arm around the other girl’s waist to restrain her enthusiasm.

Andre raised an eyebrow at her as he folded and stacked his costumes. “You’ve seen our performance already?”

“You have a cloak with a gorgon head embroidered on it. That’s Ulysses’ coat of arms. It wasn’t hard to guess from that.”

“I suppose.” He hefted the handles of his cart and glanced about as the women collected their own basket. “Which way are you ladies headed?”

“We can make our own way back,” Bella assured him.

“The Maestro would have my head if I let you,” Andre replied, firm in his conviction that Mastroianni would do just that. “Besides, you’ve already saved me a few hours of work today so I might as well spend a few minutes of them seeing you back to your family. Merchants are usually near the south gate, yes?”

“Only if they’re waiting for a ship to make port,” Sophia replied. “We’re camped by the south gate, near the canals.”

“Of course.” Andre turned his steps that way.

“You know an awful lot about merchants for a stagehand, Andre,” Bella said.

He looked at her sideways, his skin suddenly prickling. Her voice suddenly had the smooth, almost singsong cadence Isobela affected when delivering a speech. “The theater touches on all walks of life. Besides, knowing where the well off camp means knowing where the audience can give us more than just applause.”

“I suppose.” Her voice went back to normal immediately.

“Do you enjoy being a stagehand?” Sophia asked, gaze full of curiosity. “You must get to meet so many interesting people, with how much you travel.”

“Stagehands don’t do most of the meeting, which suits me fine,” Andre said. “I’m not cut out for the stage.”

“Why not?”

He opened his mouth, about to give a flippant answer, then paused. There were a lot of reasons but he wasn’t sure how to get them out of his brain in a way that made sense. He’d tried explaining it to the Maestro and his wife more than once. He even suspected Mastroianni understood him, although more because the Maestro was a keen student of people than because of anything Andre said to him. For her part, Isobela had never gotten it.

Still, he didn’t want to just brush off Sophia’s question.

Sophia lightly cleared her throat, jolting Andre out of his wool gathering. He thought she was growing impatient. Then he saw that her gaze was fixed on something in the middle distance and he followed her line of sight to a pair of men in the colors of Fionni’s guardsmen. A strange warmth washed over him.

Leaning towards the girls he dropped his voice to a low whisper and said, “Watch this.”

Andre Blacklight in the Beacon’s Dark – Chapter One

“Andre! My pantaloons!”

Annoyed, Andre finished fastening Giuseppe’s fur lined cloak in place and whispered, “What about them?”

“They snagged on the back of the carriage set,” the older boy hissed. “Check them.”

“Where?”

Guiseppe gestured at the back of his left knee and Andre twisted about, trying to get a good look at the fabric of the actor’s tights without falling off the narrow platform behind the set. It took a few seconds to get a good look at it. There was a small rip there so Andre focused for a moment and conjured a small wooden clothespin into existence with his Gift. Then he folded the cloth over to hide the rip and pinned it shut. Then he tucked the pin into the back of Guiseppe’s knee high boots and readjusted his cloak so it fell naturally again. “There. It will hold until the end of this scene.”

The actor wasn’t paying attention to him. His focus was on the stage, where Maestro Mastroianni was finishing a wistful song as the other two stage hands bustled about in cloaks, posing as passers-by while clearing the stage. “Hurry,” Guiseppe whispered. “You’re going to miss your next cue.”

Since he was running late because of the actor’s carelessness Andre wasn’t exactly grateful for the older boy’s warning. Still, it was true. Andre took two long strides down the platform and launched himself off it. Stakes of varying heights were driven into the ground as makeshift stairs but he ignored all but two of them, briefly resting the balls of his feet on the four inch square pieces of wood while his weight tipped forward. 

He rolled into a somersault and vaulted forward with the added speed to reach his next spot just as Isobella started to move her giant puppet into position. Andre slipped in front of her and grabbed hold of the paper jaws of the dragon. Together they carefully slipped the puppet’s face through an opening in the canvas backdrop that hid them from view but let the dragon’s torso sized head show to the audience.

At first the crowd just made a quiet murmur. In truth, the puppet wasn’t much to look at, there were other acting troupes that had more impressive props to use in the story of Ulysses and the Dragon. But the prop wasn’t what made their version special.

As Isobella worked the puppet’s jaws and Antonio’s basso profundo voice spoke its lines Andre closed his eyes and focused on his own gift. In his experience, the most difficult part of conjuring something from nothing was keeping a picture of the something in his mind. If you didn’t know what a thing looked like it was hard to keep the nothing from drifting off in smoke. Fortunately, for this story smoke was exactly what he needed.

So Andre held his hands out, palms up, and conjured smoke into the jaws of the dragon, letting the foul, acrid substance drift out in sinister fashion as Antonio, speaking in a voice more musical than draconic, pronounced doom on Ulysses and all Lome with him. The Maestro, speaking as Ulysses, launched into an impassioned speech. He spoke of duty. Of loyalty. Of the heart beating in every man’s breast that told them to resist famine, violence and death with every moment of their lives.

The crowd roared their approval at his words. They booed the dragon as he laughed at Ulysses’ resolve. Andre conjured nothing and let it drift away in smoke.

Finally, Ulysses finished his defiant speech and Antonio grabbed a long, thin sheet of metal he shook to make the dragon’s booming roar. Andre stopped his conjuring and grabbed the puppet from Isobella. She quickly stepped back from the paper puppet and canvas backdrop, raised her hands to the sky and threw a bolt of blazing fire towards the stars. The crowd oohed and aahed in appreciation. Having a flamehand or fireheart show the dragon’s rage was a common enough conceit among actors but it never failed to please the crowds, no matter how many times they might have seen it.

Andre tried not to let it bother him. Conjuring flame was more impressive than conjuring smoke, after all. It was just that normal conjurors couldn’t do it without burning themselves in the process and throwing it was out of the question.

Isobella’s display was the Maestro’s cue. The sequence had played out so many times that Andre could picture it now in his mind’s eye even with the backdrop between him and the action on stage. Mastroianni would call his men to follow him to battle then turn towards the back of the stage. Then, instead of running towards the curtain that led to the stair stakes he would drop down into a squat, weight perfectly balanced over his heels, and leap. A perfect, arcing trajectory would take him up a good three feet over the top of the backdrop and down to the ground behind the stage.

As the Maestro leapt, Andre handed the puppet off to Antonio, then gripped his hands together with the palms inwards and began to conjure again. When the Maestro landed on the ground with a soft thud, Andre and Isobella threw their hands upwards towards the sky in unison, a blast of flame and smoke exploding from them with a sharp crack.

The crowd whooped in delight.

Giuseppe and the Maestro ran back and forth holding large wooden swords up so they cast shadows on the backdrop when the flashes of flame illuminated them. Antonio moved the dragon puppet towards them from the other side. They went through a carefully choreographed dance that told of Ulysses’ battle against the dragon entirely through smoke, flame and shadow while the pipers played a rousing tune. The crowd’s delight continued.

Finally the dragon was pierced by Ulysses’ blade, its shadow lit by a few dying flames springing from Isobella’s fingertips, as Andre sent columns of black smoke drifting off into the air. The Maestro, Giuseppe and Antonio – going on as the King of Lome – marched triumphantly on stage for the closing scene.

Isobella moved to the side of the stage while Andre grabbed the Lady of Verdemond’s veil and brought it to her. She swiftly wrapped the lace around her head, favored him with a bright smile and said, “Good work tonight, Andre.”

“You’ll have them on their feet, Signora.” He passed her a crown of laurels so she could reward Ulysses and held the backdrop aside as she swept out onto the stage to a rousing fanfare.

As he predicted, the audience leapt to their feet with raucous cheers. The Maestro bowed his head and his wife placed the crown upon his head, bringing Ulysses’ story to an end.

The crowd applauded and stamped their feet. The Maestro and his cast basked in their adulation. Andre collected the blacklights scattered behind the stage and clamped the shutters on the lanterns closed. The noise of the crowd faded as they began to drift away into the gathering dusk. A handful of the more curious souls lingered around the platform and the Maestro climbed down to mingle with them, Isobella dutifully at his side.

Andre and the other two stagehands began breaking down the more delicate parts of the set while Giuseppe and Antonio collected props. Inside of ten minutes the backdrop, props and set dressing were packed away in boxes. The blacklights were reopened to hold back the dusk and the boxes were carried to one of the caravans and packed away. The platform and stakes would be taken in the next morning.

As Andre did a final check of the platform, shining the reflected rays of his lantern about for anything he might have missed, the Maestro found him and clapped him on the shoulder. “Not a bad show, Andre.”

“Thank you, signore. You were inspiring as always.”

“Was I?” The Maestro’s voice took on a teasing tone. “If this is what you sound like when you are inspired I fear the day you become apathetic.  Your voice will leave you entirely.”

Andre considered trying to force cheer into his voice but doubted it was worth the effort. And it’s not like he could fool an actor with the Maestro’s skills anyway. “Sorry, sir. You know how it is.”

Mastroianni snorted, as if he couldn’t conceive of a person who didn’t feel the thrill of the theater. “We need to find a part that suits you, Andre,” he said, turning to stare out at the open field around their little stage. “There has to be one out there somewhere.”

“I’m not a performer, Maestro.” Andre scratched absently at the side of his neck. “At least as a stagehand the audience doesn’t have to suffer for my lack of inspiration.”

“Stagehand is just another part to play, Andre,” the Maestro replied, hands folded behind his back as he thoughtfully strutted about the perimeter of the stage. “You’re passable at it. But the troupe isn’t so well off we can afford to have merely passable players in any of our roles. We can find something you’re better at, Andre. You’re fit to be one of our best players. I’ve known it since I first discovered you.”

“I was less than a year old then,” Andre pointed out. “And you hadn’t even formed the troupe at the time.”

The Maestro spun to give him a look, his expression unreadable in the gloom of night. Just as the silence turned uncomfortable he chuckled and said, “You’ll understand it in time, Andre, that I am certain of. The rest of this can wait ‘til morning. Get some sleep.”

“Yes, Maestro.”

He closed the shutters on his blacklight and picked his way back towards his caravan by the light of the rising moon. It waned crescent overhead, giving just enough light to walk by if one felt like taking a risk. Andre rarely felt like taking such risks but whenever the Maestro spoke about his taking a role in front of the crowd such a mood fell upon him.

The truth was that he didn’t care much for the theater. Half a day ago there had been nothing in the open field where they performed and by mid morning the following day things would be returned to that state. What meaning would anything they’d done in that tiny window of time really have? Sometimes Andre wondered if the world would really care about anything he did at all. If he fell in the dark and broke his neck did it really make any difference compared to how things would unfold if he did not?

In the face of such difficult questions, what did a few people making empty speeches on temporary stages have to say, really?

When he raised those questions to the Maestro the actor just laughed and told Andre he simply hadn’t found a stage big enough to perform on yet. Andre wasn’t certain such a place existed.

As he climbed the steps up into the stagehand’s caravan the light atop the tower that stood over Citadel Fionni sprang to life. It illuminated the waters of the Gulf of Lum on one side of the great city and the Adriatic Ocean on the other, warning ships that drifted too close to the city on either side. It also shed a warm light on the city spreading to both sides of the narrow peninsula. 

It illuminated the fortress at the heart of the city’s streets. And unknown to Andre – or the Maestro – the light hid the stage he had spent his whole life looking for.

Make Courage Your Flag

The sun beat down mercilessly on Benicio’s head. The heat cut through his hair like scissors, boring deeply into his scalp and turning his dark green tunic into a broiling oven that sapped the strength from his bones. Worse, the dark brown stones of the surrounding canyon soaked in the sun and blasted it back up at him. He could feel it through the wooden soles of his boots. Even with his head down he could feel the heat turning his face bright red.

The air swam with the all consuming rays from on high, giving the world a surreal quality that brought time to a crawl. He’d fled Cezanne as the morning tides came in. Now the sun was directly overhead and it felt like it had been there for the last month.

A voice inside Benicio told him this was an omen. He’d watched Marcello die when the raiders burst from their boat, swarming over the docks and storming into Cezanne. Now his own time was coming. The King of Dreams had parted the veil and he was seeing into Eternity. If the slowly oozing wound where his right arm had been didn’t kill him soon, the desert would.

After all, where else was there to go? The only thing back the way he’d come was Cezanne and he didn’t dare go back to face the bandits again. There was little but rock and desert between his home town and the Fortress Antigone on the border with the Shamsaraj. It was eight miles as the crow flies. Longer through the canyons on foot. It was possible to cross the desert directly if you had a compass and enough water prepared but Benicio had neither.

Weary and confused, he came to a stop under the shadow of a bend in the canyon. A small pile of scree offered a comfortable enough seat for him to wait for the end. He collapsed there and looked at what used to be his right hand. Now it was just a stump, sloppily tied off with a dirty scarf, occasionally dripping dull red blood on the dirty ground. He grabbed one end of the cloth with his teeth and yanked it tighter with his remaining hand.

He wasn’t sure why. It just seemed like the thing to do.

Half a skin of water still hung from his hip, a ration meant to last him the whole morning on the docks. Out here it meant very little. Benicio was always shocked, when he left Cezanne, how quickly the land northeast of the river mouth turned to desert. Almost as quickly as it could claim a life.

For a moment visions of the Adriatic swam before his eyes. An endless expanse of water to slake his burning thirst, except none of it fit to drink.

Another omen.

Benicio’s thoughts were growing more and more scattered and he knew that wasn’t good. He just didn’t know what to do about it. Finally he bit into the cork that sealed his water skin, pulled it out and spat it to one side. Then he tipped back the container, sucked the water down until it was gone and cast it aside with a feeble motion.

For a time all around him was still. Then a distant, breathy voice drifted down the stone path to him.

“Ho there, my suffering friend. What brings you out here to my place of torment? Have you been condemned by Iram as well?”

In his fevered state Benicio wasn’t sure what he heard was real. Iram was the closest city on the Shamsaraj side of the border and he’d heard its name often enough but there was no way he could have traveled anywhere near it under his own power. Not even if he was healthy.

“Who?” He asked the canyon. But the canyon had no answer for him. Convinced he was hearing things Benicio forced himself to his feet once more, this time leaning against the rock wall for support.

“There’s not much breath in you, my friend.” The voice made itself known over the faint ringing in his ears. Perhaps it was louder than he’d thought. “But I cannot say that I am much better. Come this way. If two doomed men must pass our last hours in this forsaken place let us at least have one another’s company.”

“Where are you?”

“Walk forward and I will lead you. Which side of the canyon are you on?”

“The left.” Benicio groped his way forward, pulling with his good arm as much as walking with his feet.

“You will need to cross to the other side.”

Benicio glanced down at the stump of his arm. “I can’t reach you that way.”

“If you don’t you’re liable to miss the turn in your state.”

“I won’t miss it.”

But he almost did. He walked no more than the length of a short street along the docks but every step was a battle. His heart stuttered. His arm throbbed. When he stepped out from under the overhang the sun felt like fire on his back. Finally he arrived in a slightly wider part of the canyon.

A ragged, twiggy tree lay at the bottom of the canyon surrounded by dirt, rocks and scree. The collapsed canyonside around it bore mute testimony to what happened there. The arm, shoulders and head of a Shamsa man poked out from under the rubble, buried by stone and wood but still somehow alive. He was so caked in dirt and filth that Benicio could tell little about him other than that he had a beard. The remains of a turban were tangled in some branches near his head. “Hello, friend.” He moved one arm in a crude imitation of hospitable welcome. “I, Yavid of the Gale, welcome you to our final rest. Avail yourself of the full mercies of our most gracious hosts, the Earth, from which man is made, and the Sky, to which I hope to return.”

Benicio dropped himself onto the ground without grace or comfort. The stones nearby trembled slightly at his impact. “I’m Benicio Blowhard and I’m not staying here.”

Yavid gave a coughing laugh. “No? It is miles from here to the closest city of man and further to Iram.”

“What else is there to do?”

The stranger made a dismissive motion. “You are in no shape to walk, friend Blowhard, and you would not make the trip if you could.”

“Why do you think that?”

“Because you are here with me.”

“You don’t know why that is.”

For the first time Yavid lifted his head, levered his weight against the tree and rocks around him, and looked Benicio in the eye. “You are wrong. I do know.”

Benicio stared back, unimpressed. The Shamsa’s face was every bit as dusty as the rest of him and his eyes swam in their sockets, unable to focus. “Then tell me.”

“You. Ran.” The boy recoiled, shocked at the scorn in the stranger’s voice. “You showed the world your cowardice and ran in fear. Your fear was justified but running was not. You made living your goal and it brought you here, to die with me. How pitiable.”

Benicio swayed, dizzy, and nearly tumbled down into a heap. “How- How did you know?”

Yavid slowly slumped back down into the position he’d been in when they met. “Because when two beings seek the same goal then it is only natural that their paths will cross.”

“Oh.” For a long moment he just stared at the creature buried in the rubble and, just like Yavid, he felt profound pity. “Why?”

Yavid started. Clearly he’d thought their conversation was done. “Why what?”

“Why die? You.” Benicio gestured with his stump, caught himself and did it with his hand. “Sound fine.”

“I cannot dig myself out and the earth saps my strength. Soon I will be nothing but dust on the wind.”

“Oh. Doesn’t look that heavy.”

“Well maybe you could help me if you had both your arms.”

“True.” Benicio giggled. It turned into coughing as he struggled for each breath.

“I’m sorry. I wouldn’t wish dying alone on anyone but I haven’t been very comforting to you have I?” Yavid laughed weakly along with him. “I’ve been here for days, dreading it. I suppose I’ll be alone again, soon enough.”

Benicio got his breathing under control but he knew it wouldn’t last for long. The poor man caught in the rocks seemed healthy enough and it was a shame he should die alone. It seemed like a good idea to set that right so he leaned forward, almost pitching face first into the dirt, and sketched a glyph in the dirt. First was the arch of the crown. Then the long, central pillar that extended from it. Finally, three gently waving lines that crossed the center line, rich with portent.

“What are you doing?” Yavid asked.

“Dreams.” Benicio pointed down with his good hand. “The realm of visions, hopes, potential and imagination. It lies to the south of Eternity. We are closest to it during summer. Or, I guess, I’m closest to it now.”

The Shamsa man snorted. “I know what the symbol is. Why are you drawing it?”

“Does no one in Iram have the gift of the blowhard?”

“Of course they do. But -” Yavid’s eyes widened. “Wait. Your dying breath?”

Benicio nodded. “If the earth drains you I’ll send it away. Then neither of us will face Eternity alone.”

He breathed deep and felt his dying breath stir within him. Perhaps the King of Dreams called out to it. Perhaps no. He’d often heard Heralds of the Kings speak of how the four monarchs who guarded the Gates of Eternity were not a thing to fear. It always struck him as silly. Of course death was scary. But in that moment he saw that death was just the opposite. It hardly mattered at all. Eternity was calling for him and before he departed to it he might as well do whatever last good thing he could set his hand to. So Benicio Blowhard sucked in one last lungful of air, held it for just a moment then let it escape his lungs.

The most powerful wind he had ever blown swept through the canyon. It smashed the tree to kindling. It blew away the scree and stones. It blasted the dirt and grime into a rolling cloud of filth and it lifted a wild-eyed Yavid from the ground into the air. As Benicio’s death rattle sounded in his ears he took great pride in using his gift one last time. Then the scene faded from view.

For a moment he caught a glimpse of something rising from beyond the dust and the debris. The terraces of a gleaming castle, winding eternally upwards into the heavens, overflowing with joy and peace to such an extent that the emotions became waves and the waves flowed down the hillside into a river and on the banks of the river Benicio Blowhard stood, looking about for a place to cross. The banks on his side of the river were covered with grass and blooming clover and all was quiet and idyllic. The far side was shrouded in mists. Yet somehow he knew that was where he really wanted to be.

There was no bridge in sight and the city was massive so going all the way around it to find a bridge might take days. Benicio scrambled down to the riverbank and reached down to touch the water. He found he had no hand to touch it with. Confused, Benicio held up the stump of his arm and stared at it, finding the injury out of keeping with the place he was in.

“It will heal if you cross the river.”

Benicio spun to see a man of green watching him from a little further down the river. At least, it looked like a man. In truth it was a towering figure of light that shone with the warmth and potential of summer, its green appearance less a color and more the power of growth and fulfillment made manifest. “Who are you?”

“I suppose you call me the King of Dreams, and since my name would mean nothing to you that will have to do.”

“How do I get across?”

The figure’s attention drifted off to one side for a moment, as if considering something, then returned to him. “I can show you the way, if you’d like.”

“Why wouldn’t I?”

“Because it will hurt more.” The figured turned and gestured for Benicio to follow him up the bank of the river. When he did so he found himself looking down on a canyon in the desert outside Cezanne. The grassy ground beneath his feet gave way to the skies over Nerona as abruptly as a well kept garden gave way to the paved walkways that run through it.

Dust and debris still filled the air over the canyon but Benicio found he could see through it well enough. Hovering over the canyon, now clean of all dust and grime, Yavid was revealed not as a Shamsa man but a green skinned creature with six arms. He had no lower body but was born aloft on a pillar of roaring air.

Most disconcerting of all, Benicio saw his own body lying there. He turned away and stared at the river again. “What will hurt?”

“Going back.”

Benicio spun on the figure, which seemed to be shrinking steadily down to a human size, and snapped, “No! Why go back? I just breathed my dying breath!”

For all the power radiating off the figure, for all the grim sense of purpose it projected, when it’s shoulders slumped and it sat down on the grassy bank Benicio got the feeling it was laughing at him. The King of Dreams gestured for him to sit as well and, confused, he did so. “It never ceases to amaze me how many people face death and beg, bargain or demand to be sent back. Yet when I find someone who isn’t actually dead and shoo them off they’re almost all ready to be done with living and cross the river.”

Benicio put his head in his hand. “I don’t understand it. I was just a docking, bringing in the ships a few hours ago. Then Master Marcello died and I ran away and didn’t do anything to help anyone and when I tried to do something I wound up here and why am I even here if I’m not allowed to stay? Do you have any idea what that’s like?”

“I do.” For a split second, out of the corner of his eye, Benicio saw the impossible presence of the King of Dreams collapse into a man. Old, a little ragged and quite amused watching a moment of childish angst. Then the vision was gone and he was a figure of light again. “Eventually everyone reckons with Eternity, Benicio. You’re not the first to do so and be sent back. You certainly won’t be the last. Who knows? You may even have to send others back yourself. No one who walks the worlds as a King at the Corner is qualified to do so if they haven’t died at least once.”

“I don’t want to be a king. I couldn’t even blow the ships in properly.”

“Wise words, Benicio Blowhard.” The King of Dreams slapped Benicio on the back and dragged him to his feet. “But you have set your course to something worthwhile. Keep your flag pointed straight towards it and I’m sure you’ll do well enough. Now let’s get you back. Your friend is working hard to save your life and we wouldn’t want his first steps on a worthy path to go unrewarded, would we?”

“No, but…” Benicio looked back towards the grass behind them. “Isn’t he back that way?”

“I’m the King of Dreams, Benicio. I send portents in visions but that doesn’t mean the vision is the thing.” He pointed down towards the river. “Look.”

Benecio looked down and saw his reflection in the river, only it was off. He bent down and reached out the stump of his right arm towards it and the reflection reached back with a healthy arm. Only it wasn’t his own arm. It was slim and green and looked like it belonged to someone else. When the reflection’s fingers touched the surface of the water he snapped awake.

Yavid was holding his head between two hands as another two wove through the air around them in a mysterious pattern. Benicio jerked back, instinctively pushing away with both hands. Still reeling with confusion, he saw that his right arm now looked like one of Yavid’s, a slim thing that looked like it had been carved from green marble. In fact, now that he could see all of the creature’s body he saw that Yavid was missing one of the three right arms he’d had…

When had he seen Yavid with all six arms before? He felt like he had but now he couldn’t remember when. Yet nothing about the creature’s green hue or texture of carved stone surprised him.

The creature drifted back until he was about five feet away then pressed the palms of his top two hands together and bowed to Benicio. “Benicio Blowhard. Forgive me for not stating who I am before. I am Yavid, a djinn of the Gales, born to war on behalf of the djinn lords of Iram, now your humble servant.”

Benicio got to his feet. It was as easy as falling over had been. A complete transformation from how he had felt just moments before. “Seeing how you just saved my life I don’t think there’s a whole lot more serving you need to do for me, Yavid.”

“You sound much more… coherent now, my friend.”

“Well, I feel a lot better, too.” Benicio began dusting himself off, marveling at his strange hand. Everything about it seemed normal except he felt every breath of wind and change in pressure as it moved about. “I’m in your debt, Yavid, and one day I hope to pay it back to you but for now I need to go back to Cezanne. Things there were badly awry when I left.”

The djinn drifted forward, his many hands dropping down to where the waist on a human would be. “Then I shall accompany you. Truly, the one who owes most to the other is I and if I may be of help to you then I must do so.”

Benicio opened his mouth to thank his new friend. Instead he said, “You should go back.”

Yavid stopped short. “What?”

“Go back to Iram, Yavid.” As he spoke the words a growing sense of certainty filled Benicio. He didn’t know why but he knew that was what the other had to do. “You said it yourself, didn’t you? We met because fear drove us to run to our deaths. That was the end of the path we chose and we met because we arrived there at the same time. If I go home I must overcome my fear. If you go with me what is there for you to overcome?”

Yavid ran his hand over his beard, pulling debris from it as he studied Benicio through narrowed eyes. It was hard to read them. Benicio knew little about the people of Shamsa, much less about the djinn that supposedly ruled the skies over their deserts, but it seemed to him Yavid was struggling with anger, embarrassment and yes, a little fear. “I still owe you much, my friend.”

Benicio held up his right hand. “You’ll repay that debt every time I use this. I only wish I had something of equal value to give you.”

“Then…” Yavid broke eye contact for a moment, gathering courage. “Then I will take your name. Having disgraced the Gales, allow me to return to my people as Yavid Blowhard and expunge the disgrace of my own cowardice.”

It occurred to Benicio that he really didn’t know much about djinn. What kinds of cowardice might lead one to a canyon in Nerona where he nearly died half buried in his enemy, the earth?

Still. Perhaps Benicio didn’t need to know. It wasn’t like the name Blowhard had a particular honor among men that needed defending. “Very well, Yavid. I hope when we meet again you’ll have proved worthy of the name.”

“If we meet again I trust you will find it so.”

Benicio considered that and then he smiled. “We met once because we followed the same path, didn’t we?” The djinn nodded. “Then make courage your flag and I’m sure we’ll cross paths again in due time.”

Yavid gave a thoughtful nod. “Until then, my friend. Until then.”

The Polaris Brothers

“Where is that thing?” Luciano muttered as he hung in the air, twenty feet above the ground, eyes searching desperately along empty rooftops. After just a few seconds the earth reasserted it’s will and he dropped back down on it with a heavy thud.

“You see anything?” Weyland asked him, absently rubbing the palm of his left hand with his right thumb.

“Well, it’s not on that side of the street at least.” Luciano pivoted on his heel and crouched down, gathering strength in his legs, then he leapt up once again. His Gift carried him up once more and the town of Cosentia spread out below him. The snug cottages had stood along the Valentine river for a half a dozen generations, solid stone walls with airy thatched roofs along streets that paralleled the river’s course for about half a mile.

While the landscape was pleasant and peaceful Luciano didn’t have eyes for much of it. He was scanning the tops of the houses carefully. Halfway through his latest jump he spotted it. When he next landed beside Weyland he pointed to a house just a little to their right. “It’s on the roof, right in the middle of the thatch.”

Weyland nodded and stretched his right hand, palm out towards the stone peak of the roof. He clenched his hand and his own Gift grasped the stone wall and dragged him upwards. Since they were children Weyland’s grasp had proven a remarkably safe way to move things. Others in Cosentia had the same gift but ran the risk of breaking the things they grasped or yanking their arms out of socket when the weight of an object proved more than they expected. Weyland never overburdened himself. At the same time, he could pull a crystal goblet across the whole town in five seconds without even cracking it.

Unless a wall got in the way. No one was perfect, after all.

Of course, an object the size of a house was too big to move so Weyland was dragged to the peak of the roof by his grasp, casually hopping off the cobblestones and onto the stone wall and running up it sideways as he let his Gift pull him along. A moment later his right hand rested flatly against the wall and he came to a stop. Though Luciano was used to seeing him do such things he still found his brother an odd sight. Young and lanky, fair blond hair and scraggly beard whipping in the autumn breeze, bright yellow tunic and red pants painted in muted tones by the light of the setting sun, Weyland looked even more out of place than normal.

Unbothered by the odd figure he cut, Weyland dragged his head over the top of the roof and stretched his left hand out over the edge of the roof. Luciano couldn’t see what Weyland was doing but he knew the motions all the same. Weyland would Grasp the small bundle of cloth tied into a round ball by cord then draw it to himself. When it got close, he’d whip his hand around and release his Grasp, sending it flying. Luciano counted out the timing to himself. Then he took two steps down the street and leapt up and forward fifteen feet to catch the ball on his chest, bounce it off one knee and grab it in both hands. He landed on the ground to a smattering of applause from people passing on the street.

Luciano sketched a quick bow, whipping his shapeless cap off the top of his head and waving it before his knees like he was a traveling Maestro. Then he tugged the cap back on over his black curls and trotted back to Weyland. His brother had let himself down the side of the building, grasping the wall at intervals of two or three feet and sliding down until his palm was flat against his target, repeating it over and over again until he reached the ground. Luciano casually dropped the ball and kicked it over towards Weyland’s head.

Weyland stretched a hand out and grasped the ball, dragging it off course and looping it around his back then slingshotting it back at his brother. Luciano bounced it off his forehead and kicked it to Weyland again. Back and forth it went as the two boys worked their way north towards their home on the banks of the river, the lay of the land and the passing of the ball as familiar to them as their own hands. So Luciano was surprised when he kicked the ball straight at Weyland’s stomach and it actually connected. Of course, the ball was just loosely packed cloth so it bounced off harmlessly but he didn’t understand why his brother missed such a simple catch until he followed the line of Weyland’s eyes up, over his shoulder and towards the river.

Or rather, where the river should have been.

Instead of flowing water, a towering serpent of brackish liquid stretched up and out of the riverbed, looping around one of the three bridges that crossed into Cosentia and staring down into the town’s central square. Icy hands grabbed hold of Luciano’s stomach. Every man and woman was born with a Gift but not all Gifts were as common as his leap or his brother’s grasp. Few indeed were those who could invoke. Certainly Luciano had never met one or even heard of one visiting the town. There were far greener pastures for people who could bind the spirits of a place to their will and invoke their powers in the physical realm.

Yet clearly someone had done just that with the spirit of the Valentine River.

Weyland grasped their ball and dragged it back into his hand in an absent minded fashion then shoved it into Luciano’s arms. Then the two of them dashed down the street, watching the banks of the river. There was something hypnotic about the rushing of the misdirected river water, the gradual sway of the twisting serpent and the surreal atmosphere of a spirit made manifest that drew the boys in. The small houses and mills lining the side of the river opened as the crossroad gave way to the bridge spanning the river.

On the bridge was a man in a worn traveling cloak over chain mail who carried a tall, gnarled, heavy cane. Four gems were embedded on the top of the cane, one of which glowed with a pale green light while the other three reflected the illumination in their dark, polished faces. The green light cast strange, sinister shadows over the man’s face and salt and pepper hair.

The mayor of Cosentia, Phillipe Mender, was there by the bridge. Phillipe was white haired and stooped, with none of the force of personality or very obvious power of the stranger. He didn’t look intimidated, though. “Who are you, stranger,” the mayor demanded of the other, “and why have you roused our river from it’s restless slumber?”

“I am Julian Treivaggio Renician Borgia,” the stranger intoned, his voice reminding Luciano of a pompous Herald who thought his title made him important. “I come on behalf of the Borgias to place this village under our protection.”

A murmur rippled through the crowd of Cosentians who were gathering around the bridge. Luciano caught the name Borgia repeated over and over again but the whispers were too quick and quiet for him to glean any significance to them. Even Phillipe looked a little intimidated by the name. “Respectfully, Signor Borgia, the people of Cosentia are subjects of the Prince of Torrence and while we understand the influence of your family, the city of Renice is far away across the troubled waters of Lum. What protection can you offer us that Torrence cannot?”

“What protection does Torrence offer you now?” Julian countered. The towering water serpent slowly wrapped itself around the bridge as Julian swaggered off of it, the liquid coils tightening until the stone grated and rumbled ominously. “Do they watch the roads for danger? Are there no bandits in the mountains or thunder eels in the waterways? In this moment of peril, what benefit does Torrence have for you, pray tell?”

Phillipe snorted. “Will the Borgias be any better?”

“To purchase the protection of Papa Borgia is to purchase back your very lives from a watery grave,” Julian sneered. He pushed past the mayor to strut down through the town square, raising his voice until anyone near the bridge could hear him. “What is Cosentia? A town on a half forgotten tributary of the least important river ever to feed the Gulf of Lum.”

Some people muttered displeasure but Luciano thought it odd none of them spoke louder than that. He’d often heard that a peasant in Torrence was worth a dozen nobles in Renice or Lome. Then again, in the face of a living river such sentiments were very difficult to hold on to.

Julian continued his steady circuit around the square. “What do you have to offer Torrence? Plain women? Wine vinegar? Fish that, no matter how fresh when first caught, will be rotting and putrid by the time any worthy of that city receives them? You’re nothing more than the caretakers of a few rundown bridges. No one even cares whether they still stand. What is beyond them? The lowlands and vineyards those roads once led to are long since lost to the waters of Lum. The only thing you’re good for is to give us what few pitiful coins you have in exchange for another day of life.”

Luciano and Weyland were caught up in an ever-growing press of townspeople watching the drama. A few paces in front of them, Petrucio Ironhand, the blacksmith, snorted under his breath and muttered, “And all this one’s good for tiresome speeches. Is he an Invoker or a Blowhard?”

The serpent of the river and Julian both spun their heads to stare at Petrucio in eerie synchronization and the invoker spun on his heel and crossed the square swiftly. A strange light glinted in his eyes and the left jewel on his cane. “Perhaps the savages of Cosentia don’t understand reasoned speech any better than they know the subtleties of the great Gifts.” The crowd parted before Julian’s approach, leaving Petrucio alone before the interloper. “Tell me, you of the ignorant mouth and filthy hands, did you know that an invoker can see and hear all that his spirits see and hear?”

“Well…” Petrucio’s startled expression and suddenly sweaty skin suggested that no, he had not.

Before he could say anything else the riverine snake darted down and snatched him away, his body sucked up into the river water until it was little more than a dark shadow in the rushing waters coiling about the bridge. Julian spun, clubbing another man who had tried to shove Petrucio out of the way over the head with his cane. “Pathetic, all of you. Slinking and whispering when you think no one looks, totally unable to recognize when you are in the presence of those who are truly beyond your abilities.” He kicked the man back into the crowd. “It would be so much easier to simply buy your safety but you cannot conceive of such a thing in your feeble minds.”

The sudden and uncertain fate of Petrucio had clearly dealt a hard blow to Phillipe’s spirit and the mayor raised his hands in a placating gesture. “Of course, of course, Signor Borgia. Tell me what price Papa Borgia is demanding and we shall work out a way to pay it.”

Julain pointed in the direction the serpent had dragged Petrucio. “You can start by bringing me that fool’s wife so she can be sold. Cosentia has missed it’s opportunity to buy protection for money, Mayor Mender, for the Borgias do not abide disrespect even if it is rooted in idiocy rather than malice. We will take our price from your people this time. You can bring me thirty whores for the pleasure district of Renice or thirty laborers to work the galleys of her harbors. Or thirty of you can die today. The choice is yours.”

The crowd murmured again but Julian Borgia silenced them by slamming his staff on the ground once, the gems set there sparking with multicolored lights. “What of it? Who is here to defend you, the Prince of Torrence? Benicio Gale? Or will you call down the Kings at the Corners upon me?” He gestured up to the sky, where dusk was giving way to the first glimmers of starlight. “Perhaps the King of Stars will intervene on you behalf!”

A small choking noise next to him alerted Luciano to his brother’s growing rage. Weyland was clenching and unclenching his fists as he quietly shifted back and forth on the balls of his feet, one eyebrow twitching slightly. He put a lot of faith in omens from the four kings. Unfortunately, the small noise he made was enough to draw Julian’s attention. He crossed the last few steps to Weyland, again parting the crowd through his mere presence, and looked the boy over hard. “What is this, then?” He grabbed Weyland’s shoulder and loomed over him. The Borgia was at least six inches taller than Luciano’s brother, who was by no means small. “I know this place is far to the north but I didn’t expect the Isenkinder to be starting families here. They work hard, though. If you give me the whole family I’ll count them double.”

“Oh you will, will you?” The words were out of Luciano’s mouth before he had a chance to think about them. He realized he was still holding the ball and tossed it aside as he stepped in front of his brother, suddenly finding it hard to focus on the giant man in front of him. “Thank you, but no. My brother is too good for the likes of you.”

Julian stared at Luciano, his mouth agape, then he turned to examine Weyland, then Luciano again. Luciano was suddenly very cognizant of the difference in height between himself and his brother, who towered over him as much as Julian did over Weyland. The contrast between his black, curling hair and Weyland’s straight, yellow locks. His brother’s round, craggy face with pinkish, often burnt skin and his own thin, sharp nose and olive complexion. Julian’s gaping turned to a malicious smile. “Your brother? What a fascinating thing to say.”

“Yes, my brother. I’ll thank you to keep you hands off him. And Cosentia as well.” An instinctive spasm twitched through Luciano’s left leg, a physical manifestation of the bizarre energy suddenly coursing through his blood. “Who do you think you are, claiming our people? Weyland was born in Isenlund but he has been here these ten years since his parents caught blood lung and he’s far more claim on this village than you. You’re no one here.”

Julian’s smile turned into a sneer. “Let me teach you a lesson about the world outside your village, boy. Out there, kin is not something so quaint. You grew up with this child so you call him your brother? Nonsense.” He tapped his chest with his cane. The gems flashed and stayed lit as the river spirit loomed down over the three of them. “I am a Borgia, kin to Grigori Borgia, the greatest man in Renice, and though I’ve never met him the blood and oaths that bond us are unshakeable. We share a place of birth, the blood of Castor Borgia runs through both our veins and the bread and wine of our house is shared among us all during the great feasts. These are powerful portents that tie us together. What do you two have?”

“When the King of Scars took my parents to the Eternal City Luciano’s family took me in,” Weyland growled. “We’ve worked the vineyards to make your wine. We’ve climbed the mountains to the headwaters of the Valentine. We eat at the same table under the same roof. What more could you ask for?

“What more?” Julian laughed, a deep, rasping sound like the bottom of a pot of stew burning when left too long on the coals. “There is more to a family than simply spending time around one another. The hen and the goat graze in the same field but they are not related for it isn’t in their nature to share anything. So it is with you.”

The Borgia turned to grin at the mayor. “Still, I think I will take these two boys. Twenty eight more to buy your protection.”

“Or we could ask the King of Stars,” Luciano said.

An irate expression crossed Julian’s face before he composed himself and he turned to Luciano. “Boy. The river can take you if you insist on talking.”

“But you said we could call on the King of Stars,” Luciano said, pointing up to bright Polaris, just beginning to shine out through the growing dusk. “And there is his First Herald.”

“Oh.” Julian twisted his lips into something like a smile. “You want to go and join your friend’s parents in the Eternal City?”

“You say we need powerful portents to tie us together. But the Kings at the Corners of Eternity set forth a man’s future in their omens and guide his steps by their Heralds from the time we are born until the time we pass through Eternity’s gates into what lies beyond. If a shared sign is all we need to be family and we can’t share birth or blood I suppose we’ll just have to die the same day.”

Luciano shot Weyland a sly look and saw his brother was grinning back at him. “So you think if we die the same day, that makes him wrong?”

“That’s the shape of it.”

“But if he doesn’t kill us he’s a fool,” Weyland mused.

“Don’t play word games with me,” Julian hissed, pointing his staff at Weyland in menacing fashion. “You can see who the fool is when we chain you to the galleys.”

“Try it.” The boys replied in unison.

Luciano leapt into the air using the full power of his Gift. A split second after his feet left the ground he felt Weyland grasp onto him and the two of them shot upwards as the living river crashed through the place they’d just been like a runaway wave. The mass of water heaved and coiled through the town square as the two boys flew in a long, flat arc up and over the dry riverbed. At the peak of the arc Weyland released his grasp. Luciano fell down and smashed into the road on the other side of the river, his Gift allowing him to dig deep ruts in the dirt there without suffering any of the impact, while Weyland reached out one hand and grasped onto the roof of a boathouse on that side of the river then dragged himself towards it to break his fall. He landed a bit hard but rolled and came up looking okay.

The escape was short lived. The living river scooped Julian up in its coils, the churning mass of water twisting around the old stone bridge and shattering it into rubble. Then both invoker and his invoked spirit turned and rushed across the riverbed towards them. Weyland let go of the boathouse roof and reached his empty hand back.

“Aleyup!” He called.

A piece of rubble from the bridge about the size of a man’s chest shot towards Weyland, who then slung it around in a tight circle at the end of his Grasp. The serpent bobbed evasively when Weyland released the chunk of rock. But instead of throwing it at Julian Weyland tossed it towards Luciano who, in turn, focused his Gift and kicked a foot up at just the right moment for the rubble to land flat against his sole.

Then he leapt.

With nothing more than a small rock to brace against even Luciano’s gift didn’t take him very far. The chunk of stone, on the other hand, shot away from him and towards Julian like it was launched from a trebuchet. With both invoker and spirit focused on Weyland neither one saw the attack coming. The rock struck the water snake with a loud splash, shot through the water and smashed into the Borgia’s side with a surprisingly loud thud.

Julian cried out and swayed. In that moment Weyland reached out one hand and grasped, yanking the man’s staff from his hand and sending it careening off into the distance. The serpent shuddered as swayed, sheets of water dropping off of it and running through the streets. It didn’t fully return to the riverbed but it did shrink to about half its previous size, sinking down to ground level long enough for its rider to disembark.

With a wave of his hand Julian sent the river serpent up towards Luciano, who sprang off the ground to the roof of the boathouse to the tower of the old Herald’s Hall across the street. Weyland went the other way, grasping the central of stables and houses to pull himself from building to building like a spider weaving an invisible web.

Julian kept his attention on Luciano. The invoked river had shrunken but it was still large enough to wrap fully around the tower twice as it rose up towards the roof. “This is inevitable, child!” Julian shouted. “This is not some simple flood you can outrun by moving to higher ground, this is your doom, written in the hand of your betters!”

“Eternity keeps our fates,” Luciano called back. “If you’re a Herald for it you’re the funniest looking one I’ve ever seen.”

“You don’t understand how this game is played!”

That was something they agreed on. As the watery snake’s head came even with the roof Luciano leaped out over it. This was obviously what Julian had been expecting as he had produced a crankbow from somewhere within his cloak and now aimed it at the boy, tracking him towards his landing spot.

Except Luciano didn’t land there. He stretched his body out as flat as he could make it and let Weyland grasp a hold of him from a few hundred feet down the road, swinging him in a long, pendulous arc that nearly scraped his toes off on the cobblestones. As Luciano swung past Weyland’s vantage on the stable’s roof the blond boy released his grasp, letting his brother shoot straight up under the influence of all that freed momentum.

Luciano could look down and see everything that happened in the seconds after.

The river serpent struck at Weyland, grabbing him in its mouth and dragging him into the churning waters of its body. Just before his head vanished into the water he grabbed hold of Luciano once more as he reached the apex of his jump. His brother’s gift slung him down towards the ground at a pace that would frighten most people. Leapers never feared landing, though, so Luciano focused on the target Weyland had given him in that last second above water.

Because his brother hadn’t just pulled him towards the ground. He had aimed him at Julian, who’s attention was still focused on directing his invoked spirit. The Borgia didn’t realize something was amiss until a split second before Luciano collided with him.

Luciano’s gift made it impossible for him to get hurt when falling from great heights. The same was not true for the things he landed on. Until that day he had never landed on a person before.

For a moment after Luciano crashed into Julian the serpent froze in place. Then mass of water crashed to the ground and swept away, not like water running off after a storm but like a mass of worms squirming for cover after a rock is taken from on top of them. The liquid kept to the streets, avoiding buildings and people as it rushed back towards the riverbed. It even left Weyland and Petrucio where they were.

Although for whatever reason it chose to sweep away the remains of Julian Borgia.

Luciano picked himself up off the ground and made his way to his brother, trying to control his shaking. Thankfully, Weyland rolled over and struggled to his feet at the same time. After coughing out a little water he shook his head and said, “I think that was the worst idea you’ve ever had.”

“Worse than the time I tried to catch a cardinal by jumping out of our olive tree?”

“Yeah, worse than that. I still miss that tree, though.” Weyland spat some kind of grit out of his mouth and glanced up towards Polaris. “The King of Stars seemed to like it, though.”

Luciano threw one arm over his brother’s shoulders. “So you think he’ll come to collect us on the same day?”

“Maybe. If that’s what it takes for us to be brothers, I won’t complain.”

“Let’s try not to find out for sure any time soon.”

“Right.” Weyland straightened up and started towards the blacksmith. “Let’s hope he hasn’t come for Petrucio either.”

Luciano nodded and took one last look at Polaris. It had been high in the sky the night his parents told him Weyland would be his brother. Now, here it was again. A good omen. Hopefully it would always be so.

A Return to Nerona

The Drownway was the first story I wrote set in the world of Nerona but it wasn’t the first story I conceived of in that setting. That would be Andre Blacklight in the Beacon’s Dark, the first in a trilogy of stories that I imagined intended to explore the idea of anti authoritarianism. It was a big idea and it needed a lot of time to percolate, so my ambitions in that direction wound up on hold.

As is often the case when one of my story ideas needs time to process, I decided to write more stories in the world around the initial concept to try and shake ideas out. The Drownway and the Nerona short stories I’ve published here are all a part of that process. You’re going to see a few more short stories that were also a part of that process soon. It was also my intention to write the sequel to The Drownway this year. However, the more I thought about it the more I concluded that I couldn’t write that sequel until I had set Andre’s first story down in stone. Too many of the decisions in the world needed to have a solid foundation to build on or plot holes could develop.

And the foundation they needed was Andre’s first adventure.

So here we are. Some three years after I had the initial idea I’m setting out to tell Andre’s story, at least in part. I suspect it will be challenging for me, as Andre is a very different man than I am. He is a character with a natural distrust for authority.

I conceived of the character as a critique of anarchy as a philosophy and I thought it would be interesting to cast him as the protagonist of a story because it would force me to be more sympathetic to the character than I am to the philosophy. I knew this would be difficult. I didn’t think it would take me three years to feel confident in how I handled the character. But no small part of the long delay between conceiving of the character and writing him was a result of my wrestling with how to present him fairly.

It’s taken a lot of work, brainstorming, daydreaming and philosophising to arrive at the version of Andre I’m now writing. That may be a testament to my lack of imagination as a writer or my dedication to that craft. I’m not sure which. That said, I have gotten to a state where I think I can handle the character. He’s different from how I originally pictured him and the trajectory of his life has changed radically as well. By the same token, I’m not sure I’d characterize him as an anarchist anymore.

Instead, I hope to study something a little more universal to human nature, which is the better thing to do in story and thus the better choice for Andre. Hopefully the better choice for you, the people as well.

When I was younger it was a common nostrum to be told we should question everything and the common retort was to question the person who told us that. Both the nostrum and the retort were childish, though both sides of the equation no doubt found them profound at the time. The problem with this mindless back and forth is that it lacks depth. It is about as useful as the dew on a blanket, which is to say you can’t use it for anything and it makes the blanket useless, too. Not that the blanket has a direct equivalent in this analogy.

I feel like the usefulness of this line of thought has run out.

My point is that I grew up as one of the first millennials, with a whole generation of very self-satisfied “anti-authoritarian skeptics” (commonly referred to as GenX) constantly proclaiming a philosophy of life that didn’t seem to be making them happy, prosperous or wise. At the same time, I could see there were kernels of truth to their philosophy. However, the successes of GenX’s skepticism had convinced them it was the only tool they needed in their toolbox and they proceeded to slowly drive themselves insane with it. The question I’ve often contemplated while watching it was when the right time for an anti-authoritarian stance is.

I hope to work some of that out with you as we walk through Andre’s story. It’s probably going to take more than two or three individual tales but we’ll tackle them one at a time. For now, we’ll start at the beginning, which is generally the way this is done.

So, the plan for this spring and summer is to publish a few short stories, one detached from the greater Nerona mythos and at least one tied to the history of that storied continent. Perhaps there will be a second Nerona story, perhaps not. I am tinkering with something but I don’t have anything set in stone yet, we’ll know for sure come late May. Following that we’ll plunge into the Beacon’s Dark and learn what it means to shine the darklight.

In the meantime, I will be working on the 2026 Haunted Blog Crawl! I’ll be soliciting submissions starting in a month’s time but I hope my regular readers will consider submitting. My goal this year is to get the submissions up to ten entries! Lots of fun things to look forward to this year.

As I normally do I’ll be taking the next week off before plunging back into the fiction grind May 16th. Stay tuned and we’ll do our best to make it an entertaining time!

The Drownway Epilogue – Rumors in Renicie

Previous Chapter

“I’m very glad to see you here, Signore Teodoro,” Grigori said, his smile warm and broad. “The trip across the Drownway must have been very trying for you but I hope my men made it as easy as possible.”

“I regret that they didn’t, Signore Borgia.” Teodoro sat on the chair in Grigori’s chambers with enough force that it seemed it would break. The bulky man paid it no mind. “I regret that I have not had the pleasure of hearing from you since our last correspondence a month ago. I am sure a man of your means has already learned the outcome of that.”

“Indeed?” It wasn’t surprising to him but disappointing none the less. Grigori studied the gray layers of Teodoro’s clothing, noting that he did seem unusually moist and bedraggled, even for someone who had gone through Nerona’s dampest passage. “Perhaps the unnatural waves that lashed the islands three days ago were the cause. By all reports they were quite violent.”

“That much I can confirm myself,” the other man replied, leaning back in the chair and staring into the distance. “I never felt as close to death as I did when I saw the water coming. It seemed like the whole Adriatic Ocean had come for my life, as if there were some score it had to settle with me.”

“Yet here you are.” Grigori settled into his own chair in a more restrained fashion. “Shall I send for something to refresh you? Or would you prefer rest?”

“I haven’t the time for either, I’m afraid, not if I wish to remain a free man.” He gestured weakly towards the outside world, presumably referring to whatever forces still sought to imprison him. “The successor to the Prince of Torrence may still be an open question right now but such matters rarely go unresolved for long. Whoever rules from the citadel next will eventually have to turn their attention to affairs of state. The murder of a Conde by one of his brothers will not be low on the list and I intend to be far from here by then.”

Grigori winced to hear such an important matter put so tastelessly. “Wise of you, Signore. I will not detain you then. Find Evincio in the stables, tell him you require the chestnut stallion and he will see you well mounted.” He motioned to Gunter and the Eisenkinder brought him a bag, small in size but heavy in the hand, which Grigori passed on to Teodoro. “This will see you well on your way.”

He weighed the bag for a moment, clearly debating whether he should examine the contents, then nodded and secured the bag in his belt. “Thank you, Signore. You have always been very kind to me. I hope we will meet again.”

“As do I, Teodoro. As do I.”

Gunter kept himself from scornful noise until after the door closed and their guest was gone. “What a nearsighted fool.”

Grigori sighed and leaned back in his chair, closing his eyes and massaging at a sore spot in his stomach where a shallow cut was still healing. “Teodoro was a loyal man. Perfect for his role in every respect, save for his lack of imagination, and a very valuable weapon in the courts of Torrence. If he could have inherited his brother’s title it would have benefited us greatly. Pity he never made it across the Drownway.”

“If you say it then it must be so, Papa Borgia. Will Evincio need my help in the stables today, do you think?”

“No, no, Gunter, you always sell him short. Leave him alone and he will surprise you.” Gunter chuckled but knew better than to comment on his master’s joke. “Besides, I need you to go into the square today and start making inquiries among the bravos again. Our quiver is out of arrows and at the worst possible time, when Torrence is in chaos and ripe for the picking!”

“What about the Blacklegs? They are still here, aren’t they?”

Grigori cracked one eye open to glare annoyance at the Isenkinder. “I don’t need a whole company of condottieri to shield my investments, Gunter, I need a few arrows I can loose into the squealing runts of the herd. Besides, I have heard a dragon was spotted along the Drownway recently. The Prince will likely buy up all the large bodies of troops to mount an expedition against it and I have no desire to bid against him. What about those Hextons you know?”

Gunter scratched at his pale beard. “The Herakleans took a contract headed north a few days ago. I believe they were headed to Lome and from there to Fionni as caravan escorts. At wagon speeds it will be a month before we can expect to hear from them even if they were a good fit for the job you have in mind.”

“I haven’t told you what I want them for yet.”

“I’ve arranged hundreds of tasks for you over the years, Papa, and I can only think of three or four I would trust them with. They’re Hextons. Their conscience dictates far more of their behavior than is wise.”

“I see.” Grigori closed his eye again and considered his options. Three of his men lost waiting to ambush Teodoro on the Drownway, many of his others tied up dealing with business in Lome. He had not had as much need for bravos since he brought Gunter into the family and his connections among them were not as strong as they had once been. He ran down that list of names, quietly eliminating them one at a time, until he arrived at an unenviable conclusion. Grigori sat up and opened his eyes to the grayness of the world to find Gunter quietly watching him. “You know what that leaves us with, don’t you?”

“We wait a month to see what new options appear before us?”

“Fortune favors the bold, not the passive. Someone will succeed to the throne of Torrence and I will have a blade at his belly or my name is not Grigori Borgia! Now, bring me the Blind Man.”

Gunter let out a breath that might have been a sigh. “Very well.” He crossed to the chamber’s exit, opened the door and summoned a page, telling him, “There is a Blind Man enjoying the master’s hospitality in the kitchen. Fetch him here.”

There was a bottle of wine sitting on the sideboard and Grigori helped himself to a generous serving. “He was here already?”

“I was on my way to report it to you when you summoned me on account of Signore Teodoro. It didn’t seem wise to mention it while he wasn’t here.”

“Your discretion is praiseworthy. It can be difficult to know how to deal with things when I am not entertaining guests. Your own position became available because your predecessor couldn’t parse such delicate matters.” Grigori drained his cup and waited for the bracing warmth of the wine to hit him. He was going to need it.

The servants in his household were nothing if not swift and less than three minutes after Gunter sent him the page returned, knocking on the door and announcing, “The Blind Man requests an audience with Signore Borgia.”

Grigori fixed his eyes on the door and said, “Enter.”

The page stepped into the room, holding the door open for a man dressed in a simple gray tunic and hose with a gray cloth wrapped around his eyes. He held a rough wooden staff that came up to his leather belt. The man’s hair was dark, bordering on black, but streaked with silver. In a few years Grigori suspected the situation would be much the opposite, with gray the dominant color and the black fading into obscurity. In spite of his incredible plainness the newcomer had an unsettling air to him.

Grigori marshalled his full faculties, doing his best to attend to every small change he observed, but he still found no indication of when the Blind Man began seeing through his eyes. Perhaps he was using Gunter’s or the page’s instead. Grigori raised his wine cup in salute.

“Papa Borgia,” the Blind Man said, bowing deeply from the waist. “I hope I find you well on this blessed morning?”

“Well enough.” Grigori motioned the page into the room. “Pour my guest something to drink, boy.”

“I am content, Signore,” the Blind Man said, a thin smile on his lips. “If you enjoy your wine that is more than enough for me.”

Grigori ran his tongue along the inside of his teeth, wondering if his guest was picking up on that sensation as well. Then he waved the page out of the room and made eye contact with Gunter. The Isenkinder nodded. “I should see if Evincio ran into any surprises. Excuse me, Papa.”

Once they were alone Grigori turned his attention fully to his guest. “Well, Fabian. Here we are again.”

“You don’t seem very happy about it, Papa Borgia,” the Blind Man said. “Have I done something to displease you?”

“I can’t help but recall that every time you come to me it seems like I get swindled out of something.”

“I? Swindle the Prince of Plunder?” His expression turned to one of mock horror. “How could I? Who can cross you and live to make the mistake a second time?”

“Perhaps I should give you your eyes back after all.”

The Blind Man’s expression lost all hint of mirth as he said, “You would value them more if you could see as clearly as they did.”

“The color of a thing has little to do with its value. My eyes work well enough, as you can tell for yourself. If you don’t enjoy seeing the world as I do then you shouldn’t have paid your debts as you did. Or you could just visit less.”

“Have you heard the latest news from the Drownway, Papa Borgia? And I don’t mean Teodoro. Clearly you have already learned about that or Evincio wouldn’t be on Gunter’s mind.”

Grigori pursed his lips, annoyed at the way the Blind Man seemed to learn everything there was to know in Renicie the moment it happened. Even if he could listen with every ear in the city he couldn’t use them all at once. Could he?

“It seems you haven’t.” The Blind Man folded his hands around his staff and sat back in his chair, looking as satisfied as a pick pocket with his first purse. “Signore Marelli’s caravan has arrived at last.”

Grigori sat up straight as an arrow. “Have they? They’re more than three weeks overdue!”

“Well, not the entire caravan, no. The word on the docks is that they were attacked by the Benthic and the wagons were lost. But not the crown jewel of the collection.”

For the first time since Gunter mentioned his presence Grigori started to feel like he might get something useful from the Blind Man this time around. “Are you saying…?”

“There were three survivors from the caravan.” He held up said number of fingers and wiggled them as they were named. “A bravo hired as a guard. One of the junior merchants who was driving a wagon. And a young woman with eyes like sapphires. They arrived just after low tide this morning in the company of their rescuers.”

Just like that Grigori saw all his plans for Torrence coming back together in a new shape, possibly one that would bring him even greater returns. There was only one little detail that gave him some hesitation. “Their… rescuers?”

“It seems the surviving bravo had a brother who heard he hadn’t arrived and set out to rescue him. Touching, really. The people on the docks seem as excited about the Ironhand and his party as they are about the survivors that were rescued.” The Blind Man offered a helpless shrug. “So fickle. Just last week they were bemoaning the loss of all that good Fionni cheese Marelli was dealing in.”

“They must be an impressive bunch if they managed to rescue prisoners from the Benthic, survived a falling star with the waves it raised and made it all the way here afterwords.” Grigori rubbed at his bottom lip, considering the facts. Given his current position and the fact that these bravos had somehow retrieved a key weapon he’d thought was lost he couldn’t afford to ignore this development. What he wasn’t sure of was why the Blind Man had brought the matter to him. News this significant would have fallen in his lap sooner or later. “Do you know where these bravos are?”

“Of course Papa Borgia.” The Blind Man got to his feet, his covered eyes still pointed towards Grigori’s own. “Would you like me to bring them to you?”

“Yes. As it happens I was in the process of searching for just such skillful individuals.”

“Then search no longer.” He sketched out another bow. “I shall return with them in a day or two, if not before.”

“I look forward to good news, Fabian. Until then.”

The Blind Man let himself out, the thin smile back on his lips, passing by Gunter as the Isenkinder returned with his usual impeccable timing. He made sure the door was firmly closed behind the Blind Man then approached Grigori’s desk. “That one may be reaching the end of his usefulness, Papa.”

“Reaching the end, Gunter. But not there yet.” He took a sip of his wine, wondering what his next move ought to be. “Evincio?”

“It’s a shocking thing, Papa. It seems he found a horse thief who broke into the stables! Thankfully they have kicked the villain to death but, alas, his skull was cracked like a chestnut in the process. His face is unrecognizeable. I fear we’ll never know who he was.”

“Tragic. The horses?”

“In good health. Unfortunately it seems Evincio was hit by one of the mares. His arm is broken.”

That was one problem settled and another in its place. Grigori got up and headed for the door. “Start putting together a sling, Gunter, and we’ll go and look in on poor Evincio. I leave for Lome in ten days and I need those horses in their best shape. I will take the break so he can return to work.”

“Of course, Papa. Of course.”

If only every problem House Borgia faced could be handled so easily. Still, there were new bravos at hand. If they proved sharp enough they might be a worthy weapon for the next duel. Time would tell.