By the time Andre finished his story Isobela had joined them, asking questions that forced him to go back and fill her in. Finally, after about an hour of back and forth he reached the end of the story. Once he was done the Maestro leaned back on the bench where he sat with an arm around his wife and sighed. “It’s a bad situation, Andre.”
“You should have told us about this sooner,” Isobela said.
“There wasn’t time to do anything about it before the performance started,” Andre protested.
“If you knew the girl they were looking for you should have told us as soon as you realized it.” When she saw his stricken expression she hastened to add, “Not to send the guards after her. I see no reason for that. But we could have discussed the situation and decided what to do if they came to us immediately; then you could have been more prepared tonight.”
“Perhaps,” the Maestro said. “Though there’s no telling what would have happened. Either way, it would have been better if you had told one of us the situation before it became so salient. But the damage is done. What will you do now?”
Andre flopped down on the locked money box in the corner of the caravan. “Does it matter? The guards already took Sophia and her mother, there’s not much I can do for them now.”
Mastroianni leaned forward, his expression severe. “What are you going to tell her father when he comes looking for her? It sounds like the other girl knows enough to look for Sophia here so at some point he’s going to drag that out of her. Then he’s going to come looking for her.”
Andre put his head down in his hands. “I don’t know. I’ve never met him and I’ve never had to tell someone the guards arrested their daughter and wife!”
“You can write him a script,” Isobela said. “Contrite, I think, with a dramatic recounting of their heroic attempt to escape.”
“You know I’ll forget it.”
“It will only be two people!”
“A hostile crowd is a hundred times worse than a large one,” the Maestro said. “You’re young, Andre, but you’re also a man grown. I won’t tell you what to do about it, though I suggest being respectful and regretful, but I can’t let them stay here. It would be different if the guards hadn’t already found half their party here. Now that they have it will be far harder for us to survive a second discovery without suspicion or worse falling on us. I can’t have that.”
Andre nodded, glum. He wasn’t surprised, although the plain fact of it still stung. “Then I’ll send them on their way if I see them.”
Mastroianni slapped his hands down on his thighs and said, “There are worse things to do, I suppose.”
His wife gave him a curious look. “What is that supposed to mean?”
“As I said, he made his own decision that created this problem,” the Maestro replied, pushing himself to his feet. “Now he must decide how to solve it.”
Ha crossed to Andre and gently but firmly pulled him to his feet. “I’ve searched for the right part for you for years, boy, but I have to admit I never thought you would choose to try improv.” The Maestro led him to the caravan’s door and paused there, studying Andre with a concerned look. “If you find it’s more than you can handle, that’s fine. Don’t do anything you’re not ready for. But if you are ready for it there’s no better time to try something new than right now. We don’t have another performance for a few days so you have some time and if you need something from the props or costumes make sure it’s back before the next show. Just let us know if you’ll be leaving camp. That’s all I ask.”
Their conversation done, Andre found himself crossing the camp with his thoughts awhirl. He wasn’t sure what had just happened. The Maestro clearly had some idea in mind, which annoyed Andre to no end both because Mastroianni hadn’t explained his idea and because he clearly expected Andre to do whatever it was regardless. It felt like he was just another actor for the Maestro to boss about on stage.
Ultimately there wasn’t much he could do about that either way in the middle of the night. So he slipped into his caravan, quietly made ready for bed and did his best to fall asleep. The results were mixed.
Andre didn’t remember the sun coming up the next morning so he assumed he must have fallen asleep at some point but from his overall exhaustion it couldn’t have been for more than a few hours. He dragged himself through the next day, mechanically going through the basic maintenance and cleaning tasks of a day without a show. He never saw sign of Belladonna. No strange man appeared and identified himself as Sophia’s father.
The next day he took Tullio and Gianni over to one of the city gates and they went busking, collecting a few coins from the people entering and exiting Fionni. Tullio played flute, like his mother taught him, while Gianni and Andre took turns tumbling. They did very well. By the time the sun was high overhead Andre had already emptied the coins from their collection basket twice. He was growing worried about the amount of money in their bag attracting attention. Finally, as things slowed to a crawl during lunch, he called for a stop and told the boys to run their takings back to the Maestro. Andre himself stayed by the gate, occasionally pulling a stunt or two for passersby.
With the sun directly overhead it was hot, tiring work and Andre eventually conjured a sheet a few poles to shelter under. He was in the process of sitting down on a convenient rock when he heard the coins in his basket jingle. Worried some urchin was trying to run off with them he spun around and snatched for the basket, scooping it off the ground with more effort than he’d expected.
A small but weighty bag sat in it, nestled among the loose coins. Andre looked up from his basket to find a short but remarkably wide man with absurdly curly hair studying him with keen eyes. He looked like the type of men Andre had seen in other troupes who specialized in lifting incredible weights or dealing with dangerous animals. His hands were scarred and calloused, the arms they were attached to as wide as Andre’s legs.
In contrast to his remarkable stature, the man was dressed in the most forgettable clothes imaginable. A long, reddish brown tunic. Dark brown hose and boots that rose to midcalf. Over it all a tanned leather apron with pockets below the waist and an unadorned cap.
The two of them stared at each other until Andre grew uncomfortable. “Signore del Rhodes, I presume?”
“And you are Andre the stagehand,” the man replied, crossing his arms across his chest. Andre briefly marvelled that they were long enough to reach. “I understand you did a kindness for my family and our guest. Don’t look around for her, please, she’s nearby and safe, which is as much as you need to know for the moment. You understand the power of a simple glance, don’t you?”
“Of course, signore.” Andre forced himself to casually put his basket back down and return to his seat on the rock. “Would you like a seat?”
A ghost of a smile appeared on the other man’s face. “No, thank you. I don’t get up as easily as I used to.” The amusement vanished. “Please, just call me Ragi for now. The Borgias know my name, though I doubt any of them have seen my face.”
“Of course.” Andre eyed the purse Ragi had thrown into his basket. “You’re a very generous man, signore.”
“Consider it gratitude, Andre. I know you took care of the girls a few days ago and I hope you can answer a question now.”
Andre looked down, suddenly interested in the rocks on the ground. “You hope I can tell you where two of the girls are now.”
Ragi nodded wordlessly.
“They came to me two days ago but the guards found them before I could do anything to help. I’m sorry.”
A soft, rumbling sound leaked from deep in Ragi’s chest, a mix of frustration and something Andre couldn’t quite place. “I worried as much when they didn’t come to our meeting place this morning. I take it they were found as soon as they arrived.”
“The same night, though they were there for a bit.”
“Then I know where they are at this point,” Ragi said, spinning on one heel and starting towards the city. “Thank you, Andre.”
“Wait, signore.” Andre reached into the basket, scooped up the weighty purse and held it out towards the other man. “I haven’t earned this.”
“There you’re wrong, signore. A few moment’s kindness may not seem like much but in Nerona these days it’s far rarer than gold.”
Andre stared at the money in his hand, confused. The Maestro had made it sound like this was going to be a difficult conversation but so far, other than the lingering sense that he’d somehow let Sophia and her mother down, it had felt quite natural. Of course, Mastroianni had been wrong before and would likely be wrong again, as all men were from time to time. But a nagging intuition told Andre the Maestro wasn’t wrong this time.
“What will you do now, signore?”
“We must meet our ship,” Ragi said with a resigned shrug. “Then I must find my family.”
Andre took note of the change from ‘we’ to ‘I’ and drew the obvious conclusion. “A notion, signore.” He gestured for Ragi to join him under his shelter again so they wouldn’t have to speak quite so loudly to be heard. Once the other man did so he continued, “It will be difficult for your guest to pass the gate guards. They most likely have a sketch of her and they will examine every merchant’s daughter they see with extra care.”
“We will manage.”
“I’m sure you could,” Andre said with a placating gesture. “But even if you pass once, you and your family must pass through again, for it doesn’t sound like there will be a ship for you to leave on. So you will have to pass the gates twice.”
Something about Ragi’s expression told Andre the other man disagreed with that assessment but rather than bring it up he just asked, “What do you have in mind?”
Andre hefted the bag of coins and said, “What do you think of commissioning a private production, signore?”

