It’s been a while since I read or watched a fresh tale and felt truly inspired to sit down and think through everything I loved and hated about it, what worked and what didn’t. That’s partly because I haven’t been reading as much fiction as in days past and partly because I haven’t seen as much that really impressed me in the last few years. Maybe our cultural institutions are on the decline. Maybe I’m just more jaded and cynical about media these days. Maybe it’s a combination of both.
That said, I’ve had the pleasure of watching, reading and listening to some very entertaining fiction in the last year or so months and I thought I would share some of it with you. Strap in, because we’re going to go through this quick!
We begin with Another Kingdom by Andrew Klavan. I covered this series once, after the first season concluded. With the conclusion of the audio version of this series now out and available for free on the YouTube you can sit down and enjoy a truly rousing adventure story that takes many of the shibboleths of modern culture (particularly in Hollywood) to task while showing one man’s transformation from timid and uncertain to confident and purposeful. There’s a lot of interesting allegories at work in the story, clear enough to speak to the audience but general enough not to come off as preachy. While Klavan’s prose sometimes belabors a point a little too much and Knowles’ performance still doesn’t always sell the female characters listening to Another Kingdom is still quite the fun experience.
In much the same vein, This Sounds Serious is a hilarious sendup and love letter to the true crime podcast. From the rivalry of two very odd twin brothers to the fascination an entire small town in Washington has with Joe Rogan, the creators of this spoof podcast series has an eye for the absurd that they always try to emphasize while crafting fun and devious crime stories to tell us about in a mockumentary fashion. There’s not a lot of great traditional character work here, nor are you likely to grow over attached to any of the characters as the cast will mostly change from season to season. But there is a kind of suspense built over time and it is quite fun to listen to, even if you’re not likely lot laugh out loud more than once or twice an episode.
The Dragon Prince is an interesting take on a fantasy property. While I’ve found its approach to some issues to be a little lacking in thought on the whole it builds good characters and takes a nuanced approach to most of the issues it discusses, showing even its obviously evil characters as well rounded and even occasionally sympathetic characters. It has an eye for action and a wonderful aesthetic to its world. While a lot of questions about the philosophical questions it wants to ask are unanswered at this point on the whole I prefer that willingness to let the issues breath. For example, Dragon Prince brings up issues of prejudice quite often. So far, the issues that prejudice presents have never been resolved in a single episode, as many other shows aimed at younger viewers would insist on doing. Some of the lesser side characters are never confronted about their prejudice since confronting this lesser evil would take away from the character’s ability to pursue other goals, forcing them to chose which good ends they will pursue. Thus we see the characters interacting with prejudice in much more realistic, true to life ways. That’s nice to see, and I’ll probably continue to follow Dragon Prince until its run is over.
If you’re wondering what I thought of Castlevania Season 3, as I said in my Castlevania Seasons 1 and 2 review, I’m happy with where that story ended and don’t plan on watching it. However, Sei Manos, an interesting blend of the Western and a Kung Fu film, produced by the same studio as Castlevania, manages to bring a new level of smoothness to the animation while crafting a radically different tale about a Kung Fu master with a devilish secret who dies, leaving his three pupils to struggle with various dark powers as they try to unravel the bizarre blending of drug trafficking and occult powers that threaten their small Mexican town in the late 1970s. It’s mostly intense action but, much like in their previous vampire tale, the writers and animators find plenty of human moments to leaven its ghostly tale. But more than that, it manages to take an animated character, who tends to take a lot of their personality from their voice actors, and make him a mute while still giving you a clear window into his personality and desires. A remarkable achievement, all things considered.
A Letter for the King is very different from many fantasy products aimed at young adults. It presents us with a totally normal protagonist – no, not totally normal. He’s probably a bit weaker and more cowardly than most. It then sends him on an adventure pursued by friends and foes alike, with the charge to deliver… well, a letter to the king. The journey will cost Tiuri far more than he thought, and along the way he will have to confront poor decisions on the part of himself, his family and his friends. He’ll find that his good character is rarely rewarded by the world around him. And in the end he’ll make things right not with magic, strength or cunning but determination, trust and courage. There are major failures in the writing of this series, particularly as regards the climax. But the heart behind the message and the decision to put character at the heart of the conflict makes it a refreshing change from most of its peers.
Last summer I was beta reader for a novel called The Last Warpiper, which is a fantasy novel about an elite soldier who plays the bagpipes.
Wait! Come back! The bagpipes are broken for most of the story!
In all seriousness, Warpiper is a very straightforward, John Wick kind of story about a man who has been wronged by the King and has only one means to set things right. It’s good worldbuilding, an interesting protagonist and anthropomorphic cats. What more could you want, amiright?
Marion G. Harmon’s Repercussions marks a major inflection point in his Wearing the Cape series. Hope Corrigan spends the first three years of her career as a professional Cape protecting the city of Chicago but in this story we see her scope of operations believably enlarged to an international scale. It’s been interesting to watch Harmon’s slow building stakes over the past three or four novels and in this one he has finally decided to go all in and swing for the fences. Many superhero stories try to do this far too quickly, putting the fate of the world in the balance very quickly and it frequently strains believability. This is Harmon’s eighth book and he’s just now getting to the global stage. Rather than coming too soon, I’m almost annoyed it’s only happening now. But only almost – this was an excellent paradigm shift for the series and if you like the series or superhero lit in general it’s well worth reading.
That’s all of the really noteworthy stories I’ve taken in since I started writing Pay the Piper. If you’re looking for something to do in the next few weeks (but why would you be?) then they’re well worth checking out. If you’ve already read them, be sure to let me know what you think!