Woman on Fire

Pewter and Iron was a story that kind of came out of nowhere but I left a hook for a sequel in the middle of it subconsciously. While I have a lot of other Nerona stories I’d like to share at some point I actually got to that sequel before any of them so here it is. Once again we change viewpoints. Caesar’s Company is an idea I had from the inception of Nerona but my original purpose was to tell stories about it from Caesar’s point of view. It turns out several of his subordinates were very interesting on their own. The one outside of Caesar himself that really grabbed my imagination was Tiberius Twice and it turns out he’s the one you get to hear about first.


Among the many mercenary companies of Nerona’s condottieri there were many strange tales and legendary names. The Carrion Drunkard, a manlike thing they said appeared on battlefields offering drink to wounded soldiers, only to reveal its wineskin was full of blood rather than the fruit of the vine. The Conte Vemici, who held Paloma Bridge against an army of a thousands. For Tiberius Twice the one that loomed largest in his mind was his own captain, Caesar Shieldbreaker, who had led his condottieri to victory in dozens of conflicts for nearly fifteen years.

The one most spoken of as a frustration and a trial was Benicio Gale. With his green right arm and gift to command the winds as his own breath, Benicio cut a gallant figure wherever he turned up, which was almost always some small village or out of the way estate. Over the last four years he’d come from nowhere and built himself an ever growing reputation as the frustration of regular soldiers and mercenaries alike, blowing whole companies of men off of mountainsides or into rivers whenever they happened to threaten his current employer. He tended to work alone or with one or two other bravos.

Worst of all, he was cheap. A man with his talents could command a prince’s fortune for his services but Benicio avoided the castles and city squares of Nerona in favor of selling his services to provincial mayors and town councils at a fraction of their worth. All of which made it a surreal experience to clamber through the ruins of Troas with him. Tiberius found himself watching Benicio as they picked their way through an alley between two ruined houses that had long since collapsed in on themselves, leaving chest high walls looking over small piles of rubble and dust that might have once been furniture or people.

The bravo was surprisingly normal, strange arm aside. About five foot eight inches tall, dark, curly hair, hard brown eyes like a rock that had been kicked back and forth across cobbled streets for its whole life, Benicio looked much like the average Neronan peasant. However, to Tiberius’ trained eye, the way he moved through the ruins told a different story. Romanticists talked about bravos as stalkers, predators, creatures on the prowl for profit and fame, but Benicio was none of those things. He was a lookout. Measured movements, designed to give him a solid view of his surroundings, interspersed with small but precise advancements that brought him to the limit of his vigilance before he stopped to reconnoiter things again.

“There.” Benicio paused and pointed towards a sinkhole fifty or sixty feet ahead of them, in the middle of a small square. Tiberius was no expert but he guessed the sinkhole was originally a well back when Troas was an inhabited city. Before the Gulf of Lum drowned half of it.

It was very early in the morning, shortly after daybreak, and the hard shadows left in the wake of the King of Dawn made it so Tiberius had to squint to figure out what Benicio was pointing at. Finally he determined that several scorch marks ringed the sinkhole. “You think your compatriot left those?” He asked. “I suppose his gift was a Flame Hand or Flame Heart?”

“She is a Flame Heart,” Benicio said, loosening his rapier in its sheath.

“Well, in either case you can go down after her first so she doesn’t just incinerate us when we look over the edge,” Tiberius said mildly. “Unless you plan to just stab her?”

Benicio gave him a disturbed look. “Why would I do that?”

“I don’t know, you’re the one with your hand on your sword.”

“Because the only reason for that kind of scorching is because she was fighting with something when she went down that hole.”

Tiberius laughed. “Are you sure about that? I heard you blew her off the battlefield back there yourself and she went laughing. Maybe she just likes burning things.”

“If you’re not here to help you didn’t have to come.”

He turned serious immediately. “No. The Prince of Torrence pays our captain and you are on the Prince’s land under arms without permission. We’re being kind enough to let you find your friend. But Caesar isn’t going to let you or the Blacklegs with you run around on your own. We’d loose our commission.”

“Can’t have you not getting your blood money,” Benicio muttered.

“Spoken like a true bravo.” Tiberius grinned. “If you were ever a condottieri you would know the best commissions are those where the fighting never starts. Although given your reputation I’m surprised you’d object. I’d wager you’ve killed more people in the last year than I have and you’ve done it for far less pay than us. You do realize that cheap murder is going to be more common that the expensive variety?”

Benicio gave him a sly look. “Of course. Why do you think I’ve spent so much of my time making it so expensive for you to fight wars in the countryside?”

“Touche.” Honestly, Tiberius had never thought of the matter that way. Most condottieri believed bravos did what they did because they weren’t able to get along with others and so had to make their way by using their powers of annoyance for their employers. Apparently one, at least, had deeper reasons for what he did. “So who is your friend?”

“Belladonna is not exactly a friend,” Benicio said as they approached the sinkhole. “She’s just someone my employer assigned me to help with this job. I think she was a failsafe, since she can’t be burned to death or torn to pieces she’s guaranteed to be able to report our failure and the ultimate fate of our objective.”

“Did either of you know it was a dragon’s egg?”

“I didn’t. She might have.” Benicio offered an eloquent shrug. “With her, I never know for sure. All women are an exquisitely crafted puzzle but she is exceptional in both appearance and bafflement. I’ll be glad to send her back with news of our failure and be done with it. This whole job has been more trouble than its worth.”

Tiberius sensed he wasn’t entirely sincere although he wasn’t sure whether it was the job or the parting of ways Benicio was hedging on. “I suppose you won’t tell us who is paying your fee? The Prince will probably pay us a bonus if we can tell him. I’m sure Captain Caesar would split it with you if you were willing.”

“No. Bravos do not change sides as easily as your lot, for one, and for another I don’t know how long I would live after I betrayed this particular patron.” Benicio casually waved his hand in a dismissive way. “It is what it is.”

The two of them crouched down and looked over the sinkhole. It was pretty much what you would expect. About a quarter of the opening was still lined with worked stone, just like you would expect to see around a well. The rest was a rough edged tunnel that vanished into the dark about eight or nine feet down. Benicio dug into a pack he had brought with him and pulled out a rag and a small clay bottle with a cork stopper. He doused the rag in a strong smelling oil, wrapped it around a branch and lit it, then tossed it down the hole.

The makeshift torch landed about twelve feet down on a rough stone surface. From their viewpoint at the top it was difficult to see more than twenty or thirty square feet around where the torch landed but it all looked the same. Fairly dry stones piled randomly after the sinkhole collapsed in. The two men exchanged a quick glance then Tiberius offered the other a sweeping gesture, as if to say after you. Benicio took a deep breath and jumped straight down.

As his feet passed through the sinkhole he breathed out with the force of a hurricane, the tempestuous blast from his mouth slowing his fall to the speed of a downy feather dropping from a passing bird. It would’ve been impressive to see if the wind hadn’t blown the torch out and left the chamber below in darkness. Or at least that’s what it looked like at first. After a few seconds Tiberius’ eyes adjusted to the change of lighting and he realized he could see a dim glow coming from off to the left of the sinkhole. Peering over the ledge he called, “What do you see, Gale?”

The only response was a barely audible, “Shh!”

That probably wasn’t a good sign. Looking around he spotted an old stone trough sitting on stout stone legs and quickly passed a rope around it as an anchor. Then he went back to the sink hole, laid a cloth over the edge for the rope to run across so it wouldn’t get damaged and let himself down. Benicio made his descent easier by slowing it down. Tiberius planned to get down by doing just the opposite.

He wasn’t sure where the Gift called Twice at Once got it’s name but it – both Gift and name – had proven very difficult for him when he was young. He was never sure why playing games with other kids left him so tired. He also didn’t understand why catching things, running footraces and winning stick fights was so difficult for the others. The fact that simple tasks like these were so simple for him but he had no apparent Gift made him a target of both loathing and envy in his home town.

It wasn’t until he met Caesar Shieldbreaker a decade ago that he met someone who understood it. That was how he started his time as a condottieri. He’s learned fencing, campaigning and the mastery of his Gift, seen Caesar go from a well known captain to the foremost captain in the nation. But most of all he’d learned to live two seconds in one.

As Tiberius gently let himself down the rope he breathed deep and focused, watching the small pebbles that slid off the lip of the sinkhole with him slow their descent. By the time he reached the bottom they had only fallen half the distance. He quickly slid off to one side of the hole, his head swiveling about as his eyes adjusted to the darkness. He caught sight of Benicio a few steps ahead but there wasn’t much else around them. The rocky ground around them gave way to a pool of water off to the west and a tunnel that led and inland roughly north northeast.

Tiberius let his focus slip and caught his breath. Barely ten seconds had passed for the rest of the world and he had lived twenty but it exhausted him like he had spent a full minute running. Benicio glanced over his shoulder. “Are you alright?”

“For now. Did you find any more signs of your friend?”

“Scorch marks leading off that way,” Benicio said, pointing off to the northeast, “but more than that, listen.”

Tiberius cocked his head, wondering what he was on about, but as his heartbeat slowed he understood. The faint strains of lute and violin were drifting through the cavern. His heart sank into his boots as Tiberius realized he’d stumbled on yet another tall tale from the darkest parts of Nerona. “The Fair Folk.”

“Either that or pirates are using the ruins as a shelter, they’re equally likely options.”

“How many pirate crews do you know that could contain a Flame Heart?”

“Okay. Probably the Fair Folk.” Benicio pinched the bridge of his nose between his fingers. “Zalt. She had to go and find the only nest of Fair Folk in a hundred miles of the Gulf.”

“They’re playing music.” Tiberius shook his head. “Have you heard what they do to people who interrupt their music? They’ll find our skeletons here a hundred years from now!”

“I have to bring her back.”

“I don’t know who your patron is, Benicio Gale, but he or she is not as likely to leave you dead as the Fair Folk when you intrude on their revelry.”

Benicio started grimly towards the sound of music. “There’s more to it than the job. Her mind isn’t well, Tiberius Twice, and I promised I would help it heal. You won’t understand it but I swore it on my arm and that’s something I can’t take back. Besides, I don’t care how ‘fair’ they think they are I can’t leave her to the tender mercies of those people. You don’t have to come.”

For a long moment Tiberius hesitated, looking back to the rope and then towards Benicio over and over again. Ultimately, the condottieri was wrong. His captain had given him an order and, for Tiberius, that meant he did have to come. So he steeled himself and followed reluctantly after Benicio.

Halfway down the tunnel Tiberius’ ears popped and the rough tunnel under his feet transformed into a paved brick hall with torches in sconces along the walls. They’d crossed a portal to the lands of the Folk. No turning back now. The brick opened up into a huge hall full of the strange, near-human creatures that the people of Nerona called Fair.

Not because they were beautiful, however. The doorway they passed through was flanked by two eight foot tall creatures who’s legs were longer than Tiberius was tall, who’s bodies were barely present and who’s hands barely came down past their hips but had fingers that hung to their knees. A small bump on top of their round torsos sported huge, bushy eyebrows nearly covering small, beady eyes. The music was coming from creatures with round bodies wearing ladybug cloaks. Black, clattering claws plucked at lute strings and pulled bows across odd, misshapen violins.

All up and down the hall waltzed equally strange creatures. They were a riot of misproportioned limbs, insect wings, bushy fur, extra eyes and any number of other wild and outrageous elements. Only one of them was human. It was hard for Tiberius to tell much about her since she was made entirely of living fire and throwing off waves of heat as she danced and writhed to the tune of the music. The Fair Folk clustered around her, approaching her one at a time to try and dance. However Belladonna showed no concern for any of them, her own bizarre dance leading her across the floor in unpredictable patterns that forced most of them to pull away or get burned.

One of the towering guard Folk peered down at Benicio and Tiberius, speaking in a surprisingly booming voice. “Ho, there, mortal men and welcome to the celebration.”

Tiberius froze, unsure of what to do in response. The Fair Folk supposedly had their own inviolable rules of culture and propriety but no one was quite sure what they were or when they applied. The few mortal men who had cracked one of the Folk’s rules rarely shared it. Benicio reached up and removed his feathered hat and straightened his doublet. “Forgive our intrusion, Fair one. We meant no offense, only to come and retrieve our friend there. May we?”

“No, no, mortal man.” The guard creature swung its body back and forth in a motion Tiberius chose to interpret as shaking its head in denial. “It is not fair for one to leave the floor before their dance is done! You must let her dance.”

“And how long must she dance?” Benicio asked. Tiberius was sure that the same stories running through his mind was running through the other man’s. Stories about endless dances, enchanted shoes and any other number of bizarre things that had befallen people who stumbled across the revels of the Fair Folk.

“Until the steps are done!” The strange creature laughed. “But alas she is mortal woman and the tunes of the Fair are not known to her, they drive her to strange steps we do not know! Who can dance the whole dance with her? Not I! Perhaps not anyone! Will you?”

Benicio scowled and folded his arms, green over normal, saying, “Dance with her like that? I’d get burned to a crisp. How long will the dance go if no one can match her?”

“How long?” The creatures voice turned confused and one of its spidery, misshapen hands reached up to scratch between its eyebrows. “As I said, until it is done, one way or the other! Nothing else would be fair to her.”

“Zalt!” Benicio spat the word, drawing disapproving looks from the surrounding Folk. “Well, I’ll have to try, I suppose. I can get a little singed if it means-”

“No, mortal man!” The guard creature shook its body once again. “For her own amusement does she dance and we dance to share in it! If you are burned in such a thing how could it be fair? If you are harmed you are not fit to dance with her and must stand aside for a suitable partner.”

Benicio turned incredulous. “What do you mean I can’t get burned? Have you seen her? She’s a Flame Heart in full burn, there’s no way I can keep up with her drunken dancing-”

Tiberius put a hand on his shoulder. “Peace, Benicio. If it will get us out of this hall alive I’ll take care of it.”

With that Tiberius began to shoulder his way through the assembled throng of Fair Folk, doing his best to ignore the strange skins and shells he brushed against, the insectile eyes that turned to him and the strange, unsettling voices that called to him. Finally he reached the dance floor and watched, trying to guess how he took his turn. The Fair Folk seemed to have some kind of method of choosing who would go next but Tiberius watched three dancers go out, get burned and return to the crowd without figuring out what it was. Then one of the Folk next to him nudged him with an fur covered hand. “Go, mortal man,” the creature chirped. “It is time you danced your turn!”

Well, it didn’t make sense but nothing else did so there was nothing to do but give it his best. As he stepped out, Tiberius realized he probably should have watched Belladonna rather than the Folk that danced with her. There was a strange grace to the movements of the woman on fire. When the flickering of the flame mixed with the sensuous movements of a woman’s body and the enchanting strains of the music it was hard to focus. But Tiberius’ whole life was built on focus.

So focus he did, pushing aside the strange creatures, the threat of fire and the potential consequences of failure. He focused and lived twice at once. The flicker of flames slowed, the strains of music turned to mud and the erotic promise of womankind was blunted as its natural sway distorted. Tiberius slid close to the woman called Belladonna and allowed himself to slip into something like a dance. He matched her step for step. He leaned back when she thrust forward, he swayed to counter her dip and he never let himself touch her flame.

Blood rushed through his veins and his heart pounded. But all he had to do was focus. His arms and legs began to burn as the strain of moving them through all that extra time took its toll. Focus kept them moving. The muddy sound of the music swelled then was swallowed by some deeper avalanche of sound. Focus rode above it.

Focus could only last so long. Tiberius sharpened his mind to its utmost and his focus lasted for a count of forty-five. Then fifty. He knew the exact count of the time because he always did. His Gift made it so. The dance continued on. A seventy count, then a hundred went past and still the dance dragged on. Belladonna continued to swing and sway. His arms grew heavier and heavier, his feet refused to move quite like he wanted. Around the edges of his vision the world went out of focus.

Tiberius was not going to last much longer.

Then, just as he stepped forward to match her step back Tiberius felt his focus snap. The swelling music, the cheering crowd, Belladonna’s wild dancing all snapped back to full speed and Tiberius felt his knees shaking as he struggled to control his momentum. Belladonna swung around, shifting her weight forward unexpectedly. With a panicked flailing Tiberius jerked back and tried to keep his balance. Just when he though the woman was going to swipe an arm across his chest and set his doublet alight Belladonna faltered, her body returning to that of a normal woman, and she slumped down.

Tiberius tried to grab her but he didn’t have the strength for it and they both collapsed on the ground. The music hit its last crescendo and the crowd exploded in cheers. Bewildered, Tiberius sat there and cradled his dance partner wondering how he was going to get out of the Folk’s realm if he couldn’t even get his breath and stand. Then the cheering, the music, the dance hall and all it’s Folk vanished. Tiberius and Belladonna were left seated on rough stone with Benicio watching from some fifteen feet away, the echoes of the revel still ringing in their ears.

Tiberius let out a sigh. “We made it.”

The other man approached, his eyebrows raised in recognition of the accomplishment. “That you did. Congratulations, Tiberius Twice, I think you’ve made a name for yourself with that. Not many can say they danced with the Folk and lived to tell about it.”

Tiberius let himself slump down flat on his back. “If this is all it takes to make a name I don’t understand how anyone ever managed it. I feel like a fool. Never let me try a stunt like that again.”

“Oh, I won’t. As I said, Belladonna is my responsibility and I’m in your debt for your help here. I will repay it but I’d rather not owe you anything more.”

“Agreed. I have enough of a name to last a lifetime.”

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Unexpected Fun With L. Jagi Lamplighter

If you were to walk through the forest and happen across a statue of a woman with feathered wings sitting in a clearing beside a long abandoned stone building, what would you think? Most likely you would assume you’d found an old church, long abandoned by its congregation. Perhaps you’d share a moment of comradery with the place’s guardian angel before continuing on your way. Regardless, you probably wouldn’t find that much out of place with it. 

When Rachel Griffon happens on such a scene at the beginning of The Unexpected Enlightenment of Rachel Griffon that’s not at all how she reacts. 

Rachel has no idea what the statue is when she discovers it and that takes some real doing since she has a flawless memory and has read every travelog, adventure tale and bestiary in her grandfather’s library. Her grandfather was one of the foremost scholars in the World of the Wise, for him to not know something takes quite a bit of doing. It is the mystery of the winged woman, along with a dozen other small things, that forms the core of Rachel’s drive through the course of the story. She wants to know the secrets of the world. Then she wants to share them, for it’s the thrill of revelation that truly fascinates her. 

As a twelve year old girl, nearly thirteen, you might expect the secrets that most interest her to be of a particularly mundane variety. However, while some mundane middle school drama afflicts Rachel, it’s not the focus of the story. The Roanoke Academy of Magical Arts has a great deal more going on in its ancient hallways than just puberty driven angst. 

Anyone remotely familiar with the Harry Potter franchise will immediately understand the core premise of L. Jagi Lamplighter’s series. Rachel Griffon is newly enrolled in magic school and in the halls of that school she will find far more of an education in far more things than she expected. The hidden wizards of her world – the Wise – live far more complicated lives than she expected. Rachel herself isn’t quite what you’d expect of a Harry Potter knockoff. 

Now before I go on let me address that obvious issue you may be raising right now. “Nate,” you say, “middlegrade fantasy is a very worn out genre. How can you expect me to get invested in yet another tale of magical teenagers going to magic school?

I understand this objection. But Lamplighter brings a sense of myth that is badly lacking from a lot of middlegrade literature. Many books written for teens try to tap into the sense, so common in young people, that the world is new and undiscovered and everything that exists just came into existence moments ago. Lamplighter, on the other hand, presents us with a world that is ancient and shaped by strange forces that have left Rachel and her friends in very unenviable postions. Yet those forces are not all hostile or malevolent. Some of them are but most of them are just consequences of big decisions made ages ago, they are signposts of a history that must be understood and lived in by our heroes if they ever hope to make anythign of themselves or their world.

It’s a much stronger approach to worldbuilding and character growth than I’ve found in most middlegrade writing, and that alone makes it worthwhile. Add in the mysteries and character dynamics that Lamplighter does so well and you have a very strong read for just about any audience.

Back to our protagonist. She’s a well bred young woman with loving parents and a noble lineage. Magic was always something she knew of, while her mother held a fondness for the mundane people – the Unwary – that helps her keep a fairly nuanced perspective on the world around her. While a flawless memory helps her with the study of magic, she’s no great talent. Many of her peers pick up their lessons faster than she does. 

Rachel doesn’t even have a grand destiny laid out before her. Some of her friends are fated for heroics, but Rachel herself isn’t one of them. If she wishes to do some great thing for the world around her she’ll have to find that work and take it on herself. 

The conflicts at Roanoke are deeply steeped in the history and lore of Lamplighter’s world. As you might expect of a story starring someone who never forgets, connecting details of past events to unravel current problems is an ongoing theme in this story. Rachel delights in gathering facts, making connections and revealing her secrets at the right moment. We delight in seeing whether she’s chosen the right moment (which she does often) or if youth and naivety have deceived her and she’s misread the situation (which isn’t rare). 

Beneath all the flashy magic spells, shadows of old evils and standard schoolyard drama, however, Rachel faces deeper issues. One touch I really liked came in the third novel. After several weeks of chaos, emotional strain and traumatic events, Rachel finds herself on the verge of a very believable mental breakdown which is resolved, as so many things in her life, by the unexpected but totally coherent application of her flawless memories. It’s hard to describe more without spoiling the moment, so I’ll leave it at that – suffice it to say this is one of my favorite moments in the series so far. 

Another interesting deep current running through Lamplighter’s novels is the twin questions of purpose and allegiance. Rachel is constantly looking at her loyalties to friends and family and comparing them to her own wants and goals. She’s a very driven character, but also a very devoted one. Reconciling her strong sense of duty to principle and loyalty to others is difficult for her. Her principles are challenged and some are worn down in ways that don’t benefit her. Five novels in and Rachel still doesn’t have a clear cut, highest standard for her life. Yet. 

But there are hints. 

One of the greatest achievements Lamplighter reaches with her series is inviting the audience to share Rachel’s delight in knowing a secret. Yes, we follow her adventures and know many of the secrets she knows. However, things go a layer deeper than that. You remember our opening thought experiment, of finding a guardian angel by a ruined church? This is a secret we know that Rachel does not

There are other hints to that secret in the early pages of the first book. Rachel owns a model of broom known as a steeplechaser. However, no one knows the meaning of the word steeple. It’s an orphaned word, like saint, so old that its meaning is lost even though people still use it. And, of course, there is the familiar. All the students at Roanoke have familiars but Rachel’s roommate brought a particularly unusual one. A lion, miniaturized for convenience. A lion that talks to a raven on the windowsill in the middle of the night. Even among the Wise, even among the enhanced creatures known as familiars, animals don’t talk

But these two do. The lion isn’t supposed to be there, the raven says. He was called, the lion explains, and where he is called no earthly power can keep him from answering. Not even in a world where knowledge of him has been locked away. 

This is the secret we know, but Rachel does not. We know the Lion of Judah and we get to watch Rachel slowly discover him in spite of the painstaking efforts made to hide him from view. In spite of the fact that the lion here is behind enemy lines. In spite of all the other things clamoring for her attention. This part of Rachel’s story is what truly gripped me as I read Lamplighter’s books. It was a brilliant idea, executed in a way that did a wonderful job of holding my attention. If watching someone discover that secret seems like a worthwhile tale to you, I would highly recommend this tale. 

Firespinner Chapter Twelve – Farewells at Last Light

Previous Chapter

Roy gently took Andrew Blythe from his seat on O’Hara’s bushwalker and set the boy on the ground, sleepy and unsteady but otherwise fine. He’d spent most of the trip asleep, like his brother. The ordeal the Blythe boys had gone through had taken a lot out of them but didn’t seem to have done any serious harm. There was one curious side effect, though.

Roy watched as Andrew and River Reeds walked into the Blythe house in perfect synchronization. “I’m pretty sure that will wear off in another few days,” he said to Nora. “But if it doesn’t Grunt can put the word out and we’ll see if we can find a true blue medicine man to look at it.”

“Thank you, Mr. Harper,” Nora said. “You’ve been very kind. This wasn’t part of what you were hired for.”

“Not a problem, ma’am.”

“But not necessary either,” Oldfathers put in. Roy couldn’t help but note that he’d linked arms with the widow. “I’ll be travelling for a few days to gather up some loose ends, but I plan to come back once I’m done. I’m thinking of settling down here. I’m getting too old to sleep in the open for weeks on end.”

Grunt and O’Hara looked surprised at that but Roy took it in stride. There were consequences to tampering with magic on the scale they had and Oldfathers had assumed duties that bore significant consequences, whether he’d realized it at the time or not. The old druid knew magic and its costs better than any of them and Roy had confidence Oldfathers would see them out.

“Sounds like you’ll be well looked after, Mrs. Blythe,” Roy said with a warm smile. “Hopefully you never need my services again.”

Nora laughed. “Getting involved with one legend of the west would be enough for a lifetime and I’ve already seen two. I got no appetite for a third.”

Roy chuckled. “Hopefully if you do it will be more benign than the Yose and Mete twins or General Oldfathers.”

She glanced at the general out of the corner of her eye. “Who, him? He belongs to the east.”

Roy’s brow furrowed. “Then what’s the second? Or are you counting the Brothers separately?”

Nora smiled and shook her head. “Take care of yourself out there, Mr. Harper. If you ever visit Mr. Grunwald here in town be sure to stop in, you hear?”

It sounded like a dodge but Roy couldn’t figure out why she would so he let it go. “Of course.”

Roy waited as a few more quiet words passed between her and the general then they set out for Grunt’s house. O’Hara parted ways when the passed the main street in order to take her bushwalker back outside the walls, leaving Grunt with a whispered promise to visit later. That left Roy with Grunt and the general. The three men walked in silence for a while, then Oldfathers said, “I appreciate your not taking me in.”

“I’m not an officer of the law,” Roy said. “I don’t have an obligation to bring in bounties.”

“Not even an old Lakeshire officer?”

Roy shrugged. “It’s been a long time, General. I’m not saying I would’ve done what you did in your situation but you’ve earned a little grace, at least. And…” His glance drifted up towards the mountain top. “I’m not sure how Yose and Mete would react if their new father left so soon.”

The general grunted something that might have been a laugh. “As you say. Well, I suppose I can take the pieces of that nawonota off your hands, if you want. I have a stash where I can bury them for a few decades at least.”

“It’s all right. The Packards have an Iron Room for dangerous magic items set up in Hardwick. It’s a day’s travel each way and that’s easy enough to work into my route back to Leondale. I’d rather the pieces of that thing sit on iron until all the magic’s leached out of them than just bury them out in the wilderness.”

Oldfathers chuckled. “And the Railway Detectives will just take an unknown artifact – or the pieces of one – off your hands because you say so?”

“And because I work for them from time to time.”

“And Allen Packard is his uncle,” Grunt added.

“And that.” Roy hefted the bundle holding the nawonota’s pieces. “Don’t worry, General. This will be well taken care of. And I’ll get that fulminite crystal out of the slag you made of my falcatta and send it back to you.”

“Keep it,” the General said. “I think you’ve earned it and you never know when it may come in handy out there. You’re going to have more chances to use it than me anyway.”

They rounded the corner to Grunt’s house and the big man ducked in the door to retrieve Roy’s travel bag. “Tell me something, General,” Roy said as they waited. “How are you going to pass on that journal of yours if you’re settling down here? Do you think someone will just come through and take it off your hands? It doesn’t seem like the best strategy, this being the end of the rail line and all.”

Oldfathers tapped his hexwood staff on the ground once which set it to unfolding in to its full sized tree form. “The journal will tell its owner when and where to find the next person in line. I’m not worried about passing it on. Never was.”

Grunt returned and handed Roy his bag. “Half an hour before the last train leaves,” he said. “Anyone up for a last drink?”

“No, thank you,” Oldfathers said.

“Gave it up, remember?” Roy tipped his hat in the general’s direction. “General Oldfathers, as much as it surprises me to say it, it’s been a pleasure.”

“Likewise. Take care of yourselves, Mr. Harper. Mr. Grunwald. Stay true to the Quest and it will bear fruit, in time.” The hexwood was unfolded to its full twelve foot height and its branches gathered Oldfathers up, allowing him to partially recline against its trunk.

“May Our Lady guide you to warm hearthfires,” Grunt said.

“Hearthfires, gentlemen. And Roy.” Oldfathers tapped his jacket’s left breast twice, winked and then whisked away on the frantic churning of the hexwood’s roots.

Confused, Roy patted his jacket in the place Oldfathers indicated.

Felt something solid there.

And pulled out Pellinore’s Journal.

“Dust and ashes,” Roy muttered.

Grunt burst out laughing.

“This isn’t funny.”

“Oh, I’m sure it’s serious as dead iron, Roy.” Grunt got control of himself. “But you have to admit it’s at least a little funny, too.”

Roy sighed and put the journal away. “Fine. Fine. Let’s go, the last train leaves in twenty five minutes and I need to stop by your local sundries supplier.”

“Sure.” Grunt locked his door and pocketed the keys. “What do you need?”

“Paper and ink. It seems there’s some writing in my future…”

Firespinner Chapter Eleven – The Day in Balance

Previous Chapter

As it turned out nothing happened for most of the day.

Roy was expecting Yose sometime between dawn and midmorning, the time when the sun was ascending, since he was supposedly tied to the Primeval Fire. But Thomas Blythe failed to appear. After midmorning they entered the time of balance, with the sun reaching apogee and slowly beginning its descent. Nothing happened then, either. As it turned out things began about an hour before full dusk when Thomas Blythe erupted out of the stream with no warning, flying over O’Hara’s rampart with a good three feet to spare. He landed with a sizzling thud, his features shrouded by a billowing cloud of steam and rippling waves of heat.

To his credit, in spite of the sudden arrival following a long wait, Reeds reacted instantly. A wall of shimmering red rectangles sprouted from a copper line on the ground, converging on a bronze talisman Reeds held aloft in his left hand. It was a crude ward and started crumbling almost as soon as Thomas collided with it. Reeds held a bronze wand in his other hand, quickly connecting a predrawn set of glyphs to finish a more effective ward that spat flames in a thicker, stronger barrier in front of the possessed boy.

O’Hara’s earthworks rumbled as the tiles on her board clacked, ensorcelled tiles and sulfurite crystals sliding across it as she reworked their formation and, in the same action, rearranged the land itself. The raised earth by the creek began to sink back into the ground as a new barrier of equal thickness but greater height formed behind Reeds.

But that wasn’t the loudest noise at hand. At the other end of the hill the massive trees at the foot of the cliff creaked to life and began to rip the cliffside apart. Rather than wait, Grunt and Marshall moved up to hack at the trees. The pines began to teeter and fall under their onslaught. But it ended almost as soon as it began when a surge of water burst from the opening in the cliff and swept both men back down towards the crater. A small figure appeared at the new entrance in the cliffside and started towards the crater, flanked by the trees.

Down in the center of the crater itself the stones began to shift. Overhead the clouds left from the previous day’s rain began to roil and churn.

“Nora!” Roy yelled. “Find the nawonota!”

That was their first gambit. If the Brothers had somehow co-opted Thomas and Andrew Blythe into playing out their old sibling rivalry perhaps the grudge could be undercut by introducing Nora into the role of peacekeeper, as Yose and Mete’s mother had been between them. Oldfathers considered it a long shot but it was simple and easy to try, so Roy lined it up first.

But it was anyone’s guess whether Yose and Mete would recognize Nora as their mother or not. So Grunt and Marshall moved to block Mete and Reeds started working on a third barrier, this one grounded in O’Hara’s earthwork itself. Or, at least, he started. Then he suddenly stopped and pivoted to look directly up the hill at the crater. Further up, Andrew Blythe did the same.

In unison both of them said, “Ket!”

The word echoed over the hillside with preternatural clarity. Roy spoke no Sanna but he knew the word “No” when he heard it. He wasn’t sure what circumstance made them say it but he did know who was saying it – they were both under the influence of Mete now. That was a lovely little wrinkle he hadn’t anticipated.

Roy tapped Oldfathers on the shoulder. “Stop those trees, General.”

He grunted noncomittally. “Easier said than done.”

But he raised his hexwood staff up, its branches unfolding into a complicated pattern, the sulfurite crystals twined in the ends of its branches pulsing with power. The general stretched his other hand towards the top of the hill in a clutching motion and the raging pines shuddered to a stop.

“Ket!” Andrew and Reeds screamed in unison once more, they reached towards the trees with their hands and made a dragging motion. The pines shuddered as if under great strain.

One shattered into splinters.

The others lurched back into motion.

“Dust and ashes,” Roy whispered. He hadn’t thought it possible Hezekiah Oldfathers could lose a contest of sheer power.

“Coalstoking Sanna ghosts!” Apparently the general hadn’t expected it either.

But he delayed the trees long enough for Marshall to get to his feet and charge back into the fray with surprising recklessness. His club whistled through the air and smashed into the trunk of one pine, which promptly shattered into flaming twigs. For a split second Roy panicked, thinking the debris would land on Nora. But as they arced through the air they were caught in the churning winds over the crater and went spinning away.

“That doesn’t look good, General,” Roy yelled over the noise. “Looks like Yose got to Marshall, too.”

“So the Brothers have all the brothers now,” Oldfathers replied, his gestures waking some of the smaller trees and sending them upslope as fast as the newly animated pines could go. Not that such little things posed much threat to the mature, sixty foot trees under Mete’s thumb. “Pull O’Hara out, she can’t be in there when Reeds and Thomas start fighting for the Brothers. I have something that will slow them down, you try and figure out what’s happening in the crater!”

“Ignis fatuus, man, I said tell me about all your tricks!” But Roy was doing as Oldfathers said, holding his fist aloft with thumb upwards then jerking it over his shoulder in the Columbian Army’s “fall back” signal.

O’Hara stepped away from the waist high board she’d set up by the river and kicked over a brazier she’d kept burning beside it all day. A cloud of viscous white smoke poured out of it and swept over the creek bed. Reeds and Thomas disappeared from view, though the fiery glow of Thomas’ presence was still clearly visible inching up the hillside.

Marshall just kept smashing trees with his club but couldn’t get anywhere near Andrew. For a moment Roy feared the boy would reach his mother before anyone else could. Then one of the huge rocks by the crater shifted.

Lifted into the air on Grunt’s shoulders.

And flew towards Andrew at speed.

Two of Andrew’s pines leaped into the path of the missile. One was smashed flat to the ground. Grunt was already hefting another one of the huge rocks, weighing it for another throw.

But Oldfathers was focused on the growing cyclone overhead. “Roy,” he yelled. “I was right, there’s something in that nawonota. I don’t know what part of the legend that is but I don’t think it’s going to let the story end that easy. You have to keep Nora away from it.”

Roy’s attention snapped back to the crater, where the widow Blythe was tugging at a larger rock near the bottom of the pit. Her hair and dress whipped in the air and her figure was half obscured by dirt and pine needles flying through the air. Roy gripped his buckler harder. “Agreed. Keep the brothers away from the crater but let them fight each other. I don’t think that’s the main show anymore.”

A brief flash of pale blue light caught Roy’s attention. Oldfathers had drawn one of his fulminite crystals, leaned against the rock and removed his peg leg. The top had a hollow just big enough for him to slip the crystal into. The general did so and held the peg back in place, vinelike tendrils around the top wrapping about the stump of his leg before he let his pants fall back into place. “I’ll take care of it.”

“What are you doing?” Roy asked.

“Cover your ears,” Oldfathers replied. “By the Breath of Mercury, I am carried upon the Primordial Whirlwind!”

Roy understood what was happening a half second before Oldfathers finished, barely getting his hands over his ears before a lightning bolt crashed down on the general. The world turned bright as day and Roy felt the sound in his sternum. The sound repeated in a frightening staccato that nearly brought him to his knees, flashes of lightning and blackened footprints tracking Oldfathers’ path uphill to Mete and his trees. The walking grove strobed with light and the trees were thrown in all directions, born on waves of crackling lightning. Within their trunks Roy saw after images of the general, his legs transformed into pillars of lightning, lashing out against the trees, the ground and the air itself.

No wonder Oldfathers had kept that trick to himself. Many Columbians thought avatars of the First Elements were blasphemous, after all, and this was a particularly terrifying blasphemy at that.

There was no time to watch the carnage. Oldfathers fought a delaying action only as the real battle took shape in the crater.

A true whirlwind was forming over it and Roy watched the sky with distrust as he approached Nora, unsure of what he was looking for. At this point they were past gambit two, where Nora tried to calm the boys once she had the nawonota in hand, and on to the part where he should just stick iron in the thing and see if that cancelled the magic at work. But Oldfathers was right – there was something in the nawonota and it didn’t seem to be either of the Brothers. That made everything less certain.

As Roy got up to the crater a towering pine tree loomed out of the chaos but before it could do more than send a few roots stretching towards him Grunt’s ax crashed into its trunk, drawing the tree’s attention. Roy scrambled down the crater, more than used to trusting Grunt to watch his back in these situations.

The widow was saying something to him as he approached but, after the lightning strike, Roy couldn’t hear much of anything. Once she realized he was partly deaf Nora motioned like she was lifting the stone at her feet, a block of stone easily two feet tall and twice as long.

Roy shook his head. “Never mind that,” he said. Or thought he said, he couldn’t even hear himself. “Something’s off, leave the coalstoking thing and we’ll move on to the next stage.”

Another series of flashes and rumbles, felt more than heard, drew Roy’s attention long enough for him to note Oldfathers descending the slope again. O’Hara’s fog had cleared and Thomas Blythe was coming up the hill again, only to stop short when he caught a crackling kick from the general.

Roy winced but focused on the task at hand. He grabbed Nora by the shoulder and tried to pull her out of the crater. The wind caught her hair and tangled it around his arm leaving it sopping wet. The day was overcast but not rainy. Roy looked up, then down, then finally back at Nora and realized that water was streaming from her hair in sheets.

He looked back up into the sky, a sinking feeling in his stomach. The clouds were spinning in angry circles. It could have been Roy’s imagination but he thought he saw a face forming there.

Nora – was it Nora? – was saying something but Roy still couldn’t hear her. But when he squatted down, put his shoulder into the rock and pushed Nora quickly joined him. A moment later the rock shifted and rolled halfway over.

Underneath was a simple octagonal frame of ivory and leather straps. Roy had never seen one but it was obviously the nawonota. He didn’t hesitate for a moment when it came into view, just pulled all the fire he could from his buckler’s sulfirite and blasted the old Sanna artifact with it. A screaming blast of wind, loud enough that even Roy’s ringing ears could hear it, tore down from the sky and plastered him flat. The blow left his head spinning and his ribs, which had been well behaved for the last day or so, throbbing once again.

For a moment Roy thought he saw something, superimposed over the chaos of the real world. A woman in the garb of a Sanna matron cowered, the nawonota held up in both hands like a shield. A Sanna man with cruel eyes loomed over her, hand raised to strike but a bewildered look on his face. A stone ax was buried in his side and a boy of no more than twelve, who’s face resembled the father he had just killed, held the weapon’s handle. His identical twin watched from the entrance of the tent, horrified. The father’s spirit was captured. As it strained against the nawonota the second brother went from horrified inaction to stealing the artifact and running away into the hills.

Not all legends were true. If they were true they were rarely the whole truth.

And the legend of Yose and Mete was apparently not one of the few that were the entire truth. No wonder Reeds and Marshall had never triggered the legend on their own, their father was already dead and it was clearly the death of the father of the family that started the story.

The vision passed almost as soon as it came, leaving Roy to get to his feet in spite of his pain, old and new. Pain he could ignore. The nawonota was another story.

And the Sanna artifact was on the move. The whirlwind that dispersed his fireblast also lifted the nawonota into the air, dirt and dust swirling around it in an ominous cloud. Roy’s buckler was mostly empty and adding the small reserves of his cufflinks and sword wasn’t going to give him more firepower than a full buckler so he changed tactics and drew his knife.

Stepped in to slash at the relic.

And got shocked in the leg before he got close.

Electricity crackled through the dust cloud now and, while dead iron would kill any magic it touched, it wasn’t a defense for his entire body. Every time he tried to get closer to the artifact the lightning snapped at him, leaving his limbs twitching and the distance the same. Roy backed away a step, growling in frustration. That was when he realized his hearing was coming back.

Not that it hand much to tell him. Nora was babbling in Sanna now, another surprise victim of the legend. He hadn’t expected it to be so all-encompassing but if the vision he’d seen was true, and not just a fever dream, then her susceptibility to the legend’s power wasn’t surprising.

A glance up and down the hill told him no one else was doing much better. Andrew Blythe was locked in battle with Marshall, much as their twin brothers fought down the slope. Nothing Grunt or O’Hara did fazed them and only the fact that the mismatched twins were fighting each other with Oldfathers poking them as a spoiler slowed their advance on the crater.

The power of the legend seemed to crackle all up and down the hillside like a living thing.

And that was when Roy had it.

All living things were a balance of four elements and, of course, as a living thing the legend was no exception. Mete was the element of earth, Yose fire, their mother water and their father air. Roy didn’t have to kill the whole legend to win. He just had to rewrite it. “Oldfathers!” His voice was barely audible over the din of battle. “New plan, get front and center!”

Hopefully the general could hear better than Roy could. All he could do now was try and pave the way for Oldfathers. Roy pulled in every last drop of firepower from the sulfurite on his body and blasted it into the crackling dust storm, burning much of the dust away and decreasing the static in the air considerably. With a sharp click Roy ejected the sulfurite from his falcatta and crammed Oldfathers’ fulminite crystal into the empty slot. It was a poor fit for the setting, not remotely the right size or shape, but with a little fumbling he got it to stay in place.

Roy gave the weapon an experimental snap, saw that the fulminite stayed in place and heaved the weapon at the nawonota. It spun through the dust storm, the bright bronze blade crackling with electricity and channeling it down into the fulminite, draining even more power away from the gathering whirlwind. Leaving a void in the legend. Roy looked around frantically. “General Oldfathers, get to the coalstok-“

The world went white and sound flew away once again. For a moment Roy saw the same family as before, now gathered around the fire. Save for the father, who was just entering the tent carrying a brace of rabbits over one shoulder. On closer inspection he wasn’t the same man as before. He was older, a little more world weary, but his eyes were kind. Kinder than the father from before. Kinder than the man who led the trees up Briarheart. But unmistakeable none the less.

Then the vision faded and the real world crept back in at the edges. Grunt was helping Marshall to his feet. Nora was struggling against the buffeting wind, which seemed to be fading but was still pretty strong. And Oldfathers was picking up the pieces of –

Of Roy’s sword. He was holding the nawonota in his other hand, still very much intact. Roy staggered over to him and held his hand out for the artifact. The general passed it to him, saying, “It looks inert, though I’m not sure that means it’s safe. What did you do?”

“That was all you, General.” He took the nawonota and carefully cut the leather that bound it together with his iron dagger. “I agree with you on the safety issue, though. I know a safe place to keep the pieces for a while. In the meantime, let’s get off this coalstoking mountain.”

Next Chapter

Firespinner Chapter Six – Thunderbird

Previous Chapter

A lively stream cut through the ridge on the opposite side, ran down into the heart of the valley and turned, following the valley out of sight. It was a picturesque sight, except for the crackling amorphous creature flying back and forth over the stream occasionally shedding a lightning bolt from its wings. In truth only the core of the creature was protean, the rest of the body – head, beak, wings and talons – were well defined, if given to bending or distorting in odd ways when they moved as if the creature had no bones or joints. Which it didn’t.

“Ignis Fatuus, we’re lucky it didn’t see us,” Roy muttered, watching the thunderbird warily over the crest of the hill. “We might be able to get the drop on it.”

“Do we really have to fight that thing?” Nora asked, looking askance at the beast. “It looks like more trouble than it’s worth.”

“A fine question.” Roy looked to Grunt. “How long to go around?”

“If we want to keep going north east?” The big man thought about it for a moment. “‘At least six hours, maybe as long as a day. Depends on the route we take and if we run into anything there. Mountain lions are pretty common up here but they’re not as big a deal as a Sasquatch. Those’ll bury you with rock slides before you ever see ’em.”

“Are they hostile?” Roy asked.

“Just hungry,” Grunt replied. “Always hungry.”

“But also rare this far south,” Reeds added. “I don’t think we’ll see one until winter takes hold. Either way we don’t have time to go around. It’s about a day and a half from here to Mete’s Grave, we can’t afford a side trip.”

“Are we sure the thunderbird wants to fight us?” O’Hara asked. “It looks almost totally elemental. Those kinds of creatures rarely take note of humans.”

“Thunderbirds aren’t natural creatures,” Roy said. “They’re created via Tetzlanii blood rituals and given a purpose during their creation. Traditionally they’re used as guards. Add in the fact that blood rituals are almost always malevolent and yeah, I think it’s pretty likely the thing will fight us if it sees us.”

“It’s Tetzlanii?” O’Hara frowned. “What kind of wards did they use to contain them? I have most of the major ones with my tile board.”

“As I understand it the blood ties it back to the ritualist somehow, no wards, charms or geas needed to control it,” Roy said. “Besides, tile magic is earth and fire, thunderbirds are air and water. Magics without a common elemental factor tend to mix poorly.”

“And I’m afraid water can’t hold any kind of pattern for long so it’s not used in the Teutonic tradition at all,” Reeds said. “I don’t suppose any of you are hiding secret talents as a stone singer?”

Marshall puffed himself up, spread his arms theatrically and exhaled in dramatic fashion.

“That’s a no,” Grunt said. He glanced at Roy and took note of the way he was fingering his necklace. “Why don’t you just do your freezing trick to it, Roy?”

The wendingo bone beads were cool to the touch, free from the malice of their old owner but still so very, very hungry. “We’ll keep that as a court of last resort. But I do think focusing on the water half of a thunderbird is the best bet. It’s easier to disperse the vessel of a spell than counter its driving force anyways. Here’s what we’re going to do.”


Grunt and Roy scrambled down the side of the valley. In spite of Grunt’s extra hundred pounds of size and two handed weapon he made the descent far more gracefully than Roy did. He easily slid down patches of grass, leapt over stretches of loose stones and levered himself around small trees, where Roy seemed to get caught on every unseen root or hidden rock outcropping. But the army taught Roy years ago that he was a city slicker through and through so he was used to it. The goal was to make sure the thunderbird didn’t notice them and in that he succeeded.

Climbing up the other side of the gorge was more difficult.

For starters he’d removed the buckler from his belt and drawn his sword. Like many things in his life, Roy’s weapons were custom built to mesh with his powers. The buckler had a large eight stone crystal set in the center giving him a lot of raw firepower to draw from, a nice option to improve on the defensive qualities of the light shield or a midrange offense as needed. The sword was a falcata, a heavy chopping weapon for close combat and an effective platform for catapulting fireballs long distances. They gave him plenty of options for fighting at all ranges, the first concern of a firespinner at work. Terrible gear for a soldier in the bush, trying to move quietly and communicate via hand signals.

Worse, Grunt kept picking his way up using one hand to climb, the other all that he needed to balance his sword over his shoulder, blazing a path that Roy, with only half of one hand free, had a hard time following. Roy was pretty sure Grunt kept juggling his sword from one hand to the other just to rub it in. Still, for all the problems of climbing the gorge they made it almost all the way to the second ridge line without drawing the thunderbird’s attention.

Once there they settled in to watch. Roy did his best to contain his impatience. They’d already lost the better part of an hour crossing the valley and he was very aware of how little time they had overall. But as they said in the army, serenity was akin to alacrity. So they waited and watched.

After ten minutes it was clear the thunderbird was circling over the cleft in the ridge where the small river cut through on its way down the mountain. It never veered off into the valleys on either side of the ridge or went further along the rise in either direction. Reeds said they should follow the river to reach Mete’s Grave.

The thunderbird being there couldn’t be a coincidence. They needed to get rid of it.

Roy signaled Grunt to get ready then started to work his way along the ridge towards the river. After a minute or so the thunderbird took note and swept over him, circling in predatory fashion. Grunt leapt to his feet and his sword roared to life, bronze blade gleaming, flame pouring from its fuller.

The thunderbird shrieked. The earsplitting noise started higher than a train whistle and dropped down to a bone rattling boom. As the tone dropped the creature swooped down out of the air towards Grunt. He raised his sword point towards the elemental and the weapon spat a stream of fire at the thunderbird. The thunderbird jerked away from the assault but towards Roy, who was already pulling fire from the sulfurite in his shield, forming it into a wall to block the elemental from retreating. Caught between the two men’s attacks the body of the thunderbird began rippling with steam. It crackled in pain.

Roy and Grunt moved forward, pressing the creature between their fiery weapons. But the creature wasn’t stupid. It dodged and weaved with frightening speed, skirting the stream of flame from Grunt’s direction and swooping away across the valley in a flash of barely perceptible movement. It stopped in a crack of thunder right before colliding with the faint shimmer that marked O’Hara’s spell walls. Maybe it knew the wall was there, in spite of its near invisibility, maybe that was as far as it could go and maybe it just noticed the rest of the group waiting there, behind O’Hara’s wards.

Grunt turned and made to start down the slope, as if he had a chance of getting back to that side of the valley in time to do anything. “Wait here!” Roy yelled. Grunt shot him a questioning look. “Lighting falls and returns! Reeds can handle it, we’ll catch it on the return stroke!”

But Roy had made one mistake. It was a natural one, but a mistake none the less. Grunt told him one of the brothers worked magic and later Roy learned that brother was Reeds. He was also the brother who could talk. And at some point Roy had just started thinking Reeds was the active one of the pair, that when push came to shove Reeds did what needed doing and his brother was some kind of moral or spiritual support. He realized how wrong that assumption was when Marshall leapt up on top of the spellwall, meeting the thunderbird as it started to cross over the barrier.

One of the elemental’s talons lashed out at him, raking crackling gashes into the spellwall. Marshall met the blow with the obsidian head of his warclub, the simple but brutally effective weapon of Sanna braves. Man and beast strained against each other for a split second, an ominous energy building between them, then erupted into an exchange of a dozen sizzling attacks, deflections, blocks and counters, all in the space of a single breath.

It was so fast Roy only caught glimpses of the exchange in afterimages. Looking away was unthinkable. But Roy forced himself to do it anyway, swapping his sword and shield hands with practiced efficiency. Then he tossed the shield to his partner saying, “Grunt, discus!”

Grunt shifted his greatsword to his offhand and caught the buckler then turned the motion into a spinning throw that send the shield arcing across the valley. It wouldn’t quite make it to the spellwall but got close before it started to drop. When it did Roy reached out to the sulfurite set in it and asked the fire there to come out.

The fire power within burst out in a massive wave of flame and heat that washed over the thunderbird with a violent hiss. The blast almost pulled the creature apart in a cloud of steam but its wings beat the air and it gained enough altitude to get far enough away from the dissipating fireball to pull itself back together.

Sensing weakness Marshall threw his club at the struggling elemental and it flashed away again. But as Roy had told Grunt, the creature was forced to return to where it had been a moment ago, just as a lightning bolt that falls from the sky must return to the clouds.

As soon as the thunderbird vanished Roy’s iron dagger left its sheath. Once it reappeared in the air just over his head he threw it before he heard the clap heralding the creature’s return. The point of the dagger buried itself into the creatures body just below the wing. The thunderbird let out an electrical shriek then burst with an incredible sound that Roy felt more than heard. He and Grunt were thrown to the ground as water driven by the creatures sudden death lashed against them like knives.

For the second time in as many days Roy found himself staring up at the sky and getting wet with no clear notion how he got there. Apparently the thunderbird’s death had prompted the clouds to start raining. Rather than sit there and get water in his eyes he got back to his feet again. The ringing in his ears pulsed for a moment or two, eventually settling into time with the throbbing in his ribs to remind him that working as a professional violent man had steep costs associated with it.

He was gratified to see that O’Hara’s group was making their way across the valley. The brothers were currently helping Nora and O’Hara get their mounts across the river. Roy tried to get Grunt’s attention but couldn’t hear himself over the ringing and assumed it was the same for his friend. So he started searching the top of the ridge on his own.

After about five minutes of looking he heard a distant voice saying, “What are you doing? We need to keep moving.”

It was O’Hara, getting down from her bushwalker with a jar of something in one hand. Roy shook his head, trying to clear the ringing a little, then said, “First we need to bury the heart. If we don’t there are complications.”

“Heart?” She gestured Grunt over and applied some kind of salve to his ears. “What heart? Elementals don’t have hearts, Mr. Harper. They’re just blobs of power and medium.”

“It’s a human heart, O’Hara.” He tapped his chest for emphasis. “Blood ritual, remember? The only way I’ve seen to make a thunderbird involves taking a beating heart from a living person. That kind of thing was why the Esperians burned all the blood ritual records they could find.”

“What happens if we don’t bury this heart?” Reeds asked.

“Hauntings. People drown in their sleep even if they’re nowhere near water. Eventually people get struck by lightning on clear days. Nasty stuff.” Roy pulled a small flame from one cufflink and used it to illuminate the ground beneath a thick clump of bushes. “You should be able to find it by smell, they’re not exactly fresh. Even if they are still beating.”

He glanced up in time to see Marshall holding his nose and shaking his head. “He says the creature did not smell when he was near it,” Reeds clarified. “Or at least he didn’t notice it. Neither did I.”

“I didn’t notice anything either,” Grunt added, scooping the gunk back out of his ears. “You gotta try this stuff, Harp.”

“Later.” Roy smelled his clothes in a few places, searching for the telltale stench of the bloodwater that made up the bodies of thunderbirds. To his surprise he found nothing. “Right, that is strange. It’s not a mild scent, it should still be obvious even with the thing dead.”

Roy pulled his light back and tucked it away in his cufflink again. “I don’t know what happened here but I want to find out.”

“You said these things aren’t natural,” Nora said. “Could the druid you mentioned have conjured the creature? Maybe he blended the Tetzlanii ritual with some kind of druidic magic?”

“That’s exactly what worries me,” he admitted.

“In that case maybe this was part of it?” O’Hara held up an odd crystalline sliver about as thick as one of her fingers. A gold band ran around the circumference about a third of the way up its length. “We found it on the way across the valley.

The crystal was a dark, smokey gray shot through with faint sky blue streaks. Roy took it and turned it over in his hands. The hair on the back of them stood out straight. “Well, well, well, someone found a chunk of fulminite.”

“What’s fulminite?” Nora asked.

“It’s like sulfurite,” O’Hara said, “except it holds the power of the air rather than fire. And no one knows an easy way to recharge it. Or any way short of standing in a storm and hoping you get struck by lightning. I’ve never heard of anyone pulling it off.”

“If it functions like sulfurite the crystal glows brighter the more power that’s in it,” Roy said, peering into the crystal’s depths. “So it must be pretty well spent.”

“Could this take the place of the heart in the blood ritual?” Reeds asked.

“I don’t know.” Roy tucked the crystal into the inside pocket of his jacket. “But it could.”

“Sounds like a very druidic thing to do,” Grunt said. “They like messing with power sources and plugging them into new mediums. That’s how they found so many different kinds of trees they could manipulate.”

“So you think this creature was created by General Oldfathers?” Reeds asked.

“It’s not simple or easy magic to do,” Roy said. “I’m sure there’s plenty of people in the frontier counties that could do it but he’s the only one we know of nearby.”

O’Hara studied Roy for a moment. “How do you know so much about these thunderbirds anyways? Could you make one?”

“I’ve been a lot of places and done a lot of work for a lot of different people,” he said. “But I couldn’t make a thunderbird. Even if I could predict a lightning strike and had an alter carved and ready to take the blood, I don’t think I could bring myself to rip someone’s heart out just to make one of the foul tempered things.”

“And on that reassuring note,” Ben said, “let’s get out of this coalstoking rain.”

Next Chapter

Genrely Speaking: Weird Western

Boy oh boy we have not done this in a while. Long time readers know that genres are a thing that fascinate me, they are at once an attempt to codify stories and make discussing them easier and, at the same time, somewhat arbitrary groupings that carry different connotations among different people. For whatever reason the standards, exceptions and idiosyncrasies of genre classification entice me to think about stories through new lenses as I try and narrow down exactly what defines a story and its thematic content. Now all genres are broad categories and they tend to spawn a bunch of subgenres that narrow the scope to an extent, which for the purpose of Genrely Speaking are counted as regular genres rather than some beast of their own. A subgenre is almost narrow enough to be a useful tool for analysis rather than just a section in the library. 

That is, when it’s not just two genres pasted one on top of the other. 

Enter: The Weird Western. 

As the name implies this genre is built on a base of the Western. It has all the open horizons, independent lives and harsh consequences as that genre but it layers something… extra on top of that. That extra usually comes in the form of some kind of Space Opera or Low Fantasy (or, on rare occasions, some other Fantasy genre). On the one hand a Space Western can serve as a look at technology or social trends when they’re boiled down to just one or a handful of people surviving in harsh places. On the other a Fantasy Western takes many of the superstitions and traditions of the West and makes them real, living forces that the protagonists have to deal with on a daily basis. 

Given the many facets this broad genre can take I’m going to confine “weird western” to the realm of the second half of the blend, the Western with Low Fantasy, and refer to the first half as a Space Western. Note that this doesn’t rule out the Weird Space Western for the truly ambitious writer (see: Jack Irons, the Steel Cowboy.) Given this context, what are the pillars of the Weird Western? 

  1. Personification of the forces of change. This can take many forms, from clashes between Native American and European figures of myth to the personifications of railways directing expansion west to some kind of magical disaster driving people across the plains, some form of the supernatural will be involved in humanity’s move westward. This is true even if the Weird Western is set in some fictional world with no historical ties to the United States. One interpretation of this theme that I found particularly interesting was Cherie Priest’s Clockwork Century, where zombies started slowly overrunning the West in a metaphor for the creeping dehumanization of mechanization. 
  2. Magic as a treasure to acquire. The West was a place where people grabbed for a great many things. Land, water, livestock, transportation and precious metals to name a few. While all of those things still hold value in most Weird Westerns most of the players in the story are more interested in magic, which serves as a stand in that simplifies and streamlines the many different conflicts of a traditional Western into something a modern audience can easily understand. As modern culture has moved away from the kinds of work that defined the Old West fights over pasture or farm land and the relentless expansion of the railways have lost some of their immediate impact. Many Americans today don’t even own their own property, much less property that they use to sustain themselves. They are more used to wealth and prosperity in the abstract, in terms of bank balance, investment and the like. Magic in a Weird Western typically serves as an analogy to these more familiar landmarks of prosperity and survival and frames the characters’ desires in a format modern readers instantly resonate with. 
  3. A focus on outsiders. While the Western has always had its love for characters from ‘outside’ communities, from the traveling gunfighter to the displaced veteran, they still tend to focus heavily on specific communities. High Noon, Shane and Tombstone all feature very, very local stories with mostly local casts adding maybe one or two outsiders to provide prospective or an audience vantage point. This makes the narrative a bit more grounded and lends the tale an air of believability (roving gunslingers were by far the exception in the West, after all). In Weird Westerns outsiders are often a much bigger part of the narrative, with large numbers of them roving the West in search of the things that make them powerful and effective. Or, on the flip side, the story may feature people who have been displaced from a quiet town or camp and forced into bigger, more mystical environments that they must then learn to survive in. This lends the Weird Western Genre a tendency to build casts of hunter gatherers, rather than farmers or miners. If not balanced properly it can undercut the Western feel of a story (see the novel A Few Souls More for an example of this). 

What are the weaknesses of the Weird Western? It combines two genres that have a limited appeal. The most popular flavors of fantasy are some kind of Modern or Urban Fantasy and High or Epic Fantasy while Western is a genre few people pay much attention to at all. The tropes and archetypes that define the genre just aren’t as immediate and appealing to most people as they used to be. 

The genre also runs a serious risk of doing too much to really excel at any one thing. Most Weird Westerns try to blend a magic system or two with building a realistic supernatural West, strong characters, historical events and real world cultures. They also need a good plot, the ability to write dialog that is at once snappy and somewhat archaic and a sense of the bittersweet nature of a vanishing frontier. The author needs to do all of these things while balancing them so neither half of the Weird/West balance overwhelms the other. It’s a hard genre to do well and not a lot of people will be excited even if you execute perfectly. 

What are the strengths of the Weird Western? Like many forms of fantasy it gives us the ability to examine difficult questions at a bit of a remove. But more than that, when done right it taps into a section of myth that is powerful and currently quite fresh and new to the modern mind. The West is also one of the best settings to juxtapose modern knowledge and understanding with the conflicts of might and right, civilization and nature. Many of the conflicts we face today are the same as were fought in the West, and with the supernatural to personify the clashing forces there’s much you can say quickly and easily in the Weird West. 

The biggest struggle in the Weird West is building a world that will hold both the supernatural and mundane human portions of the narrative. The West was a very specific place and time, as I’ve mentioned before, and you have to be careful how you introduce anything new to it if you wish to keep the defining elements of the Western present. It’s fun, for sure, but also a tricky challenge. There may be something to talk about there. Hm… maybe we’ll take a crack at that next week. 

Fantasy is Inescapable

One of the most common complaints a modern fantasist hears about his or her work is that fantasy stories are so incredibly trivial. By the same token every modern fantasist has written some kind of rebuttal to this notion. George MacDonald, C.S. Lewis, J.R.R. Tolkien, each took up the standard in turn. Other authors, from bestsellers like George R.R. Martin and Stephen King to lesser known talents like Bill Willingham and Larry Correia, have donned the mantel and defended the fantastical in turn. While I’ve looked at the question of why we love fantasy myself, years ago, I’ve never thought about how to defend the fantastical tale if I had to justify its existence. 

Even now I’m not sure why people question fantasy. We’re surrounded by things that evoke wonder every day. Sunrise and sunset, birth and death, history and nature, all hint at deeper truths that underpin the world as we know it. Humanity’s response to these deep truths has always been the fantastic. From the earliest days of recorded civilization we have had a very sophisticated and story driven way of grappling with the portions of the world beyond our comprehension. 

From the beginning of recorded history the fantastic has come and gone in the stories we read. Gilgamesh fought and befriended Enkidu, the wild man, and together they slew the Bull of Heaven. Then Enkidu died and his death drove Gilgamesh to seek immortality. In a nutshell we see the contest of man versus nature, the cost of building a civilization and how it drives men to memorialize these sacrifices in the fabric of their culture. A sociologist or anthropologist could discuss these concepts in terms of numbers, pressures or psychological drives and add a great deal to the overall picture. But in a single fantasy the basic concepts are expounded on and laid bare to the casual listener in a way no other kind of discussion can. 

The English language is no stranger to fantastic stories either. From the early days of King Arthur’s legends to the plays of Shakespeare, fantastic characters have given voice to such abstract forces as the legitimacy of rulers, the forces of nature and the human drive for vengeance. Edgar Allen Poe transformed the influence of a hostile and overprotective father into a garden of poison that would slowly kill or warp those who lived in it. George MacDonald transformed the battle between good and evil in the human heart into the slow, horrific distortion of the human body. All of these were serious stories for sober minded men attempting to understand the world as it is. They left their marks, great and small, in our own understanding of the world. But all pale before the king. 

The most influential novel in the English language is undoubtedly Charles Dickens’ A Christmas Carol. It’s been parodied or homaged in every long running TV show or, in the old days, radio play. It’s been adapted to stage and film more than any other story in the Western canon. Everyone from Sir Patrick Stewart to the Muppets has taken a crack at it. And on a very fundamental level, A Christmas Carol is a fantasy. 

Ebenezer Scrooge is surrounded by ghosts. These specters embody any and every idea about the human condition you could want – greed, generosity, family, loneliness, regret, past, present, future, death, redemption and second chances. All of these things have faces and voices – or a lack thereof – that makes their impact on Scrooge felt with greater strength than millions of pages of academic prattle about these concepts ever could. In fact, millions of pages of thoughts on A Christmas Carol undoubtedly exist, but none of it comes close to equaling the thing itself. 

And this is a truth paralleled in Dickens’ tale itself. Scrooge understands all the fundamentals of Christmas from the first word of the book. But that simple understanding is insufficient. Ebeneezer understands Christmas but he cannot live it until he meets with it. And he hasn’t met Christmas in such a long time that it will take something fantastic – or, in the book’s own words, wondrous – to effect that meeting. This is why the first words of the book remind us of a simple fact: Marley was dead, to begin with. And later on Dickens reiterates this theme with the following words: 

“There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate.” 

The meeting of Scrooge and Marley, seven years after Marley’s death, was a wonder that opened the door for Christmas to meet Scrooge as well. And it was this meeting that would turn the grasping, clutching covetous old sinner into a man who could live Christmas all the year round. A transformation easy to miss in the mundane world but obvious  to all when it speaks to us through fantasy. 

A Christmas Carol is one of the first stories I can clearly remember my mother reading to me. It was the first play I saw live on the stage. And, perhaps because of this, I have never once had an issue with abstract ideas like generosity or regret wearing a human face and speaking its own mind. Add in a lot of reading of myth in high school and I’ve always assumed fantasy is an integral part of human culture. We need to hear the voices of progress and nature, heroism and despair, judgement and redemption. We need these things to be more than abstracts, we need them to walk among us and talk to us before we can truly come to grips with them, as Ebeneezer Scrooge did. If giving voice to those concepts, if giving them the power to make their will known, somehow classifies my stories as fantasies then that is what they must be. That is how humans are best equipped to hear them and that is how I want to tell them.